Practice and improve writing style. Write like Rudyard Kipling
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
The panther had been casting in every direction to see how Big Foot’s trail led away from behind the rock. Then he gave tongue:
The underfed dogs snapped and growled in the passages, glaring at the cold stars, and snuffing into the bitter wind, night after night. When they stopped howling the silence fell down again as solid and heavy as a snowdrift against a door, and men could hear the beating of their blood in the thin passages of the ear, and the thumping of their own hearts, that sounded as loud as the noise of sorcerers’ drums beaten across the snow. One night Kotuko the dog, who had been unusually sullen in harness, leaped up and pushed his head against Kotuko’s knee. Kotuko patted him, but the dog still pushed blindly forward, fawning. Then Kadlu waked, and gripped the heavy wolf-like head, and stared into the glassy eyes. The dog whimpered and shivered between Kadlu’s knees. The hair rose about his neck, and he growled as though a stranger were at the door; then he barked joyously, and rolled on the ground, and bit at Kotuko’s boot like a puppy.
Purun Bhagat ate, and thanked the giver. It was in his mind to stay. That was sufficient, said the priest. Let the begging-bowl be placed outside the shrine, in the hollow made by those two twisted roots, and daily should the Bhagat be fed; for the village felt honoured that such a man—he looked timidly into the Bhagat’s face—should tarry among them.
“I am ashamed of thy brethren,” he said, purring. “What? Did they not sing sweetly to Buldeo?” said Mowgli.
“Pah!” Bagheera grunted. “This place is rank with Man, but here is just such a bed as they gave me to lie upon in the King’s cages at Oodeypore. Now I lie down.” Mowgli heard the strings of the cot crack under the great brute’s weight. “By the Broken Lock that freed me, they will think they have caught big game! Come and sit beside me, Little Brother; we will give them ‘good hunting’ together!”
“Then ten men with bows and arrows ran down that valley, chasing twenty men with bows and arrows, and the row was tremenjus. They was fair men—fairer than you or me—with yellow hair and remarkable well built. Says Dravot, unpacking the guns, ‘This is the beginning of the business. We’ll fight for the ten men,’ and with that he fires two rifles at the twenty men, and drops one of them at two hundred yards from the rock where he was sitting. The other men began to run, but Carnehan and Dravot sits on the boxes picking them off at all ranges, up and down the valley. Then we goes up to the ten men that had run across the snow too, and they fires a footy little arrow at us. Dravot he shoots above their heads, and they all falls down flat. Then he walks over them and kicks them, and then he lifts them up and shakes hands all round to make them friendly like. He calls them and gives them the boxes to carry, and waves his hand for all the world as though he was King already. They takes the boxes and him across the valley and up the hill into a pine wood on the top, where there was half a dozen big stone idols. Dravot he goes to the biggest—a fellow they call Imbra—and lays a rifle and a cartridge at his feet, rubbing his nose respectfully with his own nose, patting him on the head, and nods his head, and says, ‘That’s all right. I’m in the know too, and these old jimjams are my friends.’ Then he opens his mouth and points down it, and when the first man brings him food, he says, ‘No;’ and when the second man brings him food, he says ‘no;’ but when one of the old priests and the boss of the village brings him food, he says, ‘Yes;’ very haughty, and eats it slow. That was how we came to our first village without any trouble, just as though we had tumbled from the skies. But we tumbled from one of those damned rope-bridges, you see, and—you couldn’t expect a man to laugh much after that?”
“Go inside, Gunga Dass,” said I, “and fetch it out.”
Shall I die in my bed decently and as an English gentleman should die; or, in one last walk on the Mall, will my soul be wrenched from me to take its place forever and ever by the side of that ghastly phantasm? Shall I return to my old lost allegiance in the next world, or shall I meet Agnes loathing her and bound to her side through all eternity? Shall we two hover over the scene of our lives till the end of Time? As the day of my death draws nearer, the intense horror that all living flesh feels toward escaped spirits from beyond the grave grows more and more powerful. It is an awful thing to go down quick among the dead with scarcely one-half of your life completed. It is a thousand times more awful to wait as I do in your midst, for I know not what unimaginable terror. Pity me, at least on the score of my “delusion,” for I know you will never believe what I have written here. Yet as surely as ever a man was done to death by the Powers of Darkness I am that man.
Whereupon wilful Kitty set off, her dainty little head in the air, at a hand-gallop in the direction of the Bandstand; fully expecting, as she herself afterward told me, that I should follow her. What was the matter? Nothing indeed. Either that I was mad or drunk, or that Simla was haunted with devils. I reined in my impatient cob, and turned round. The ‘rickshaw had turned too, and now stood immediately facing me, near the left railing of the Combermere Bridge.
“Has it gone, child!” I gasped. Kitty only wept more bitterly.
“Maharaj! Great King,” he said at last in a husky whisper.
“Take him away. He dances like Mao the Peacock. He will crush our young,” said the cobras inside.
“A little thou knowest, but not much. See, O Bagheera, they never thank their teacher. Not one small wolfling has ever come back to thank old Baloo for his teachings. Say the word for the Hunting-People, then—great scholar.”
“Who is Nag?” said he. “I am Nag. The great God Brahm put his mark upon all our people, when the first cobra spread his hood to keep the sun off Brahm as he slept. Look, and be afraid!”
“I’ve no nursery to fight for,” said Kotick. “I only want to show you all a place where you will be safe. What’s the use of fighting?”