bell notificationshomepageloginedit profileclubsdmBox

Practice and improve writing style. Write like Hg Wells

Improve your writing style by practicing using this free tool

Practice and improve your writing style below

Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!

Practice writing like:

Type these lines in the boxes below to practice and improve your writing style.

“There’s a Third with a Whip now,” said Montgomery. “So you’d better mind!”

 

“Yes. These creatures you have seen are animals carven and wrought into new shapes. To that, to the study of the plasticity of living forms, my life has been devoted. I have studied for years, gaining in knowledge as I go. I see you look horrified, and yet I am telling you nothing new. It all lay in the surface of practical anatomy years ago, but no one had the temerity to touch it. It is not simply the outward form of an animal which I can change. The physiology, the chemical rhythm of the creature, may also be made to undergo an enduring modification,—of which vaccination and other methods of inoculation with living or dead matter are examples that will, no doubt, be familiar to you. A similar operation is the transfusion of blood,—with which subject, indeed, I began. These are all familiar cases. Less so, and probably far more extensive, were the operations of those mediaeval practitioners who made dwarfs and beggar-cripples, show-monsters,—some vestiges of whose art still remain in the preliminary manipulation of the young mountebank or contortionist. Victor Hugo gives an account of them in ‘L’Homme qui Rit.’—But perhaps my meaning grows plain now. You begin to see that it is a possible thing to transplant tissue from one part of an animal to another, or from one animal to another; to alter its chemical reactions and methods of growth; to modify the articulations of its limbs; and, indeed, to change it in its most intimate structure.

 

“I don’t know. I suppose those that were made of beasts of prey will make silly asses of themselves sooner or later. We can’t massacre the lot—can we? I suppose that’s what your humanity would suggest? But they’ll change. They are sure to change.”

 

It was a semi-circular space, shaped like the half of a bee-hive; and against the rocky wall that formed the inner side of it was a pile of variegated fruits, cocoa-nuts among others. Some rough vessels of lava and wood stood about the floor, and one on a rough stool. There was no fire. In the darkest corner of the hut sat a shapeless mass of darkness that grunted “Hey!” as I came in, and my Ape-man stood in the dim light of the doorway and held out a split cocoa-nut to me as I crawled into the other corner and squatted down. I took it, and began gnawing it, as serenely as possible, in spite of a certain trepidation and the nearly intolerable closeness of the den. The little pink sloth-creature stood in the aperture of the hut, and something else with a drab face and bright eyes came staring over its shoulder.

 

“Can’t have you,” said Montgomery’s companion, concisely.

 

“To do such a thing would be to transcend magic. And I beheld, unclouded by doubt, a magnificent vision of all that invisibility might mean to a man—the mystery, the power, the freedom. Drawbacks I saw none. You have only to think! And I, a shabby, poverty-struck, hemmed-in demonstrator, teaching fools in a provincial college, might suddenly become—this. I ask you, Kemp if you ... Anyone, I tell you, would have flung himself upon that research. And I worked three years, and every mountain of difficulty I toiled over showed another from its summit. The infinite details! And the exasperation! A professor, a provincial professor, always prying. ‘When are you going to publish this work of yours?’ was his everlasting question. And the students, the cramped means! Three years I had of it—

 

Mrs. Hall went away to get a lamp, and he rose and stretched himself. Then came the light, and Mr. Teddy Henfrey, entering, was confronted by this bandaged person. He was, he says, “taken aback.”

 

Footsteps approached, running heavily, the door was pushed open violently, and Marvel, weeping and dishevelled, his hat gone, the neck of his coat torn open, rushed in, made a convulsive turn, and attempted to shut the door. It was held half open by a strap.

 

Mr. Marvel started and looked at them. “Oh, yes,” he said. “Yes, they’re books.”

 

“I went there after I left London. You know I dropped medicine and took up physics? No; well, I did. Light fascinated me.”

 

“The peculiar risk lay in the possibility of my finding some substance in the space which I, or the machine, occupied. So long as I travelled at a high velocity through time, this scarcely mattered: I was, so to speak, attenuated—was slipping like a vapour through the interstices of intervening substances! But to come to a stop involved the jamming of myself, molecule by molecule, into whatever lay in my way; meant bringing my atoms into such intimate contact with those of the obstacle that a profound chemical reaction—possibly a far-reaching explosion—would result, and blow myself and my apparatus out of all possible dimensions—into the Unknown. This possibility had occurred to me again and again while I was making the machine; but then I had cheerfully accepted it as an unavoidable risk—one of the risks a man has got to take! Now the risk was inevitable, I no longer saw it in the same cheerful light. The fact is that, insensibly, the absolute strangeness of everything, the sickly jarring and swaying of the machine, above all, the feeling of prolonged falling, had absolutely upset my nerves. I told myself that I could never stop, and with a gust of petulance I resolved to stop forthwith. Like an impatient fool, I lugged over the lever, and incontinently the thing went reeling over, and I was flung headlong through the air.

 

XI. The Palace of Green Porcelain “I found the Palace of Green Porcelain, when we approached it about noon, deserted and falling into ruin. Only ragged vestiges of glass remained in its windows, and great sheets of the green facing had fallen away from the corroded metallic framework. It lay very high upon a turfy down, and looking north-eastward before I entered it, I was surprised to see a large estuary, or even creek, where I judged Wandsworth and Battersea must once have been. I thought then—though I never followed up the thought—of what might have happened, or might be happening, to the living things in the sea.

 

“Upon that machine,” said the Time Traveller, holding the lamp aloft, “I intend to explore time. Is that plain? I was never more serious in my life.”

 

As I took hold of the handle of the door I heard an exclamation, oddly truncated at the end, and a click and a thud. A gust of air whirled round me as I opened the door, and from within came the sound of broken glass falling on the floor. The Time Traveller was not there. I seemed to see a ghostly, indistinct figure sitting in a whirling mass of black and brass for a moment—a figure so transparent that the bench behind with its sheets of drawings was absolutely distinct; but this phantasm vanished as I rubbed my eyes. The Time Machine had gone. Save for a subsiding stir of dust, the further end of the laboratory was empty. A pane of the skylight had, apparently, just been blown in.

 

“I stopped very gently and sat upon the Time Machine, looking round. The sky was no longer blue. North-eastward it was inky black, and out of the blackness shone brightly and steadily the pale white stars. Overhead it was a deep Indian red and starless, and south-eastward it grew brighter to a glowing scarlet where, cut by the horizon, lay the huge hull of the sun, red and motionless. The rocks about me were of a harsh reddish colour, and all the trace of life that I could see at first was the intensely green vegetation that covered every projecting point on their south-eastern face. It was the same rich green that one sees on forest moss or on the lichen in caves: plants which like these grow in a perpetual twilight.

 

Trending!

 

Back to top