Read Ebook: The Celtic Twilight by Yeats W B William Butler

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An old weaver, whose son is supposed to go away among the Sidhe at night, says, "Mary Hynes was the most beautiful thing ever made. My mother used to tell me about her, for she'd be at every hurling, and wherever she was she was dressed in white. As many as eleven men asked her in marriage in one day, but she wouldn't have any of them. There was a lot of men up beyond Kilbecanty one night, sitting together drinking, and talking of her, and one of them got up and set out to go to Ballylee and see her; but Cloon Bog was open then, and when he came to it he fell into the water, and they found him dead there in the morning. She died of the fever that was before the famine." Another old man says he was only a child when he saw her, but he remembered that "the strongest man that was among us, one John Madden, got his death of the head of her, cold he got crossing rivers in the night-time to get to Ballylee." This is perhaps the man the other remembered, for tradition gives the one thing many shapes. There is an old woman who remembers her, at Derrybrien among the Echtge hills, a vast desolate place, which has changed little since the old poem said, "the stag upon the cold summit of Echtge hears the cry of the wolves," but still mindful of many poems and of the dignity of ancient speech. She says, "The sun and the moon never shone on anybody so handsome, and her skin was so white that it looked blue, and she had two little blushes on her cheeks." And an old wrinkled woman who lives close by Ballylee, and has told me many tales of the Sidhe, says, "I often saw Mary Hynes, she was handsome indeed. She had two bunches of curls beside her cheeks, and they were the colour of silver. I saw Mary Molloy that was drowned in the river beyond, and Mary Guthrie that was in Ardrahan, but she took the sway of them both, a very comely creature. I was at her wake too--she had seen too much of the world. She was a kind creature. One day I was coming home through that field beyond, and I was tired, and who should come out but the Poisin Glegeal , and she gave me a glass of new milk." This old woman meant no more than some beautiful bright colour by the colour of silver, for though I knew an old man--he is dead now--who thought she might know "the cure for all the evils in the world," that the Sidhe knew, she has seen too little gold to know its colour. But a man by the shore at Kinvara, who is too young to remember Mary Hynes, says, "Everybody says there is no one at all to be seen now so handsome; it is said she had beautiful hair, the colour of gold. She was poor, but her clothes every day were the same as Sunday, she had such neatness. And if she went to any kind of a meeting, they would all be killing one another for a sight of her, and there was a great many in love with her, but she died young. It is said that no one that has a song made about them will ever live long."

Those who are much admired are, it is held, taken by the Sidhe, who can use ungoverned feeling for their own ends, so that a father, as an old herb doctor told me once, may give his child into their hands, or a husband his wife. The admired and desired are only safe if one says "God bless them" when one's eyes are upon them. The old woman that sang the song thinks, too, that Mary Hynes was "taken," as the phrase is, "for they have taken many that are not handsome, and why would they not take her? And people came from all parts to look at her, and maybe there were some that did not say 'God bless her.'" An old man who lives by the sea at Duras has as little doubt that she was taken, "for there are some living yet can remember her coming to the pattern there beyond, and she was said to be the handsomest girl in Ireland." She died young because the gods loved her, for the Sidhe are the gods, and it may be that the old saying, which we forget to understand literally, meant her manner of death in old times. These poor countrymen and countrywomen in their beliefs, and in their emotions, are many years nearer to that old Greek world, that set beauty beside the fountain of things, than are our men of learning. She "had seen too much of the world"; but these old men and women, when they tell of her, blame another and not her, and though they can be hard, they grow gentle as the old men of Troy grew gentle when Helen passed by on the walls.

A "pattern," or "patron," is a festival in honour of a saint.

The poet who helped her to so much fame has himself a great fame throughout the west of Ireland. Some think that Raftery was half blind, and say, "I saw Raftery, a dark man, but he had sight enough to see her," or the like, but some think he was wholly blind, as he may have been at the end of his life. Fable makes all things perfect in their kind, and her blind people must never look on the world and the sun. I asked a man I met one day, when I was looking for a pool na mna Sidhe where women of faery have been seen, bow Raftery could have admired Mary Hynes so much f he had been altogether blind? He said, "I think Raftery was altogether blind, but those that are blind have a way of seeing things, and have the power to know more, and to feel more, and to do more, and to guess more than those that have their sight, and a certain wit and a certain wisdom is given to them." Everybody, indeed, will tell you that he was very wise, for was he not only blind but a poet? The weaver whose words about Mary Hynes I have already given, says, "His poetry was the gift of the Almighty, for there are three things that are the gift of the Almighty--poetry and dancing and principles. That is why in the old times an ignorant man coming down from the hillside would be better behaved and have better learning than a man with education you'd meet now, for they got it from God"; and a man at Coole says, "When he put his finger to one part of his head, everything would come to him as if it was written in a book"; and an old pensioner at Kiltartan says, "He was standing under a bush one time, and he talked to it, and it answered him back in Irish. Some say it was the bush that spoke, but it must have been an enchanted voice in it, and it gave him the knowledge of all the things of the world. The bush withered up afterwards, and it is to be seen on the roadside now between this and Rahasine." There is a poem of his about a bush, which I have never seen, and it may have come out of the cauldron of fable in this shape.

A friend of mine met a man once who had been with him when he died, but the people say that he died alone, and one Maurteen Gillane told Dr. Hyde that all night long a light was seen streaming up to heaven from the roof of the house where he lay, and "that was the angels who were with him"; and all night long there was a great light in the hovel, "and that was the angels who were waking him. They gave that honour to him because he was so good a poet, and sang such religious songs." It may be that in a few years Fable, who changes mortalities to immortalities in her cauldron, will have changed Mary Hynes and Raftery to perfect symbols of the sorrow of beauty and of the magnificence and penury of dreams.

When I was in a northern town awhile ago, I had a long talk with a man who had lived in a neighbouring country district when he was a boy. He told me that when a very beautiful girl was born in a family that had not been noted for good looks, her beauty was thought to have come from the Sidhe, and to bring misfortune with it. He went over the names of several beautiful girls that he had known, and said that beauty had never brought happiness to anybody. It was a thing, he said, to be proud of and afraid of. I wish I had written out his words at the time, for they were more picturesque than my memory of them.

A KNIGHT OF THE SHEEP

Away to the north of Ben Bulben and Cope's mountain lives "a strong farmer," a knight of the sheep they would have called him in the Gaelic days. Proud of his descent from one of the most fighting clans of the Middle Ages, he is a man of force alike in his words and in his deeds. There is but one man that swears like him, and this man lives far away upon the mountain. "Father in Heaven, what have I done to deserve this?" he says when he has lost his pipe; and no man but he who lives on the mountain can rival his language on a fair day over a bargain. He is passionate and abrupt in his movements, and when angry tosses his white beard about with his left hand.

One day I was dining with him when the servant-maid announced a certain Mr. O'Donnell. A sudden silence fell upon the old man and upon his two daughters. At last the eldest daughter said somewhat severely to her father, "Go and ask him to come in and dine." The old man went out, and then came in looking greatly relieved, and said, "He says he will not dine with us." "Go out," said the daughter, "and ask him into the back parlour, and give him some whiskey." Her father, who had just finished his dinner, obeyed sullenly, and I heard the door of the back parlour--a little room where the daughters sat and sewed during the evening--shut to behind the men. The daughter then turned to me and said, "Mr. O'Donnell is the tax-gatherer, and last year he raised our taxes, and my father was very angry, and when he came, brought him into the dairy, and sent the dairy-woman away on a message, and then swore at him a great deal. 'I will teach you, sir,' O'Donnell replied, 'that the law can protect its officers'; but my father reminded him that he had no witness. At last my father got tired, and sorry too, and said he would show him a short way home. When they were half-way to the main road they came on a man of my father's who was ploughing, and this somehow brought back remembrance of the wrong. He sent the man away on a message, and began to swear at the tax-gatherer again. When I heard of it I was disgusted that he should have made such a fuss over a miserable creature like O'Donnell; and when I heard a few weeks ago that O'Donnell's only son had died and left him heart-broken, I resolved to make my father be kind to him next time he came."

She then went out to see a neighbour, and I sauntered towards the back parlour. When I came to the door I heard angry voices inside. The two men were evidently getting on to the tax again, for I could hear them bandying figures to and fro. I opened the door; at sight of my face the farmer was reminded of his peaceful intentions, and asked me if I knew where the whiskey was. I had seen him put it into the cupboard, and was able therefore to find it and get it out, looking at the thin, grief- struck face of the tax-gatherer. He was rather older than my friend, and very much more feeble and worn, and of a very different type. He was not like him, a robust, successful man, but rather one of those whose feet find no resting-place upon the earth. I recognized one of the children of reverie, and said, "You are doubtless of the stock of the old O'Donnells. I know well the hole in the river where their treasure lies buried under the guard of a serpent with many heads." "Yes, sur," he replied, "I am the last of a line of princes."

We then fell to talking of many commonplace things, and my friend did not once toss up his beard, but was very friendly. At last the gaunt old tax-gatherer got up to go, and my friend said, "I hope we will have a glass together next year." "No, no," was the answer, "I shall be dead next year." "I too have lost sons," said the other in quite a gentle voice. "But your sons were not like my son." And then the two men parted, with an angry flush and bitter hearts, and had I not cast between them some common words or other, might not have parted, but have fallen rather into an angry discussion of the value of their dead sons. If I had not pity for all the children of reverie I should have let them fight it out, and would now have many a wonderful oath to record.

The knight of the sheep would have had the victory, for no soul that wears this garment of blood and clay can surpass him. He was but once beaten; and this is his tale of how it was. He and some farm hands were playing at cards in a small cabin that stood against the end of a big barn. A wicked woman had once lived in this cabin. Suddenly one of the players threw down an ace and began to swear without any cause. His swearing was so dreadful that the others stood up, and my friend said, "All is not right here; there is a spirit in him." They ran to the door that led into the barn to get away as quickly as possible. The wooden bolt would not move, so the knight of the sheep took a saw which stood against the wall near at hand, and sawed through the bolt, and at once the door flew open with a bang, as though some one had been holding it, and they fled through.

AN ENDURING HEART

One day a friend of mine was making a sketch of my Knight of the Sheep. The old man's daughter was sitting by, and, when the conversation drifted to love and lovemaking, she said, "Oh, father, tell him about your love affair." The old man took his pipe out of his mouth, and said, "Nobody ever marries the woman he loves," and then, with a chuckle, "There were fifteen of them I liked better than the woman I married," and he repeated many women's names. He went on to tell how when he was a lad he had worked for his grandfather, his mother's father, and was called by his grandfather's name, which we will say was Doran. He had a great friend, whom I shall call John Byrne; and one day he and his friend went to Queenstown to await an emigrant ship, that was to take John Byrne to America. When they were walking along the quay, they saw a girl sitting on a seat, crying miserably, and two men standing up in front of her quarrelling with one another. Doran said, "I think I know what is wrong. That man will be her brother, and that man will be her lover, and the brother is sending her to America to get her away from the lover. How she is crying! but I think I could console her myself." Presently the lover and brother went away, and Doran began to walk up and down before her, saying, "Mild weather, Miss," or the like. She answered him in a little while, and the three began to talk together. The emigrant ship did not arrive for some days; and the three drove about on outside cars very innocently and happily, seeing everything that was to be seen. When at last the ship came, and Doran had to break it to her that he was not going to America, she cried more after him than after the first lover. Doran whispered to Byrne as he went aboard ship, "Now, Byrne, I don't grudge her to you, but don't marry young."

When the story got to this, the farmer's daughter joined In mockingly with, "I suppose you said that for Byrne's good, father." But the old man insisted that he had said it for Byrne's good; and went on to tell how, when he got a letter telling of Byrne's engagement to the girl, he wrote him the same advice. Years passed by, and he heard nothing; and though he was now married, he could not keep from wondering what she was doing. At last he went to America to find out, and though he asked many people for tidings, he could get none. More years went by, and his wife was dead, and he well on in years, and a rich farmer with not a few great matters on his hands. He found an excuse in some vague business to go out to America again, and to begin his search again. One day he fell into talk with an Irishman in a railway carriage, and asked him, as his way was, about emigrants from this place and that, and at last, "Did you ever hear of the miller's daughter from Innis Rath?" and he named the woman he was looking for. "Oh yes," said the other, "she is married to a friend of mine, John MacEwing. She lives at such-and- such a street in Chicago." Doran went to Chicago and knocked at her door. She opened the door herself, and was "not a bit changed." He gave her his real name, which he had taken again after his grandfather's death, and the name of the man he had met in the train. She did not recognize him, but asked him to stay to dinner, saying that her husband would be glad to meet anybody who knew that old friend of his. They talked of many things, but for all their talk, I do not know why, and perhaps he did not know why, he never told her who he was. At dinner he asked her about Byrne, and she put her head down on the table and began to cry, and she cried so he was afraid her husband might be angry. He was afraid to ask what had happened to Byrne, and left soon after, never to see her again.

When the old man had finished the story, he said, "Tell that to Mr. Yeats, he will make a poem about it, perhaps." But the daughter said, "Oh no, father. Nobody could make a poem about a woman like that." Alas! I have never made the poem, perhaps because my own heart, which has loved Helen and all the lovely and fickle women of the world, would be too sore. There are things it is well not to ponder over too much, things that bare words are the best suited for.

THE SORCERERS

In Ireland we hear but little of the darker powers, and come across any who have seen them even more rarely, for the imagination of the people dwells rather upon the fantastic and capricious, and fantasy and caprice would lose the freedom which is their breath of life, were they to unite them either with evil or with good. And yet the wise are of opinion that wherever man is, the dark powers who would feed his rapacities are there too, no less than the bright beings who store their honey in the cells of his heart, and the twilight beings who flit hither and thither, and that they encompass him with a passionate and melancholy multitude. They hold, too, that he who by long desire or through accident of birth possesses the power of piercing into their hidden abode can see them there, those who were once men or women full of a terrible vehemence, and those who have never lived upon the earth, moving slowly and with a subtler malice. The dark powers cling about us, it is said, day and night, like bats upon an old tree; and that we do not hear more of them is merely because the darker kinds of magic have been but little practised. I have indeed come across very few persons in Ireland who try to communicate with evil powers, and the few I have met keep their purpose and practice wholly hidden from those among whom they live. They are mainly small clerks and the like, and meet for the purpose of their art in a room hung with black hangings. They would not admit me into this room, but finding me not altogether ignorant of the arcane science, showed gladly elsewhere what they would do. "Come to us," said their leader, a clerk in a large flour-mill, "and we will show you spirits who will talk to you face to face, and in shapes as solid and heavy as our own."

I know better now. We have the dark powers much more than I thought, but not as much as the Scottish, and yet I think the imagination of the people does dwell chiefly upon the fantastic and capricious.

I had been talking of the power of communicating in states of trance with the angelical and faery beings,--the children of the day and of the twilight--and he had been contending that we should only believe in what we can see and feel when in our ordinary everyday state of mind. "Yes," I said, "I will come to you," or some such words; "but I will not permit myself to become entranced, and will therefore know whether these shapes you talk of are any the more to be touched and felt by the ordinary senses than are those I talk of." I was not denying the power of other beings to take upon themselves a clothing of mortal substance, but only that simple invocations, such as he spoke of, seemed unlikely to do more than cast the mind into trance, and thereby bring it into the presence of the powers of day, twilight, and darkness.

"But," he said, "we have seen them move the furniture hither and thither, and they go at our bidding, and help or harm people who know nothing of them." I am not giving the exact words, but as accurately as I can the substance of our talk.

On the night arranged I turned up about eight, and found the leader sitting alone in almost total darkness in a small back room. He was dressed in a black gown, like an inquisitor's dress in an old drawing, that left nothing of him visible: except his eyes, which peered out through two small round holes. Upon the table in front of him was a brass dish of burning herbs, a large bowl, a skull covered with painted symbols, two crossed daggers, and certain implements shaped like quern stones, which were used to control the elemental powers in some fashion I did not discover. I also put on a black gown, and remember that it did not fit perfectly, and that it interfered with my movements considerably. The sorcerer then took a black cock out of a basket, and cut its throat with one of the daggers, letting the blood fall into the large bowl. He opened a book and began an invocation, which was certainly not English, and had a deep guttural sound. Before he had finished, another of the sorcerers, a man of about twenty-five, came in, and having put on a black gown also, seated himself at my left band. I had the invoker directly in front of me, and soon began to find his eyes, which glittered through the small holes in his hood, affecting me in a curious way. I struggled hard against their influence, and my head began to ache. The invocation continued, and nothing happened for the first few minutes. Then the invoker got up and extinguished the light in the hall, so that no glimmer might come through the slit under the door. There was now no light except from the herbs on the brass dish, and no sound except from the deep guttural murmur of the invocation.

Presently the man at my left swayed himself about, and cried out, "O god! O god!" I asked him what ailed him, but he did not know he had spoken. A moment after he said he could see a great serpent moving about the room, and became considerably excited. I saw nothing with any definite shape, but thought that black clouds were forming about me. I felt I must fall into a trance if I did not struggle against it, and that the influence which was causing this trance was out of harmony with itself, in other words, evil. After a struggle I got rid of the black clouds, and was able to observe with my ordinary senses again. The two sorcerers now began to see black and white columns moving about the room, and finally a man in a monk's habit, and they became greatly puzzled because I did not see these things also, for to them they were as solid as the table before them. The invoker appeared to be gradually increasing in power, and I began to feel as if a tide of darkness was pouring from him and concentrating itself about me; and now too I noticed that the man on my left hand had passed into a death-like trance. With a last great effort I drove off the black clouds; but feeling them to be the only shapes I should see without passing into a trance, and having no great love for them, I asked for lights, and after the needful exorcism returned to the ordinary world.

I said to the more powerful of the two sorcerers--"What would happen if one of your spirits had overpowered me?" "You would go out of this room," he answered, "with his character added to your own." I asked about the origin of his sorcery, but got little of importance, except that he had learned it from his father. He would not tell me more, for he had, it appeared, taken a vow of secrecy.

For some days I could not get over the feeling of having a number of deformed and grotesque figures lingering about me. The Bright Powers are always beautiful and desirable, and the Dim Powers are now beautiful, now quaintly grotesque, but the Dark Powers express their unbalanced natures in shapes of ugliness and horror.

THE DEVIL

My old Mayo woman told me one day that something very bad had come down the road and gone into the house opposite, and though she would not say what it was, I knew quite well. Another day she told me of two friends of hers who had been made love to by one whom they believed to be the devil. One of them was standing by the road-side when he came by on horseback, and asked her to mount up behind him, and go riding. When she would not he vanished. The other was out on the road late at night waiting for her young man, when something came flapping and rolling along the road up to her feet. It had the likeness of a newspaper, and presently it flapped up into her face, and she knew by the size of it that it was the Irish Times. All of a sudden it changed into a young man, who asked her to go walking with him. She would not, and he vanished.

I know of an old man too, on the slopes of Ben Bulben, who found the devil ringing a bell under his bed, and he went off and stole the chapel bell and rang him out. It may be that this, like the others, was not the devil at all, but some poor wood spirit whose cloven feet had got him into trouble.

HAPPY AND UNHAPPY THEOLOGIANS

A mayo woman once said to me, "I knew a servant girl who hung herself for the love of God. She was lonely for the priest and her society, and hung herself to the banisters with a scarf. She was no sooner dead than she became white as a lily, and if it had been murder or suicide she would have become black as black. They gave her Christian burial, and the priest said she was no sooner dead than she was with the Lord. So nothing matters that you do for the love of God." I do not wonder at the pleasure she has in telling this story, for she herself loves all holy things with an ardour that brings them quickly to her lips. She told me once that she never hears anything described in a sermon that she does not afterwards see with her eyes. She has described to me the gates of Purgatory as they showed themselves to her eyes, but I remember nothing of the description except that she could not see the souls in trouble but only the gates. Her mind continually dwells on what is pleasant and beautiful. One day she asked me what month and what flower were the most beautiful. When I answered that I did not know, she said, "the month of May, because of the Virgin, and the lily of the valley, because it never sinned, but came pure out of the rocks," and then she asked, "what is the cause of the three cold months of winter?" I did not know even that, and so she said, "the sin of man and the vengeance of God." Christ Himself was not only blessed, but perfect in all manly proportions in her eyes, so much do beauty and holiness go together in her thoughts. He alone of all men was exactly six feet high, all others are a little more or a little less.

The religious society she had belonged to.

Her thoughts and her sights of the people of faery are pleasant and beautiful too, and I have never heard her call them the Fallen Angels. They are people like ourselves, only better-looking, and many and many a time she has gone to the window to watch them drive their waggons through the sky, waggon behind waggon in long line, or to the door to hear them singing and dancing in the Forth. They sing chiefly, it seems, a song called "The Distant Waterfall," and though they once knocked her down she never thinks badly of them. She saw them most easily when she was in service in King's County, and one morning a little while ago she said to me, "Last night I was waiting up for the master and it was a quarter-past eleven. I heard a bang right down on the table. 'King's County all over,' says I, and I laughed till I was near dead. It was a warning I was staying too long. They wanted the place to themselves." I told her once of somebody who saw a faery and fainted, and she said, "It could not have been a faery, but some bad thing, nobody could faint at a faery. It was a demon. I was not afraid when they near put me, and the bed under me, out through the roof. I wasn't afraid either when you were at some work and I heard a thing coming flop-flop up the stairs like an eel, and squealing. It went to all the doors. It could not get in where I was. I would have sent it through the universe like a flash of fire. There was a man in my place, a tearing fellow, and he put one of them down. He went out to meet it on the road, but he must have been told the words. But the faeries are the best neighbours. If you do good to them they will do good to you, but they don't like you to be on their path." Another time she said to me, "They are always good to the poor."

There is, however, a man in a Galway village who can see nothing but wickedness. Some think him very holy, and others think him a little crazed, but some of his talk reminds one of those old Irish visions of the Three Worlds, which are supposed to have given Dante the plan of the Divine Comedy. But I could not imagine this man seeing Paradise. He is especially angry with the people of faery, and describes the faun- like feet that are so common among them, who are indeed children of Pan, to prove them children of Satan. He will not grant that "they carry away women, though there are many that say so," but he is certain that they are "as thick as the sands of the sea about us, and they tempt poor mortals."

He says, "There is a priest I know of was looking along the ground like as if he was hunting for something, and a voice said to him, 'If you want to see them you'll see enough of them,' and his eyes were opened and he saw the ground thick with them. Singing they do be sometimes, and dancing, but all the time they have cloven feet." Yet he was so scornful of unchristian things for all their dancing and singing that he thinks that "you have only to bid them begone and they will go. It was one night," he says, "after walking back from Kinvara and down by the wood beyond I felt one coming beside me, and I could feel the horse he was riding on and the way he lifted his legs, but they do not make a sound like the hoofs of a horse. So I stopped and turned around and said, very loud, 'Be off!' and he went and never troubled me after. And I knew a man who was dying, and one came on his bed, and he cried out to it, 'Get out of that, you unnatural animal!' and it left him. Fallen angels they are, and after the fall God said, 'Let there be Hell,' and there it was in a moment." An old woman who was sitting by the fire joined in as he said this with "God save us, it's a pity He said the word, and there might have been no Hell the day," but the seer did not notice her words. He went on, "And then he asked the devil what would he take for the souls of all the people. And the devil said nothing would satisfy him but the blood of a virgin's son, so he got that, and then the gates of Hell were opened." He understood the story, it seems, as if it were some riddling old folk tale.

"I have seen Hell myself. I had a sight of it one time in a vision. It had a very high wall around it, all of metal, and an archway, and a straight walk into it, just like what 'ud be leading into a gentleman's orchard, but the edges were not trimmed with box, but with red-hot metal. And inside the wall there were cross-walks, and I'm not sure what there was to the right, but to the left there were five great furnaces, and they full of souls kept there with great chains. So I turned short and went away, and in turning I looked again at the wall, and I could see no end to it.

"And another time I saw Purgatory. It seemed to be in a level place, and no walls around it, but it all one bright blaze, and the souls standing in it. And they suffer near as much as in Hell, only there are no devils with them there, and they have the hope of Heaven.

"And I heard a call to me from there, 'Help me to come out o' this!' And when I looked it was a man I used to know in the army, an Irishman, and from this county, and I believe him to be a descendant of King O'Connor of Athenry.

"So I stretched out my hand first, but then I called out, 'I'd be burned in the flames before I could get within three yards of you.' So then he said, 'Well, help me with your prayers,' and so I do.

"And Father Connellan says the same thing, to help the dead with your prayers, and he's a very clever man to make a sermon, and has a great deal of cures made with the Holy Water he brought back from Lourdes."

THE LAST GLEEMAN

He had not, however, MacConglinne's hatred of the Church and clergy, for when the fruit of his meditations did not ripen well, or when the crowd called for something more solid, he would recite or sing a metrical tale or ballad of saint or martyr or of Biblical adventure. He would stand at a street comer, and when a crowd had gathered would begin in some such fashion as follows --"Gather round me, boys, gather round me. Boys, am I standin' in puddle? am I standin' in wet?" Thereon several boys would cry, "Ali, no! yez not! yer in a nice dry place. Go on with St. Mary; go on with Moses"--each calling for his favourite tale. Then Moran, with a suspicious wriggle of his body and a clutch at his rags, would burst out with "All me buzzim friends are turned backbiters"; and after a final "If yez don't drop your coddin' and diversion I'll lave some of yez a case," by way of warning to the boys, begin his recitation, or perhaps still delay, to ask, "Is there a crowd round me now? Any blackguard heretic around me?" The best-known of his religious tales was St. Mary of Egypt, a long poem of exceeding solemnity, condensed from the much longer work of a certain Bishop Coyle. It told how a fast woman of Egypt, Mary by name, followed pilgrims to Jerusalem for no good purpose, and then, turning penitent on finding herself withheld from entering the Temple by supernatural interference, fled to the desert and spent the remainder of her life in solitary penance. When at last she was at the point of death, God sent Bishop Zozimus to hear her confession, give her the last sacrament, and with the help of a lion, whom He sent also, dig her grave. The poem has the intolerable cadence of the eighteenth century, but was so popular and so often called for that Moran was soon nicknamed Zozimus, and by that name is he remembered. He had also a poem of his own called Moses, which went a little nearer poetry without going very near. But he could ill brook solemnity, and before long parodied his own verses in the following ragamuffin fashion:

In Egypt's land, contagious to the Nile, King Pharaoh's daughter went to bathe in style. She tuk her dip, then walked unto the land, To dry her royal pelt she ran along the strand. A bulrush tripped her, whereupon she saw A smiling babby in a wad o' straw. She tuk it up, and said with accents mild, "'Tare-and-agers, girls, which av yez owns the child?"

His humorous rhymes were, however, more often quips and cranks at the expense of his contemporaries. It was his delight, for instance, to remind a certain shoemaker, noted alike for display of wealth and for personal uncleanness, of his inconsiderable origin in a song of which but the first stanza has come down to us:

At the dirty end of Dirty Lane, Liv'd a dirty cobbler, Dick Maclane; His wife was in the old king's reign A stout brave orange-woman. On Essex Bridge she strained her throat, And six-a-penny was her note. But Dickey wore a bran-new coat, He got among the yeomen. He was a bigot, like his clan, And in the streets he wildly sang, O Roly, toly, toly raid, with his old jade.

He had troubles of divers kinds, and numerous interlopers to face and put down. Once an officious peeler arrested him as a vagabond, but was triumphantly routed amid the laughter of the court, when Moran reminded his worship of the precedent set by Homer, who was also, he declared, a poet, and a blind man, and a beggarman. He had to face a more serious difficulty as his fame grew. Various imitators started up upon all sides. A certain actor, for instance, made as many guineas as Moran did shillings by mimicking his sayings and his songs and his getup upon the stage. One night this actor was at supper with some friends, when dispute arose as to whether his mimicry was overdone or not. It was agreed to settle it by an appeal to the mob. A forty-shilling supper at a famous coffeehouse was to be the wager. The actor took up his station at Essex Bridge, a great haunt of Moran's, and soon gathered a small crowd. He had scarce got through "In Egypt's land, contagious to the Nile," when Moran himself came up, followed by another crowd. The crowds met in great excitement and laughter. "Good Christians," cried the pretender, "is it possible that any man would mock the poor dark man like that?"

"Who's that? It's some imposhterer," replied Moran.

"Begone, you wretch! it's you'ze the imposhterer. Don't you fear the light of heaven being struck from your eyes for mocking the poor dark man?"

"Saints and angels, is there no protection against this? You're a most inhuman-blaguard to try to deprive me of my honest bread this way," replied poor Moran.

"And you, you wretch, won't let me go on with the beautiful poem. Christian people, in your charity won't you beat this man away? he's taking advantage of my darkness."

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