Practice and improve writing style.
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
Now you must know and understand, O Best Beloved, that till that very week, and day, and hour, and minute, this ‘satiable Elephant’s Child had never seen a Crocodile, and did not know what one was like. It was all his ‘satiable curtiosity.
‘O Bananas!’ said they, ‘where did you learn that trick, and what have you done to your nose?’
‘Now attend to me,’ said Painted Jaguar, ‘because this is very important. My mother said that when I meet a Hedgehog I am to drop him into the water and then he will uncoil, and when I meet a Tortoise I am to scoop him out of his shell with my paw. Now which of you is Hedgehog and which is Tortoise? because, to save my spots, I can’t tell.’
‘Yes,’ said the Zebra, ‘but this isn’t the High Veldt. Can’t you see?’
‘It’s a little berangement of my own, Daddy dear,’ said Taffy. ‘If you won’t ask me questions, you’ll know all about it in a little time, and you’ll be surprised. You don’t know how surprised you’ll be, Daddy! Promise you’ll be surprised.’
“Others also,” said Bagheera, licking his lips and looking at the monkey-dead on the terrace and round the tank.
Nag waved to and fro, and then Rikki-tikki heard him drinking from the biggest water-jar that was used to fill the bath. “That is good,” said the snake. “Now, when Karait was killed, the big man had a stick. He may have that stick still, but when he comes in to bathe in the morning he will not have a stick. I shall wait here till he comes. Nagaina—do you hear me?—I shall wait here in the cool till daytime.”
He did more than wriggle. One night he slid down from the post and slipped in between the elephants and threw up the loose end of a rope, which had dropped, to a driver who was trying to get a purchase on the leg of a kicking young calf (calves always give more trouble than full-grown animals). Kala Nag saw him, caught him in his trunk, and handed him up to Big Toomai, who slapped him then and there, and put him back on the post.
“I can’t help that,” said Matkah; “there’s going to be now.” And she sang the low, crooning seal song that all the mother seals sing to their babies:
“Well!” said Kotick. “You’re the only people I’ve ever met uglier than Sea Vitch—and with worse manners.”
For bleak, unadulterated misery that dâk-bungalow was the worst of the many that I had ever set foot in. There was no fireplace, and the windows would not open; so a brazier of charcoal would have been useless. The rain and the wind splashed and gurgled and moaned round the house, and the toddy palms rattled and roared. Half a dozen jackals went through the compound singing, and a hyena stood afar off and mocked them. A hyena would convince a Sadducee of the Resurrection of the Dead—the worst sort of Dead. Then came the ratub—a curious meal, half native and half English in composition—with the old khansamah babbling behind my chair about dead and gone English people, and the wind-blown candles playing shadow-bo-peep with the bed and the mosquito-curtains. It was just the sort of dinner and evening to make a man think of every single one of his past sins, and of all the others that he intended to commit if he lived.
“He is over there,” answered Gunga Dass, pointing to a burrow-mouth about four doors to the left of my own. “You can see for yourself. He died in the burrow as you will die, and I will die, and as all these men and women and the one child will also die.”
“Grish Chunder, you’ve been too well educated to believe in a God, haven’t you?”
I spurred my horse like a man possessed. When I turned my head at the Reservoir works, the black and white liveries were still waiting—patiently waiting—under the grey hillside, and the wind brought me a mocking echo of the words I had just heard. Kitty bantered me a good deal on my silence throughout the remainder of the ride. I had been talking up till then wildly and at random. To save my life I could not speak afterward naturally, and from Sanjowlie to the Church wisely held my tongue.
“What other Sahib, you swine? Speak at once, and don’t stop to tell me a lie.”