Practice and improve writing style. Write like Rudyard Kipling
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“If India was filled with men like you and me, not knowing more than the crows where they’d get their next day’s rations, it isn’t seventy millions of revenue the land would be paying—it’s seven hundred millions,” said he; and as I looked at his mouth and chin I was disposed to agree with him.
“Now, about that galley-story,” I said, still more cheerfully, in a pause in the rush of the speech.
“Has what gone, Jack dear? what does it all mean? There must be a mistake somewhere, Jack. A hideous mistake.” Her last words brought me to my feet—mad—raving for the time being.
I handed him Wood on the “Sources of the Oxus.” Carnehan was deep in the “Encyclopaedia.”
“You will live here till you die like the other Feringhi,” he said, coolly, watching me over the fragment of gristle that he was gnawing.
Then said Nqong from his bath in the salt-pan, ‘Come and ask me about it tomorrow, because I’m going to wash.’
‘Nice,’ said the small ‘Stute Fish. ‘Nice but nubbly.’
‘It’s too far for your little fat legs,’ said Tegumai. ‘Besides, you might fall into the beaver-swamp and be drowned. We must make the best of a bad job.’ He sat down and took out a little leather mendy-bag, full of reindeer-sinews and strips of leather, and lumps of bee’s-wax and resin, and began to mend the spear.
This, O Beloved of mine, ends the first part of the tale!
Then came a terrible noise, for all the nine hundred and ninety-nine Queens ran out of the Palace shrieking and shouting and calling for their babies. They hurried down the great marble steps below the fountain, one hundred abreast, and the Most Wise Balkis went statelily forward to meet them and said, ‘What is your trouble, O Queens?’
He could not resist the temptation of stealing across the reeds to Mysa and pricking him with the point of his knife. The great dripping bull broke out of his wallow like a shell exploding, while Mowgli laughed till he sat down.
“Hast thou seen the rocks above thee? From the landward side?”
“Twice and thrice have men found their way here,” the White Cobra answered savagely; “but they never spoke till I came upon them groping in the dark, and then they cried only a little time. But ye come with lies, Man and Snake both, and would have me believe the city is not, and that my wardship ends. Little do men change in the years. But I change never! Till the stone is lifted, and the Brahmins come down singing the songs that I know, and feed me with warm milk, and take me to the light again, I—I—I, and no other, am the Warden of the King’s Treasure! The city is dead, ye say, and here are the roots of the trees? Stoop down, then, and take what ye will. Earth has no treasure like to these. Man with the snake’s tongue, if thou canst go alive by the way that thou hast entered it, the lesser Kings will be thy servants!”
“They throw a thing that cuts now,” said Ikki, rustling down the bank; for Ikki was considered uncommonly good eating by the Gonds—they called him Ho-Igoo—and he knew something of the wicked little Gondee axe that whirls across a clearing like a dragon-fly.
THE KING’S ANKUS These are the Four that are never content, that have never been filled since the Dews began— Jacala’s mouth, and the glut of the Kite, and the hands of the Ape, and the Eyes of Man. Jungle Saying. Kaa, the big Rock Python, had changed his skin for perhaps the two-hundredth time since his birth; and Mowgli, who never forgot that he owed his life to Kaa for a night’s work at Cold Lairs, which you may perhaps remember, went to congratulate him. Skin-changing always makes a snake moody and depressed till the new skin begins to shine and look beautiful. Kaa never made fun of Mowgli any more, but accepted him, as the other Jungle People did, for the Master of the Jungle, and brought him all the news that a python of his size would naturally hear. What Kaa did not know about the Middle Jungle, as they call it,—the life that runs close to the earth or under it, the boulder, burrow, and the tree-bole life,—might have been written upon the smallest of his scales.