Practice and improve writing style. Write like Agatha Christie
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“Not until fiddlesticks!” The snort Miss Howard gave was truly magnificent. “You’re all off your heads. The man will be out of the country by then. If he’s any sense, he won’t stay here tamely and wait to be hanged.”
“Kindly answer my question. Would the prisoner, in the hottest week of a hot summer, be likely to go to a drawer containing winter underclothing. Yes, or no?”
The first witnesses for the prosecution were mostly those who had been called at the inquest, the medical evidence being again taken first.
“No, you are right,” he said, “it is not as though there was a blood tie. She has been kind and generous to these Cavendishes, but she was not their own mother. Blood tells—always remember that—blood tells.”
“How ridiculous! He’s going out of the gate. Isn’t he coming back to-day?”
Once on the platform I walked to the extreme end of it. My inquiring mind wished to satisfy itself as to whether there really were points and an opening between the two tunnels just beyond the station in the direction of Down Street. I was foolishly pleased to find I was right. There were not many people on the platform, and at the extreme end there was only myself and one man. As I passed him, I sniffed dubiously. If there is one smell I cannot bear it is that of moth balls! This man’s heavy overcoat simply reeked of them. And yet most men begin to wear their winter overcoats before January, and consequently by this time the smell ought to have worn off. The man was beyond me, standing close to the edge of the tunnel. He seemed lost in thought, and I was able to stare at him without rudeness. He was a small thin man, very brown of face, with light blue eyes and a small dark beard.
“Arrived safely. All going well. Eric here, also Eustace, but not Guy. Remain where you are for the present. Andy.”
The one thing I could do was to get hold of a time-table and see what time Guy Pagett’s train would pass through Kimberley. I found that it would arrive at 5.40 on the following afternoon and depart again at 6. I wanted to see Pagett as soon as possible, and that seemed to me a good opportunity. The situation on the Rand was getting very serious, and it might be a long time before I got another chance.
“Of course, if it’s so dreadful that you’d be ashamed to speak of it to me——” I began spitefully.
“The man wrote her an order, and she walked out again in her regal insolent manner. Not by word or a sign had she recognized Carton, yet I was sure that their meeting there was a preconceived plan. Then I started to jump to conclusions. Not knowing that Sir Eustace was at Cannes, I thought that this house-hunting business was a mere pretext for meeting him in the Mill House. I knew that he had been in South Africa at the time of the robbery, and never having seen him I immediately leaped to the conclusion that he himself was the mysterious ‘Colonel’ of whom I had heard so much.
The more sensational newspapers immediately took the opportunity of reviving all the old superstitious stories connected with the ill luck of certain Egyptian treasures. The unlucky Mummy at the British Museum, that hoary old chestnut, was dragged out with fresh zest, was quietly denied by the Museum, but nevertheless enjoyed all its usual vogue.
“Mon Dieu!” murmured Poirot, crossing himself vigorously. “Anubis, the jackal-headed, the god of departing souls.”
“This is getting serious,” muttered the doctor. He turned to the lift attendant.
We alighted at the door of a small house standing back from the road. A returning wayfarer, slightly drunk, was lurching along the pavement and almost collided with Poirot, who said something sharply to him which I did not catch. All three of us went up the steps of the house. Poirot rang the bell and motioned us to stand a little aside. There was no answer and he rang again and then seized the knocker which he plied for some minutes vigorously.
“No, sir, I can’t say I have. But, anyway, the valet has most to do with the gentlemen’s rooms.”
