Read Ebook: The Mirror of Literature Amusement and Instruction. Volume 17 No. 491 May 28 1831 by Various

Font size: 10 px 15 px 20 px 25 px 30 px 35 px

Background color: BlackWhiteGrayLight GrayDark GrayDim Gray

Text color: BlackWhiteGrayLight GrayDark GrayDim Gray

Apply/Save settings

Ebook has 137 lines and 16916 words, and 3 pages

"She already possesses a great deal of that knowledge of the past history of this country, that ought to form a part of her peculiar education."

"It is exceedingly gratifying to see that she both loves and respects Prince Leopold, whose conduct, indeed, and character, seem justly to deserve those feelings. From the report of the gentlemen of his household, he is considerate, benevolent, and just, and of very amiable manners. My own observation leads me to think, that, in his behaviour to her, he is affectionate and attentive, rational and discreet; and, in the exercise of that judgment which is sometimes brought in opposition to some little thoughtlessness, he is so cheerful and slily humorous, that it is evident that she is already more in dread of his opinion than of his displeasure."

"Their mode of life is very regular: they breakfast together alone about eleven: at half-past twelve she came in to sit to me, accompanied by Prince Leopold, who stayed great part of the time: about three she would leave the painting-room, to take her airing round the grounds in a low phaeton with her ponies, the prince always walking by her side; at five she would come in and sit to me till seven; at six, or before it, he would go out with his gun to shoot either hares or rabbits, and return about seven or half-past; soon after which we went to dinner, the prince and princess appearing in the drawing-room just as it was served up. Soon after the dessert appeared, the prince and princess retired to the drawing-room, whence we soon heard the piano accompanying their voices. At his own time, Colonel Addenbrooke, the chamberlain, proposed our going in, always, as I thought, to disturb them."

"The prince and princess retire at eleven o'clock."

We leave out the link in the narrative that connects this pleasant description with the melancholy scene described in the following and only add, that the most amiable and beloved of women died within a month from the date of the above letter.

"Popular love and the enthusiasm of sorrow, never towards greatness, perhaps so real, saw in her a promised Elizabeth, and while yet she lived it was a character which I should sincerely have assigned to her, as that which she would most nearly have approached: certain I am that she would have been a true monarch--have loved her people: charity and justice, high integrity , frankness and humanity, were essentials and fixed in her character: her mind seemed to have nothing of subtlety or littleness in it, and she had all the courage of her station."

"She once said, 'I am a great coward, but I bluster it out like the best of them till the danger's over.' I was told by one of the members of the council awaiting her delivery, that Dr. Baillie came in, and said in answer to some inquiries, 'She's doing very well: she'll not die of fear: she puts a good Brunswick face upon the matter.' She had a surprisingly quick ear, which I was pleasantly warned of: whilst playing whist, which being played for shillings, was not the most silent game I ever witnessed, she would suddenly reply to something that the baron or I would be talking of, in the lowest tone, at the end of the room, whilst her companions at the table were ignorant of the cause of her observations."

"I have increased respect for the Bishop of Salisbury, because he appeared to have fully performed his duty in her education. She had, as I have said, great knowledge of the history of this country, and in the businesses of life, and a readiness in anecdotes of political parties in former reigns."

"I was stunned by her death: it was an event in the great drama of life. The return from Elba! Waterloo! St. Helena! Princess Charlotte dead!--I did not grieve, I have not grieved half enough for her: yet I never think of her, speak of her, write of her without tears, and have often, when alone, addressed her in her bliss, as though she now saw me, heard me; and it is because I respect her for her singleness of worth, and am grateful for her past and meditated kindness."

"Her manner of addressing Prince Leopold was always as affectionate as it was simple--'My love;' and his always, 'Charlotte.' I told you that when we went in from dinner they were generally sitting at the pianoforte, often on the same chair. I never heard her play, but the music they had been playing was always of the finest kind."

"If I do not make reply to different parts of your letter , it is because I fear, having no long time to write in, that I may lose something by delay, in narrating the circumstances of my yesterday's visit to Claremont, when I was enabled through the gracious kindness of my sovereign, to fulfil that promise so solemnly given and now become so sacred a pledge."

"It was my wish that Prince Leopold should see the picture on his first entering the room to his breakfast, and accordingly at seven o'clock I set off with it in a coach. I got to Claremont, uncovered and placed it in the room in good time. Before I took it there, I carried it in to Colonel Addenbrooke, Baron Hardenbroch, and Dr. Short, who had been her tutor. Sir Robert Gardiner came in, and went out immediately. Dr. Short looked at it for some time in silence, but I saw his lips trembling, and his eyes filled to overflowing. He said nothing, but went out; and soon after him Colonel Addenbrooke. The baron and I then placed the picture in the prince's room."

"When I returned to take my breakfast, Colonel Addenbrooke came in; he said, 'I don't know what to make of these fellows; there's Sir Robert Gardiner swears he can't stay in the room with it: that if he sees it in one room, he'll go into another.'--Then there's Dr. Short. I said, I suppose by your going out and saying nothing, you don't like the picture. 'Like it,' he said, ''tis so like her, and so amiable, that I could not stay in the room.'--More passed on the subject, not worth detailing. I learnt that the prince was very much overcome by the sight of the picture, and the train of recollections that it brought with it. Colonel Addenbrooke went in to the prince, and returning shortly, said, 'The prince desires me to say how much obliged to you he is for this attention, that he shall always remember it. He said, 'Do you think Sir Thomas Lawrence would wish to see me? If he would, I shall be very glad to see him.'--I replied that I thought you would: so if you like, he will see you whenever you choose, before your departure.' Soon after, I went in to him. As I passed through the hall, Dr. Short came up to me, and thanked me for having painted such a picture. 'No one is a better judge than I am, sir,' and he turned away."

"I need not tell you my part in this interview; he appeared to rely on my sharing his thoughts."

"I know that your good-nature will forgive my not answering your letter in detail, since I have refrained from it but to give you this narration of beings so estimable, so happy, and so parted."

NOTES OF A READER.

KNOWLEDGE FOR THE PEOPLE.

We quote a few articles from the Introductory portion, illustrating the general principles of Mechanical agencies.

Why are we said to know of nothing which is absolutely at rest?

Why does a billiard ball stop when it strikes directly another ball of equal size, and the second ball proceed with the whole velocity which the first had?

Because the action which imparts the new motion is equal to the re-action which destroys the old. Although the transference of motion, in such a case, seems to be instantaneous, the change is really progressive, and is as follows:--The approaching ball, at a certain point of time, has just given half of its motion to the other equal ball; and if both were of soft clay, they would then proceed together with half the original velocity; but, as they are elastic, the touching parts at the moment supposed, are compressed like a spring between the balls; and by their expanding, and exerting force equally both ways, they double the velocity of the foremost ball, and destroy altogether the motion in the other.

Why does a walking stick help a man on a journey?

Because he pushes against the ground with the stick, which may be considered as compressing a spring between the earth and the end of his stick, which spring is therefore pushing up as much as he pushes down; and if, at the time, he were balanced in the scales of a weighing beam, he would find that he weighed just as much less as he were pressing with his stick.

Why is sea-sickness produced on shipboard?

Because man, strictly to maintain his perpendicularity, that is, to keep the centre of gravity always over the support of his body, requires standards of comparison, which he obtains chiefly by the perpendicularity or known position of things about him, as on land; but on shipboard, where the lines of the masts, windows, furniture, &c. are constantly changing, his standards of comparison are soon lost or disturbed. Hence, also, the reason why persons unaccustomed to the motion of a ship, often find relief by keeping their eyes directed to the fixed shore, where it is visible, or by lying on their backs, and shutting their eyes; and, on the other hand, the ill-effects of looking over the side of the vessel at the restless waves of the sea.

Why is the pendulum a time-keeper?

Why do clocks denote the progress of time?

Because they count the oscillations of a pendulum; and by that peculiar property of the pendulum, that one vibration commences exactly where the last terminates, no part of time is lost or gained in the juxtaposition of the units so counted, so that the precise fractional part of a day can be ascertained, which each such unit measures. The origin of the pendulum is traced to Galileo's observation of a hanging lamp in a church at Pisa continuing to vibrate long and with singular uniformity, after any accidental cause of disturbance. Hence he was led to investigate the laws of the phenomenon, and out of what, in some shape or other, had been before men's eyes from the beginning of the world, his powerful genius extracted the most important results. The invention of pendulum clocks took place about the middle of the seventeenth century; and the honour of the discovery is disputed between Galileo and Huygens. Becher contends for Galileo, and states that one Trifler made the first pendulum clock at Florence, under the direction of Galileo Galilei, and that a model of it was sent to Holland. The Accademia del Cimento also expressly declared, that the application of the pendulum to the movement of a clock, was first proposed by Galileo, and put in practice by his son, Vincenzo Galileo, in 1649. Huygens, however, contests the priority, and made a pendulum clock before 1658; and he insists, that if ever Galileo had entertained such an idea, he never brought it to perfection. Beckmann says the first pendulum clock made in England, was constructed in the year 1662, by one Tromantil, a Dutchman; but Grignon affirms that the first pendulum clock was made in England, by Robert Harris, in 1641, and erected in Inigo Jones's church of St. Paul, Covent-garden.

Why does the pendulum move faster in proportion as its journey is longer?

Why is it extremely difficult to ascertain the exact length of the pendulum?

Because of the various expansion of metals, respecting which no two pyrometers agree; the changeable nature of the atmosphere; the uncertainty as to the true level of the sea; the extreme difficulty of measuring accurately the distance between the point of suspension and the centre of oscillation, and even of finding that centre; also the variety of terrestrial attraction, from which cause the motions of the pendulum are also liable to variation, even in the same latitude. In pursuing his researches, Capt. Kater discovered that the motions of the pendulum are affected by the nature of the strata over which it vibrates.

Why is the iron rim of a coach wheel heated before putting on?

Because the expansion of the metal occasioned by the heat, facilitates the operation of putting on the iron, while the contraction which follows, brings the joints of the wooden part together; and thus, binding the whole, gives great strength to the wheel.

Why does a bottle of fresh water, corked and let down 30 or 40 feet into the sea, often come up again with the water saltish, although the cork be still in its place?

Because the cork, when far down, is so squeezed as to allow the water to pass in or out by its sides, but on rising, it resumes its former size.

Why do bubbles rise on a cup of tea when a lump of sugar is dropped into it?

Because the sugar is porous, and the air which filled its pores then escapes to the surface of the tea, and the liquid takes its place.

Why is there an opening in the centre of the upper stone of a corn mill?

Because through this opening the grain is admitted and kept turning round between the stones, and is always tending and travelling outwards, until it escapes as flour from the circumference.

Why does water remain in a vessel which is placed in a sling and made to describe a circle?

Because the water, by its inertia of straightness, or centrifugal force, tends more away from the centre of motion towards the bottom of the vessel, than towards the earth by gravity.

Why does a young quadruped walk much sooner than a child?

FINE ARTS.

THE ROYAL ACADEMY.

The exhibition of works of art in the Royal Academy this year is equal to any preceding, except in the department of portraiture; nor is this deficiency by any means extraordinary, when we consider the severe loss the arts have sustained by the death of Sir Thomas Lawrence. We much regret that, out of one thousand two hundred and thirty-four productions, we can only enumerate a very small number for want of space:

Messrs. Pickersgill, Turner, Reinagle, Hilton, Newton, Constable, Good, Daniell, Clint, Kidd, Howard, Phillips, and Elford, have also some excellent pictures in the exhibition.

G. W. N.

SPIRIT OF THE PUBLIC JOURNALS

BILLINGTON.

SUFFICING REASONS FOR SHAKING.

FREEMASONRY.

Share on: WhatsApp @Hash Facebook Tweet