Practice and improve writing style. Write like Arthur Conan Doyle
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“It was a slight, sir, a public slight,” said Lord St. Simon, tapping his fingers upon the table.
“Do you know, Watson,” said he, “that it is one of the curses of a mind with a turn like mine that I must look at everything with reference to my own special subject. You look at these scattered houses, and you are impressed by their beauty. I look at them, and the only thought which comes to me is a feeling of their isolation and of the impunity with which crime may be committed there.”
“Then I shall drop you a line to let you know how we progress.”
“His name is Vincent Spaulding, and he’s not such a youth, either. It’s hard to say his age. I should not wish a smarter assistant, Mr. Holmes; and I know very well that he could better himself and earn twice what I am able to give him. But, after all, if he is satisfied, why should I put ideas in his head?”
“I see. Then at the gasfitters’ ball you met, as I understand, a gentleman called Mr. Hosmer Angel.”
“We have an inspector who makes a specialty of Saffron Hill and the Italian Quarter. Well, this dead man had some Catholic emblem round his neck, and that, along with his colour, made me think he was from the South. Inspector Hill knew him the moment he caught sight of him. His name is Pietro Venucci, from Naples, and he is one of the greatest cut-throats in London. He is connected with the Mafia, which, as you know, is a secret political society, enforcing its decrees by murder. Now, you see how the affair begins to clear up. The other fellow is probably an Italian also, and a member of the Mafia. He has broken the rules in some fashion. Pietro is set upon his track. Probably the photograph we found in his pocket is the man himself, so that he may not knife the wrong person. He dogs the fellow, he sees him enter a house, he waits outside for him, and in the scuffle he receives his own death-wound. How is that, Mr. Sherlock Holmes?”
“It is a pity he did not write in pencil,” said he, throwing them down again with a shrug of disappointment. “As you have no doubt frequently observed, Watson, the impression usually goes through—a fact which has dissolved many a happy marriage. However, I can find no trace here. I rejoice, however, to perceive that he wrote with a broad-pointed quill pen, and I can hardly doubt that we will find some impression upon this blotting-pad. Ah, yes, surely this is the very thing!”
“What should I have done?” I cried, with some heat.
“I’ll tell it you from the beginning. Just sit me up a little, so as I can speak easy. It was in ’83 that it happened—August of that year. Peter Carey was master of the Sea Unicorn, and I was spare harpooner. We were coming out of the ice-pack on our way home, with head winds and a week’s southerly gale, when we picked up a little craft that had been blown north. There was one man on her—a landsman. The crew had thought she would founder and had made for the Norwegian coast in the dinghy. I guess they were all drowned. Well, we took him on board, this man, and he and the skipper had some long talks in the cabin. All the baggage we took off with him was one tin box. So far as I know, the man’s name was never mentioned, and on the second night he disappeared as if he had never been. It was given out that he had either thrown himself overboard or fallen overboard in the heavy weather that we were having. Only one man knew what had happened to him, and that was me, for, with my own eyes, I saw the skipper tip up his heels and put him over the rail in the middle watch of a dark night, two days before we sighted the Shetland Lights. Well, I kept my knowledge to myself, and waited to see what would come of it. When we got back to Scotland it was easily hushed up, and nobody asked any questions. A stranger died by accident and it was nobody’s business to inquire. Shortly after Peter Carey gave up the sea, and it was long years before I could find where he was. I guessed that he had done the deed for the sake of what was in that tin box, and that he could afford now to pay me well for keeping my mouth shut. I found out where he was through a sailor man that had met him in London, and down I went to squeeze him. The first night he was reasonable enough, and was ready to give me what would make me free of the sea for life. We were to fix it all two nights later. When I came, I found him three parts drunk and in a vile temper. We sat down and we drank and we yarned about old times, but the more he drank the less I liked the look on his face. I spotted that harpoon upon the wall, and I thought I might need it before I was through. Then at last he broke out at me, spitting and cursing, with murder in his eyes and a great clasp-knife in his hand. He had not time to get it from the sheath before I had the harpoon through him. Heavens! what a yell he gave! and his face gets between me and my sleep. I stood there, with his blood splashing round me, and I waited for a bit, but all was quiet, so I took heart once more. I looked round, and there was the tin box on the shelf. I had as much right to it as Peter Carey, anyhow, so I took it with me and left the hut. Like a fool I left my baccy-pouch upon the table.
“Think once more, Lady Brackenstall. Would it not be better to be frank?”
“‘D’you mean to say those are mine?’ he cried.
“I am a hop merchant myself, and as I have an income of seven or eight hundred, we found ourselves comfortably off, and took a nice eighty-pound-a-year villa at Norbury. Our little place was very countrified, considering that it is so close to town. We had an inn and two houses a little above us, and a single cottage at the other side of the field which faces us, and except those there were no houses until you got half way to the station. My business took me into town at certain seasons, but in summer I had less to do, and then in our country home my wife and I were just as happy as could be wished. I tell you that there never was a shadow between us until this accursed affair began.
“Well, I waited until the road was clear—it is never a very frequented one at any time, I fancy—and then I clambered over the fence into the grounds.”
“Do you think that was done last night? It looks rather old, does it not?”
“Bless you, sir, if any one is about he will be, for he is always the first stirring. But here he is, sir, to answer your questions for himself. No, sir, no; it is as much as my place is worth to let him see me touch your money. Afterwards, if you like.”