Practice and improve writing style. Write like Hg Wells
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“It was after that, I think, that we came to a little open court within the palace. It was turfed, and had three fruit-trees. So we rested and refreshed ourselves. Towards sunset I began to consider our position. Night was creeping upon us, and my inaccessible hiding-place had still to be found. But that troubled me very little now. I had in my possession a thing that was, perhaps, the best of all defences against the Morlocks—I had matches! I had the camphor in my pocket, too, if a blaze were needed. It seemed to me that the best thing we could do would be to pass the night in the open, protected by a fire. In the morning there was the getting of the Time Machine. Towards that, as yet, I had only my iron mace. But now, with my growing knowledge, I felt very differently towards those bronze doors. Up to this, I had refrained from forcing them, largely because of the mystery on the other side. They had never impressed me as being very strong, and I hoped to find my bar of iron not altogether inadequate for the work.
He looked across at the Editor, who was a rare visitor, and hoped he was all right. The Editor began a question. “Tell you presently,” said the Time Traveller. “I’m—funny! Be all right in a minute.”
“Abruptly, I dashed down the match, and knocking one of the people over in my course, went blundering across the big dining-hall again, out under the moonlight. I heard cries of terror and their little feet running and stumbling this way and that. I do not remember all I did as the moon crept up the sky. I suppose it was the unexpected nature of my loss that maddened me. I felt hopelessly cut off from my own kind—a strange animal in an unknown world. I must have raved to and fro, screaming and crying upon God and Fate. I have a memory of horrible fatigue, as the long night of despair wore away; of looking in this impossible place and that; of groping among moonlit ruins and touching strange creatures in the black shadows; at last, of lying on the ground near the sphinx and weeping with absolute wretchedness, even anger at the folly of leaving the machine having leaked away with my strength. I had nothing left but misery. Then I slept, and when I woke again it was full day, and a couple of sparrows were hopping round me on the turf within reach of my arm.
“As I walked I was watching for every impression that could possibly help to explain the condition of ruinous splendour in which I found the world—for ruinous it was. A little way up the hill, for instance, was a great heap of granite, bound together by masses of aluminium, a vast labyrinth of precipitous walls and crumpled heaps, amidst which were thick heaps of very beautiful pagoda-like plants—nettles possibly—but wonderfully tinted with brown about the leaves, and incapable of stinging. It was evidently the derelict remains of some vast structure, to what end built I could not determine. It was here that I was destined, at a later date, to have a very strange experience—the first intimation of a still stranger discovery—but of that I will speak in its proper place.
“It was this restlessness, this insecurity, perhaps, that drove me farther and farther afield in my exploring expeditions. Going to the south-westward towards the rising country that is now called Combe Wood, I observed far-off, in the direction of nineteenth-century Banstead, a vast green structure, different in character from any I had hitherto seen. It was larger than the largest of the palaces or ruins I knew, and the façade had an Oriental look: the face of it having the lustre, as well as the pale-green tint, a kind of bluish-green, of a certain type of Chinese porcelain. This difference in aspect suggested a difference in use, and I was minded to push on and explore. But the day was growing late, and I had come upon the sight of the place after a long and tiring circuit; so I resolved to hold over the adventure for the following day, and I returned to the welcome and the caresses of little Weena. But next morning I perceived clearly enough that my curiosity regarding the Palace of Green Porcelain was a piece of self-deception, to enable me to shirk, by another day, an experience I dreaded. I resolved I would make the descent without further waste of time, and started out in the early morning towards a well near the ruins of granite and aluminium.
I turned and walked towards the dead bodies, keeping my face towards the three kneeling Beast Men, very much as an actor passing up the stage faces the audience.
“For every one the want that is bad,” said the grey Sayer of the Law. “What you will want we do not know; we shall know. Some want to follow things that move, to watch and slink and wait and spring; to kill and bite, bite deep and rich, sucking the blood. It is bad. ‘Not to chase other Men; that is the Law. Are we not Men? Not to eat Flesh or Fish; that is the Law. Are we not Men?’”
He could think of nothing else on our homeward journey.
At last the fury of the hunt slackened. We had pinned the wretched brute into a corner of the island. Moreau, whip in hand, marshalled us all into an irregular line, and we advanced now slowly, shouting to one another as we advanced and tightening the cordon about our victim. He lurked noiseless and invisible in the bushes through which I had run from him during that midnight pursuit.
My thoughts were disturbed by a crying of sea-birds hurrying towards some black object that had been stranded by the waves on the beach near the enclosure. I knew what that object was, but I had not the heart to go back and drive them off. I began walking along the beach in the opposite direction, designing to come round the eastward corner of the island and so approach the ravine of the huts, without traversing the possible ambuscades of the thickets.
“What are you going for?” said the Voice, and there was a quick movement of the two, and a flash of sunlight from the open lip of Adye’s pocket.
“Shut the doors,” said the policeman. “Who’s coming? What’s the row?” He went to the door, released the strap, and it slammed. The American closed the other door.
“This stror, sir, if I might make so bold as to remark—”
He paused, and his attitude suggested a roving glance at the window.
“He was afraid, one time, that he’d have to have an op’ration—he was that bad, sir.”
