Practice and improve writing style. Write like Agatha Christie
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
I had brought with me a pencil and notebook. There did not seem much to note, but I duly dotted down a brief sketch of the room to cover my disappointment at the failure of my quest. As I was in the act of returning the pencil to my bag, it slipped from my fingers and rolled along the floor.
Suddenly she stood up and drew back respectfully as Harry Rayburn entered. He gave her a nod of dismissal and she went out leaving us alone. He smiled at me.
My indifference piqued the good woman. If I had betrayed any interest, she would probably have closed up like an oyster. As it was, she positively bridled.
Those last days on the Kilmorden seemed to pass very quickly. As we drew nearer and nearer to Cape Town, I was forced to consider carefully my future plans. There were so many people I wanted to keep an eye on. Mr. Chichester, Sir Eustace and his secretary, and—yes, Colonel Race! What was I to do about it? Naturally it was Chichester who had first claim on my attention. Indeed, I was on the point of reluctantly dismissing Sir Eustace and Mr. Pagett from their position of suspicious characters, when a chance conversation awakened fresh doubts in my mind.
“No, you don’t. You can’t possibly know. I want to warn you. Leave the whole thing alone. It can’t concern you really. Don’t let your curiosity lead you to tamper with other people’s business. No, please don’t get angry again. I’m not speaking of myself. You’ve no idea of what you might come up against—these men will stop at nothing. They are absolutely ruthless. Already you’re in danger—look at last night. They fancy you know something. Your only chance is to persuade them that they’re mistaken. But be careful, always be on the look out for danger, and, look here, if at any time you should fall into their hands, don’t try and be clever—tell the whole truth, it will be your only chance.”
“Yes. You are your mother’s son as well as your father’s. Go then to Mademoiselle Bella. Tell her everything. Keep nothing back—and see what she will say!”
On a couch, propped up with cushions, and attended by Dr. Durand, lay a tall, striking-looking woman. She was middle-aged, and her once dark hair was now almost entirely silvered, but the intense vitality and strength of her personality would have made itself felt anywhere. You knew at once that you were in the presence of what the French call “une maitresse femme.”
I rather feared Poirot’s banter, but to my relief, and somewhat to my surprise, he only shook his head with a rather unusual gravity.
But my little friend did not rise to the bait. He was observing me gravely.
He made a sign to the commissary, and the latter replied with a nod. Then rising, he went across the room, and returned with the glass jar we had seen in the outhouse in his hand. From this, he took the dagger.
“No—leave it on the seat. I’ll put it up later. Here you are.”
“Why the devil wont it go in?” he muttered, and hauling it out completely, he stooped down and peered under the seat....
“And later we have this: ‘The woman found dead in the Plymouth Express has been identified as the Honorable Mrs. Rupert Carrington.’ You see now, my friend? Or if you do not, I will add this. Mrs. Rupert Carrington was, before her marriage, Flossie Halliday, daughter of old man Halliday, the steel king of America.”
“In town. I believe he was away in the country yesterday, but he returned last night.”
Japp’s jaw fell. “How on earth did you know? Don’t tell me it was those almighty ‘little gray cells’ of yours!”
