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Practice and improve writing style. Write like Ernest Hemingway
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
'Yes. I'm a Basso Piave boy and a Grappa boy straight here from Pertica. I'm a Pasubio boy, too, if you know what that means. It was worse just to live there than to fight anywhere else. In the platoon they used to share anyone's gonococci brought from Schio and carried in a match-box. They used to share this just so they could leave because it was intolerable.'
The gondola pulled up between the stakes on the far bank of the canal and the Colonel watched the black-clad people climb up out of the black-painted vehicle. Is she a vehicle? he thought. Or must a vehicle have wheels or be tracked?
'I love you very much the way you are,' the Colonel said. 'And you are the most beautiful woman I have ever known, or seen, ever in paintings by good painters.'
'I understand,' the Colonel said. 'But please, Daughter, you try to understand my attitude too. When we have killed so many we can afford to be kind.'
'Everybody's right until he's wrong,' his best friend said, adding, 'General.'
The wind is our friend, anyway, he thought. Then he added, sometimes. And the great sea with our friends and our enemies. And bed, he thought. Bed is my friend. Just bed, he thought. Bed will be a great thing. It is easy when you are beaten, he thought. I never knew how easy it was. And what beat you, he thought.
He'll stay with me too, I suppose, the old man thought and he waited for it to be light. It was cold now in the time before daylight and he pushed against the wood to be warm. I can do it as long as he can, he thought. And in the first light the line extended out and down into the water. The boat moved steadily and when the first edge of the sun rose it was on the old man's right shoulder.
Under the stars and with the night colder all the time he ate half of one of the dolphin fillets and one of the flying fish, gutted and with its head cut off.
A small bird came toward the skiff from the north. He was a warbler and flying very low over the water. The old man could see that he was very tired.
He leaned over the side and pulled loose a piece of the meat of the fish where the shark had cut him. He chewed it and noted its quality and its good taste. It was firm and juicy, like meat, but it was not red. There was no stringiness in it and he knew that it would bring the highest price in the market. But there was no way to keep its scent out of the water and the old man knew that a very bad time was coming.
“Certainly like to drink,” Bill said. “You ought to try it some times, Jake.”
“Muy buenos,” I said. “Is there an Englishwoman here? I would like to see this English lady.”
Then later: “Do you feel better, darling? Is the head any better?”
“I saw you out of the window,” he said. “Didn’t want to interrupt you. What were you doing? Burying your money?”
Robert Cohn was a member, through his father, of one of the richest Jewish families in New York, and through his mother of one of the oldest. At the military school where he prepped for Princeton, and played a very good end on the football team, no one had made him race-conscious. No one had ever made him feel he was a Jew, and hence any different from anybody else, until he went to Princeton. He was a nice boy, a friendly boy, and very shy, and it made him bitter. He took it out in boxing, and he came out of Princeton with painful self-consciousness and the flattened nose, and was married by the first girl who was nice to him. He was married five years, had three children, lost most of the fifty thousand dollars his father left him, the balance of the estate having gone to his mother, hardened into a rather unattractive mould under domestic unhappiness with a rich wife; and just when he had made up his mind to leave his wife she left him and went off with a miniature-painter. As he had been thinking for months about leaving his wife and had not done it because it would be too cruel to deprive her of himself, her departure was a very healthful shock.