Practice and improve writing style. Write like Hg Wells
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
Montgomery had stopped eating while I told him this. “Rum!” he said. “I can’t see it.” He resumed his meal. “I had no idea of it,” he said, and masticated. “The crew of the schooner must have felt it the same. Made a dead set at the poor devil. You saw the captain?”
“Take him,” said I, standing up again and pointing with the whip; “take him, and carry him out and cast him into the sea.”
Montgomery turned away. “You leave that man alone, anyhow,” he said, nodding his head as he spoke.
“But,” said I, “the thing is an abomination—”
“I will not,” said I. “They were men: what are they now? I at least will not be like them.”
“I spent some minutes screwing up my courage and then unlocked the shop door and marched out into the street, leaving the little man to get out of his sheet again when he liked. In five minutes a dozen turnings intervened between me and the costumier’s shop. No one appeared to notice me very pointedly. My last difficulty seemed overcome.”
CHAPTER II. MR. TEDDY HENFREY’S FIRST IMPRESSIONS At four o’clock, when it was fairly dark and Mrs. Hall was screwing up her courage to go in and ask her visitor if he would take some tea, Teddy Henfrey, the clock-jobber, came into the bar. “My sakes! Mrs. Hall,” said he, “but this is terrible weather for thin boots!” The snow outside was falling faster.
For a moment she stood gaping at him, too surprised to speak.
He tried to resume his work, failed, got up, went downstairs from his study to the landing, rang, and called over the balustrade to the housemaid as she appeared in the hall below. “Was that a letter?” he asked.
“I want you to help me get clothes—and shelter—and then, with other things. I’ve left them long enough. If you won’t—well! But you will—must.”
“The machine was standing on a sloping beach. The sea stretched away to the south-west, to rise into a sharp bright horizon against the wan sky. There were no breakers and no waves, for not a breath of wind was stirring. Only a slight oily swell rose and fell like a gentle breathing, and showed that the eternal sea was still moving and living. And along the margin where the water sometimes broke was a thick incrustation of salt—pink under the lurid sky. There was a sense of oppression in my head, and I noticed that I was breathing very fast. The sensation reminded me of my only experience of mountaineering, and from that I judged the air to be more rarefied than it is now.
X. When Night Came “Now, indeed, I seemed in a worse case than before. Hitherto, except during my night’s anguish at the loss of the Time Machine, I had felt a sustaining hope of ultimate escape, but that hope was staggered by these new discoveries. Hitherto I had merely thought myself impeded by the childish simplicity of the little people, and by some unknown forces which I had only to understand to overcome; but there was an altogether new element in the sickening quality of the Morlocks—a something inhuman and malign. Instinctively I loathed them. Before, I had felt as a man might feel who had fallen into a pit: my concern was with the pit and how to get out of it. Now I felt like a beast in a trap, whose enemy would come upon him soon.
“But I have experimental verification,” said the Time Traveller.
“At that I stopped short before them, hesitating to enter.
“But before the balloons, save for spasmodic jumping and the inequalities of the surface, man had no freedom of vertical movement.”