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Practice and improve writing style. Write like Rudyard Kipling
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
Wild Dog said, ‘O my Enemy and Wife of my Enemy, what is this that smells so good in the Wild Woods?’
Then said Nqong, ‘Perhaps I’m mistaken, but didn’t you ask me to make you different from all other animals, as well as to make you very truly sought after? And now it is five o’clock.’
‘We won’t talk about that,’ said her Daddy, ‘Let’s have lunch.’
One beautiful night on the banks of the turbid Amazon, Painted Jaguar found Stickly-Prickly Hedgehog and Slow-Solid Tortoise sitting under the trunk of a fallen tree. They could not run away, and so Stickly-Prickly curled himself up into a ball, because he was a Hedgehog, and Slow-Solid Tortoise drew in his head and feet into his shell as far as they would go, because he was a Tortoise; and so that was all right, Best Beloved. Do you see?
And she drew this. (3.) ‘And I’ll be quite as s’prised when I see it anywhere, as if you had jumped out from behind a tree and said ‘“Ah!”’
Later on I reflected that two gentlemen like my friends could not do any good if they foregathered and personated correspondents of newspapers, and might, if they blackmailed one of the little rat-trap States of Central India or Southern Rajputana, get themselves into serious difficulties. I therefore took some trouble to describe them as accurately as I could remember to people who would be interested in deporting them; and succeeded, so I was later informed, in having them headed back from the Degumber borders.
“I have been—many times—overcome with weariness in this particular employment. That is the meaning.” He returned me the paper, and I fled without a word of thanks, explanation, or apology.
“‘I’m a Chief,’ says Billy Fish, quite quiet. ‘I stay with you. My men can go.’
“We pulled for you when the wind was against us and the sails were low. Will you never let us go? We ate bread and onions when you took towns or ran aboard quickly when you were beaten back by the foe. The captains walked up and down the deck in fair weather singing songs, but we were below. We fainted with our chins on the oars and you did not see that we were idle for we still swung to and fro. Will you never let us go? The salt made the oar handles like sharkskin; our knees were cut to the bone with salt cracks; our hair was stuck to our foreheads; and our lips were cut to our gums and you whipped us because we could not row. Will you never let us go? But in a little time we shall run out of the portholes as the water runs along the oarblade, and though you tell the others to row after us you will never catch us till you catch the oar-thresh and tie up the winds in the belly of the sail. Aho! Will you never let us go?” “H’m. What’s oar-thresh, Charlie?”
“That is your man,” he said, quickly. “I tell you he will never speak all you wish. That is rot-bosh. But he would be most good to make to see things. Suppose now we pretend that it was only play”—I had never seen Grish Chunder so excited—“and pour the ink-pool into his hand. Eh, what do you think? I tell you that he could see anything that a man could see. Let me get the ink and the camphor. He is a seer and he will tell us very many things.”
Kadlu’s eye rolled round the skin-lined snow-house till it fell on fourteen-year-old Kotuko sitting on the sleeping-bench, making a button out of walrus ivory. “Name him for me,” said Kotuko, with a grin. “I shall need him one day.”
“The Jungle is above our heads,” said Mowgli. “I know only Hathi and his sons among elephants. Bagheera has slain all the horses in one village, and—what is a King?”
“Are ye the only eaters of grass in the Jungle? Drive in your peoples. Let the deer and the pig and the nilghai look to it. Ye need never show a hand’s-breadth of hide till the fields are naked. Let in the Jungle, Hathi!”
“I have watched long—very long—nearly all my life, and my reward has been bites and blows,” said the Jackal.
“Ah-ha! It returns, then. I said the thing was Death. How comes it that thou art still alive?” the old Cobra mumbled, twining lovingly round the ankus-haft.