Practice and improve writing style. Write like Arthur Conan Doyle
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“What is the use of asking me questions when I tell you I know nothing whatever about it?”
“She has at least an answer for everything. Did you ask her whether in leaving she met any one or saw any one loitering about Charles Street?”
“Certainly the incident was unusual. What were your next steps? You examined the room, I presume, to see if the intruder had left any traces—any cigar-end or dropped glove or hairpin or other trifle?”
Our visitor again passed his hand over his forehead, as if he found it bitterly hard. From every gesture and expression I could see that he was a reserved, self-contained man, with a dash of pride in his nature, more likely to hide his wounds than to expose them. Then suddenly, with a fierce gesture of his closed hand, like one who throws reserve to the winds, he began.
“It’s this way, Watson,” said he at last. “We may leave the question of who killed John Straker for the instant, and confine ourselves to finding out what has become of the horse. Now, supposing that he broke away during or after the tragedy, where could he have gone to? The horse is a very gregarious creature. If left to himself his instincts would have been either to return to King’s Pyland or go over to Mapleton. Why should he run wild upon the moor? He would surely have been seen by now. And why should gypsies kidnap him? These people always clear out when they hear of trouble, for they do not wish to be pestered by the police. They could not hope to sell such a horse. They would run a great risk and gain nothing by taking him. Surely that is clear.”
“There is but one thing to do. It must be done at once. You must put this piece of paper which you have shown us into the brass box which you have described. You must also put in a note to say that all the other papers were burned by your uncle, and that this is the only one which remains. You must assert that in such words as will carry conviction with them. Having done this, you must at once put the box out upon the sundial, as directed. Do you understand?”
“It’s all clear,” he whispered. “Have you the chisel and the bags? Great Scott! Jump, Archie, jump, and I’ll swing for it!”
“No, for it was followed by a protestation of innocence.”
Again a startled look came over the somewhat vacuous face of Miss Mary Sutherland. “Yes, I did bang out of the house,” she said, “for it made me angry to see the easy way in which Mr. Windibank—that is, my father—took it all. He would not go to the police, and he would not go to you, and so at last, as he would do nothing and kept on saying that there was no harm done, it made me mad, and I just on with my things and came right away to you.”
“It was a slight, sir, a public slight,” said Lord St. Simon, tapping his fingers upon the table.
“Why, Mr. Holmes, the crime was only committed at three this morning. How could you hear of it in London and get to the spot as soon as I?”
Holmes picked up the key, and looked at it for an instant, then he handed it back.
“You astonish me, Mr. Holmes. What more could one ask for?”
“Yes, sir—yes. It was all your doing. But I have had a bad setback.”
“I meant no harm, sir, I’m sure. The young woman came to the door last evening—mistook the house, she did. And then we got talking. It’s lonesome, when you’re on duty here all day.”