Homepage
Login
Profile
BookClubs
dmBox
Practice and improve writing style. Write like Rudyard Kipling
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
Two days later I inquired after his welfare of the Superintendent of the Asylum.
When I arrived, there was a fitful, undecided rain on the face of the land, accompanied by a restless wind, and every gust made a noise like the rattling of dry bones in the stiff toddy palms outside. The khansamah completely lost his head on my arrival. He had served a Sahib once. Did I know that Sahib? He gave me the name of a well-known man who has been buried for more than a quarter of a century, and showed me an ancient daguerreotype of that man in his prehistoric youth. I had seen a steel engraving of him at the head of a double volume of Memoirs a month before, and I felt ancient beyond telling.
And for visible answer to my last question I saw the infernal Thing blocking my path in the twilight. The dead travel fast, and by short cuts unknown to ordinary coolies. I laughed aloud a second time and checked my laughter suddenly, for I was afraid I was going mad. Mad to a certain extent I must have been, for I recollect that I reined in my horse at the head of the ‘rickshaw, and politely wished Mrs. Wessington “Good-evening.” Her answer was one I knew only too well. I listened to the end; and replied that I had heard it all before, but should be delighted if she had anything further to say. Some malignant devil stronger than I must have entered into me that evening, for I have a dim recollection of talking the commonplaces of the day for five minutes to the Thing in front of me.
I must have lost consciousness, for when I recovered I was lying on my stomach in a heap of soft white sand, and the dawn was beginning to break dimly over the edge of the slope down which I had fallen. As the light grew stronger I saw that I was at the bottom of a horseshoe-shaped crater of sand, opening on one side directly on to the shoals of the Sutlej. My fever had altogether left me, and, with the exception of a slight dizziness in the head, I felt no had effects from the fall over night.
They certainly were too big for the office. Dravot’s beard seemed to fill half the room and Carnehan’s shoulders the other half, as they sat on the big table. Carnehan continued: “The country isn’t half worked out because they that governs it won’t let you touch it. They spend all their blessed time in governing it, and you can’t lift a spade, nor chip a rock, nor look for oil, nor anything like that, without all the Government saying, ‘Leave it alone, and let us govern.’ Therefore, such as it is, we will let it alone, and go away to some other place where a man isn’t crowded and can come to his own. We are not little men, and there is nothing that we are afraid of except Drink, and we have signed a Contrack on that. Therefore we are going away to be Kings.”
“That was done with a bamboo,” said the boy, after one glance. “I have used such a thing among the buffaloes when I served in the Man-Pack. The Father of Cobras—I am sorrowful that I made a jest of him—knew the breed well, as I might have known. Said I not that men kill for idleness?”
Our gloves are stiff with the frozen blood, Our furs with the drifted snow, As we come in with the seal—the seal! In from the edge of the floe. Au jana! Aua! Oha! Haq! And the yelping dog-teams go, And the long whips crack, and the men come back, Back from the edge of the floe! We tracked our seal to his secret place, We heard him scratch below, We made our mark, and we watched beside, Out on the edge of the floe. We raised our lance when he rose to breathe, We drove it downward—so! And we played him thus, and we killed him thus, Out on the edge of the floe. Our gloves are glued with the frozen blood, Our eyes with the drifting snow; But we come back to our wives again, Back from the edge of the floe! Au jana! Aua! Oha! Haq! And the loaded dog-teams go, And the wives can hear their men come back. Back from the edge of the floe!
His words were cut short by a roar and a crash in the thicket below, and Bagheera, light, strong, and terrible as always, stood before him.
“He came only two nights later,” said Bagheera, cowering a little; “and of that long, sweet grass that pleased thee so he gathered more than any Man-cub could eat in all the nights of the Rains. That was no fault of mine.”
“Ah, shame!” said the Jackal. “So noble a heart, too! But men are all alike, to my mind.”
‘Oh, that’s lovely! Much better than a thin frog. Go on,’ said Taffy, using her shark’s tooth. Her Daddy went on drawing, and his hand shook with incitement. He went on till he had drawn this. (13.)
‘’Vantage number one!’ said the Bi-Coloured-Python-Rock-Snake. ‘You couldn’t have done that with a mere-smear nose. Try and eat a little now.’
So he stamped once more, and that instant the Djinns let down the Palace and the gardens, without even a bump. The sun shone on the dark-green orange leaves; the fountains played among the pink Egyptian lilies; the birds went on singing, and the Butterfly’s Wife lay on her side under the camphor-tree waggling her wings and panting, ‘Oh, I’ll be good! I’ll be good!’
‘Do you see that?’ said the Djinn. ‘That’s your very own humph that you’ve brought upon your very own self by not working. To-day is Thursday, and you’ve done no work since Monday, when the work began. Now you are going to work.’
There are three hundred and fifty-five stories about Suleiman-bin-Daoud; but this is not one of them. It is not the story of the Lapwing who found the Water; or the Hoopoe who shaded Suleimanbin-Daoud from the heat. It is not the story of the Glass Pavement, or the Ruby with the Crooked Hole, or the Gold Bars of Balkis. It is the story of the Butterfly that Stamped.