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Ebook has 506 lines and 102607 words, and 11 pages

Forza Maggiore 178

At Padua 196

A Pilgrimage to Petrarch's House at Arqu? 216

A Visit to the Cimbri 235

Stopping at Vicenza, Verona, and Parma 293

Ducal Mantua 321

THE ROAD TO ROME FROM VENICE.

LEAVING VENICE.

We did not know, when we started from home in Venice, on the 8th of November, 1864, that we had taken the longest road to Rome. We thought that of all the proverbial paths to the Eternal City that leading to Padua, and thence through Ferrara and Bologna to Florence, and so down the sea-shore from Leghorn to Civita Vecchia, was the best, the briefest, and the cheapest. Who could have dreamed that this path, so wisely and carefully chosen, would lead us to Genoa, conduct us on shipboard, toss us four dizzy days and nights, and set us down, void, battered, and bewildered, in Naples? Luckily,

"The moving accident is not my trade,"

for there are events of this journey which, if I recounted them with unsparing sincerity, would forever deter the reader from taking any road to Rome.

Though, indeed, what is Rome, after all, when you come to it?

FROM PADUA TO FERRARA.

As far as to Ferrara there was no sign of deviation from the direct line in our road, and the company was well enough. We had a Swiss family in the car with us to Padua, and they told us how they were going home to their mountains from Russia, where they had spent nineteen years of their lives. They were mother and father and only daughter and the last, without ever having seen her ancestral country, was so Swiss in her yet childish beauty, that she filled the morning twilight with vague images of glacial height, blue lake, snug chalet, and whatever else of picturesque there is in paint and print about Switzerland. Of course, as the light grew brighter these images melted away, and left only a little frost upon the window-pane.

The mother was restively anxious at nearing her country, and told us every thing of its loveliness and happiness. Nineteen years of absence had not robbed it of the poorest charm, and I hope that seeing it again took nothing from it. We said how glad we should be if we were as near America as she was to Switzerland. "America!" she screamed; "you come from America! Dear God, the world is wide--the world is wide!" The thought was so paralyzing that it silenced the fat little lady for a moment, and gave her husband time to express his sympathy with us in our war, which he understood perfectly well. He trusted that the revolution to perpetuate slavery must fail, and he hoped that the war would soon end, for it made cotton very dear.

Europe is material: I doubt if, after Victor Hugo and Garibaldi, there were many upon that continent whose enthusiasm for American unity was not somewhat chilled by the expensiveness of cotton. The fabrics were all doubled in price, and every man in Europe paid tribute in hard money to the devotion with which we prosecuted the war, and, incidentally, interrupted the cultivation of cotton.

We shook hands with our friends, and dismounted at Padua, where we were to take the diligence for the Po. In the diligence their loss was more than made good by the company of the only honest man in Italy. Of course this honest man had been a great sufferer from his own countrymen, and I wish that all English and American tourists, who think themselves the sole victims of publican rapacity and deceit in Italy, could have heard our honest man's talk. The truth is, these ingenious people prey upon their own kind with an avidity quite as keen as that with which they devour strangers; and I am half-persuaded that a ready-witted foreigner fares better among them than a traveller of their own nation. Italians will always pretend, on any occasion, that you have been plundered much worse than they but the reverse often happens. They give little in fees; but their landlord, their porter, their driver, and their boatman pillage them with the same impunity that they rob an Inglese. As for this honest man in the diligence, he had suffered such enormities at the hands of the Paduans, from which we had just escaped, and at the hands of the Ferrarese, into which we were rushing , that I was almost minded to stop between the nests of those brigands and pass the rest of my days at Rovigo, where the honest man lived. His talk was amusingly instructive, and went to illustrate the strong municipal spirit which still dominates all Italy, and which is more inimical to an effectual unity among Italians than Pope or Kaiser has ever been. Our honest man of Rovigo was a foreigner at Padua, twenty-five miles north, and a foreigner at Ferrara, twenty-five miles south; and throughout Italy the native of one city is an alien in another, and is as lawful prey as a Russian or an American with people who consider every stranger as sent them by the bounty of Providence to be eaten alive. Heaven knows what our honest man had paid at his hotel in Padua, but in Ferrara the other week he had been made to give five francs apiece for two small roast chickens, besides a fee to the waiter; and he pathetically warned us to beware how we dealt with Italians. Indeed, I never met a man so thoroughly persuaded of the rascality of his nation and of his own exceptional virtue. He took snuff with his whole person; and he volunteered, at sight of a flock of geese, a recipe which I give the reader: Stuff a goose with sausage; let it hang in the weather during the winter; and in the spring cut it up and stew it, and you have an excellent and delicate soup.

But after all our friend's talk, though constant, became dispiriting, and we were willing when he left us. His integrity had, indeed, been so oppressive that I was glad to be swindled in the charge for our dinner at the Iron Crown, in Rovigo, and rode more cheerfully on to Ferrara.

THE PICTURESQUE, THE IMPROBABLE, AND THE PATHETIC IN FERRARA.

One still faintly discerns among the vast number of names with which the walls of the ante-cell are bewritten, that of Lamartine. The name of Byron, which was once deeply graven in the stucco, had been scooped away by the Grand Duke of Tuscany , and there is only part of a capital B now visible. But the cell itself is still fragrant of associations with the noble bard, who, according to the story related to Valery, caused himself to be locked up in it, and there, with his head fallen upon his breast, and frequently smiting his brow, spent two hours in pacing the floor with great strides. It is a touching picture; but its pathos becomes somewhat embarrassing when you enter the cell, and see the impossibility of taking more than three generous paces without turning. When Byron issued forth, after this exercise, he said to the custodian: "I thank thee, good man! The thoughts of Tasso are now all in my mind and heart." "A short time after his departure from Ferrara," adds the Frenchman, maliciously, "he composed his 'Lament of Tasso,' a mediocre result from such inspiration." No doubt all this is colored, for the same author adds another tint to heighten the absurdity of the spectacle: he declares that Byron spent part of his time in the cell in writing upon the ceiling Lamartine's verses on Tasso, which he misspelled. The present visitor has no means of judging of the truth concerning this, for the lines of the poet have been so smoked by the candles of successive pilgrims in their efforts to get light on them, that they are now utterly illegible. But if it is uncertain what were Byron's emotions on visiting the prison of Tasso, there is no doubt about Lady Morgan's: she "experienced a suffocating emotion; her heart failed her on entering that cell; and she satisfied a melancholy curiosity at the cost of a most painful sensation."

But I have no right to cast the unbroken shadow of my skepticism upon the reader, and so I tell him a story about Ferrara which I actually believe. He must know that in Ferrara the streets are marvelous long and straight. On the corners formed by the crossing of two of the longest and straightest of these streets stand four palaces, in only one of which we have a present interest. This palace my guide took me to see, after our visit to Tasso's prison, and, standing in its shadow, he related to me the occurrence which has given it a sad celebrity. It was, in the time of the gifted toxicologist, the residence of Lucrezia Borgia, who used to make poisonous little suppers there, and ask the best families of Italy to partake of them. It happened on one occasion that Lucrezia Borgia was thrust out of a ball-room at Venice as a disreputable character, and treated with peculiar indignity. She determined to make the Venetians repent their unwonted accession of virtue, and she therefore allowed the occurrence to be forgotten till the proper moment of her revenge arrived, when she gave a supper, and invited to her board eighteen young and handsome Venetian nobles. Upon the preparation of this repast she bestowed all the resources of her skillful and exquisite knowledge; and the result was, the Venetians were so felicitously poisoned that they had just time to listen to a speech from the charming and ingenious lady of the house before expiring. In this address she reminded her guests of the occurrence in the Venetian ball-room, and perhaps exulted a little tediously in her present vengeance. She was surprised and pained when one of the guests interrupted her, and, justifying the treatment she had received at Venice, declared himself her natural son. The lady instantly recognized him, and in the sudden revulsion of maternal feeling, begged him to take an antidote. This he not only refused to do, but continued his dying reproaches, till his mother, losing her self-command, drew her poniard and plunged it into his heart.

The blood of her son fell upon the table-cloth, and this being hung out of the window to dry, the wall received a stain, which neither the sun nor rain of centuries sufficed to efface, and which was only removed with the masonry, when it became necessary to restore the wall under that window, a few months before the time of my visit to Ferrara. Accordingly, the blood-stain has now disappeared; but the conscientious artist who painted the new wall has faithfully restored the tragic spot, by bestowing upon the stucco a bloody dash of Venetian red.

It would be pleasant and merciful, I think, if old towns, after having served a certain number of centuries for the use and pride of men, could be released to a gentle, unmolested decay. I, for my part, would like to have the ducal cities of North Italy, such as Mantua, Modena, Parma, and Ferrara, locked up quietly within their walls, and left to crumble and totter and fall, without any harder presence to vex them in their decrepitude than that of some gray custodian, who should come to the gate with clanking keys, and admit the wandering stranger, if he gave signs of a reverent sympathy, to look for a little while upon the reserved and dignified desolation. It is a shame to tempt these sad old cities into unnatural activity, when they long ago made their peace with the world, and would fain be mixing their weary brick and mortar with the earth's unbuilded dust; and it is hard for the emotional traveller to restrain his sense of outrage at finding them inhabited, and their rest broken by sounds of toil, traffic, and idleness; at seeing places that would gladly have had done with history still doomed to be parts of political systems, to read the newspapers, and to expose railway guides and caricatures of the Pope and of Napoleon in their shop windows.

However, as I said, this is a mere personal preference, and other old cities might feel differently. Indeed, though disposed to condole with Ferrara upon the fact of her having become part of modern Italy, I could not deny, on better acquaintance with her, that she was still almost entirely of the past. She has certainly missed that ideal perfection of non-existence under the Popes which I have just depicted, but she is practically almost as profoundly at rest under the King of Italy. One may walk long through the longitude and rectitude of many of her streets without the encounter of a single face: the place, as a whole, is by no means as lively as Pompeii, where there are always strangers; perhaps the only cities in the world worthy to compete with Ferrara in point of agreeable solitude are Mantua and Herculaneum. It is the newer part of the town--the modern quarter built before Boston was settled or Ohio was known--which is loneliest; and whatever motion and cheerfulness are still felt in Ferrara linger fondly about the ancient holds of life--about the street before the castle of the Dukes, and in the elder and narrower streets branching away from the piazza of the Duomo, where, on market days, there is a kind of dreamy tumult. In the Ghetto we were almost crowded, and people wanted to sell us things, with an enterprise that contrasted strangely with shopkeeping apathy elsewhere. Indeed, surprise at the presence of strangers spending two days in Ferrara when they could have got away sooner, was the only emotion which the whole population agreed in expressing with any degree of energy, but into this they seemed to throw their whole vitality. The Italians are everywhere an artless race, so far as concerns the gratification of their curiosity, from which no consideration of decency deters them. Here in Ferrara they turned about and followed us with their eyes, came to windows to see us, lay in wait for us at street-corners, and openly and audibly debated whether we were English or German. We might have thought this interest a tribute to something peculiar in our dress or manner, had it not visibly attended other strangers who arrived with us. It rose almost into a frenzy of craving to know more of us all, when on the third day the whole city assembled before our hotel, and witnessed, with a sort of desperate cry, the departure of the heavy-laden omnibus which bore us and our luggage from their midst.

I doubt if, after St. Mark's in Venice, the Duomo at Parma, and the Four Fabrics at Pisa, there is a church more worthy to be seen for its quaint, rich architecture, than the Cathedral at Ferrara. It is of that beloved Gothic of which eye or soul cannot weary, and we continually wandered back to it from other more properly interesting objects. It is horribly restored in-doors, and its Renaissance splendors soon drove us forth, after we had looked at the Last Judgment by Bastianino. The style of this painting is muscular and Michelangelic, and the artist's notion of putting his friends in heaven and his foes in hell is by no means novel; but he has achieved fame for his picture by the original thought of making it his revenge for a disappointment in love. The unhappy lady who refused his love is represented in the depths, in the attitude of supplicating the pity and interest of another maiden in Paradise who accepted Bastianino, and who consequently has no mercy on her that snubbed him. But I counted of far more value than this fresco the sincere old sculptures on the fa?ade of the cathedral, in which the same subject is treated, beginning from the moment the archangel's trump has sounded. The people getting suddenly out of their graves at the summons are all admirable; but the best among them is the excellent man with one leg over the side of his coffin, and tugging with both hands to pull himself up, while the coffin-lid tumbles off behind. One sees instantly that the conscience of this early riser is clean, for he makes no miserable attempt to turn over for a nap of a few thousand years more, with the pretense that it was not the trump of doom, but some other and unimportant noise he had heard. The final reward of the blessed is expressed by the repose of one small figure in the lap of a colossal effigy, which I understood to mean rest in Abraham's bosom; but the artist has bestowed far more interest and feeling upon the fate of the damned, who are all boiling in rows of immense pots. It is doubtful whether the artist intended the condition of his sinners to be so horribly comic as it is; but the effect is just as great, for all that, and the slowest conscience might well take alarm from the spectacle of fate so grotesque and ludicrous; for, wittingly or unwittingly, the artist here punishes, as Dante knew best how to do, the folly of sinners as well as their wickedness. Boiling is bad enough; but to be boiled in an undeniable dinner-pot, like a leg of mutton, is to suffer shame us well as agony.

We turned from these horrors, and walked down by the side of the Duomo toward the Ghetto, which is not so foul as one could wish a Ghetto to be. The Jews were admitted to Ferrara in 1275, and, throughout the government of the Dukes, were free to live where they chose in the city; but the Pope's Legate assigned them afterward a separate quarter, which was closed with gates. Large numbers of Spanish Jews fled hither during the persecutions, and there are four synagogues for the four languages,--Spanish, German, French, and Italian. Avventi mentions, among other interesting facts concerning the Ferrarese Jews, that one of their Rabbins, Isaaco degli Abranelli, a man of excellent learning in the Scriptures, claimed to be descended from David. His children still abide in Ferrara; and it may have been one of his kingly line that kept the tempting antiquarian's shop on the corner from which you turn up toward the Library. I should think such a man would find a sort of melancholy solace in such a place: filled with broken and fragmentary glories of every kind, it would serve him for that chamber of desolation, set apart in the houses of the Oriental Hebrews as a place to bewail themselves in; and, indeed, this idea may go far to explain the universal Israelitish fondness for dealing in relics and ruins.

The Ghetto was in itself indifferent to us; it was merely our way to the Library, whither the great memory of Ariosto invited us to see his famous relics treasured there.

When at last I turned from it, however, I saw that the custodian had another relic of Messer Lodovico, which he was not ashamed to match with the manuscript in my interest. This was the bone of one of the poet's fingers, which the pious care of Ferrara had picked up from his dust , and neatly bottled and labeled. In like manner, they keep a great deal of sanctity in bottles with the bones of saints in Italy; but I found very little savor of poesy hanging about this literary relic.

The ancestral house of the Ariosti has been within a few years restored out of all memory and semblance of itself; and my wish to see the place in which the poet was born and spent his childhood resulted, after infinite search, in finding a building faced newly with stucco and newly French-windowed.

The castle of the Dukes of Ferrara, about which cluster so many sad and splendid memories, stands in the heart of the city. I think that the moonlight which, on the night of our arrival, showed me its massive walls rising from the shadowy moat that surrounds them, and its four great towers, heavily buttressed, and expanding at the top into bulging cornices of cavernous brickwork, could have fallen on nothing else in all Italy so picturesque, and so full of the proper dread charm of feudal times, as this pile of gloomy and majestic strength. The daylight took nothing of this charm from it; for the castle stands isolated in the midst of the city, as its founder meant that it should , and modern civilization has not crossed the castle moat, to undignify its exterior with any visible touch of the present. To be sure, when you enter it, the magnificent life is gone out of the old edifice; it is no stately halberdier who stands on guard at the gate of the drawbridge, but a stumpy Italian soldier in baggy trousers. The castle is full of public offices, and one sees in its courts and on its stairways, not brilliant men-at-arms, nor gay squires and pages, but whistling messengers going from one office to another with docketed papers, and slipshod serving-men carrying the clerks their coffee in very dirty little pots. Dreary-looking suitors, slowly grinding through the mills of law, or passing in the routine of the offices, are the guests encountered in the corridors; and all that bright-colored throng of the old days, ladies and lords, is passed from the scene. The melodrama is over, friends, and now we have a play of real life, founded on fact and inculcating a moral.

Of course the custodians were slow to admit any change of this kind. If you could have believed them,--and the poor people told as many lies as they could to make you,--you would believe that nothing had ever happened of a commonplace nature in this castle. The taking-off of Hugo and Parisina they think the great merit of the castle; and one of them, seeing us, made haste to light his taper and conduct us down to the dungeons where those unhappy lovers were imprisoned. It is the misfortune of memorable dungeons to acquire, when put upon show, just the reverse of those properties which should raise horror and distress in the mind of the beholder. It was impossible to deny that the cells of Parisina and of Hugo were both singularly warm, dry, and comfortable; and we, who had never been imprisoned in them, found it hard to command, for our sensation, the terror and agony of the miserable ones who suffered there. We, happy and secure in these dungeons, could not think of the guilty and wretched pair bowing themselves to the headsman's stroke in the gloomy chamber under the Hall of Aurora; nor of the Marquis, in his night-long walk, breaking at last into frantic remorse and tears to know that his will had been accomplished. Nay, there upon its very scene, the whole tragedy faded from us; and, seeing our wonder so cold, the custodian tried to kindle it by saying that in the time of the event these cells were much dreadfuller than now, which was no doubt true. The floors of the dungeons are both below the level of the moat, and the narrow windows, or rather crevices to admit the light, were cut in the prodigiously thick wall just above the water, and were defended with four successive iron gratings. The dungeons are some distance apart: that of Hugo was separated from the outer wall of the castle by a narrow passage-way, while Parisina's window opened directly upon the moat.

When we ascended again to the court of the castle, the custodian, abetted by his wife, would have interested us in two memorable wells there, between which, he said, Hugo was beheaded; and unabashed by the small success of this fable, he pointed out two windows in converging angles overhead, from one of which the Marquis, looking into the other, discovered the guilt of the lovers. The windows are now walled up, but are neatly represented to the credulous eye by a fresco of lattices.

In our visits to the different churches in Ferrara we noticed devotion in classes of people who are devout nowhere else in Italy. Not only came solid-looking business men to say their prayers, but gay young dandies, who knelt and repeated their orisons and then rose and went seriously out. In Venice they would have posted themselves against a pillar, sucked the heads of their sticks, and made eyes at the young ladies kneeling near them. This degree of religion was all the more remarkable in Ferrara, because that city had been so many years under the Pope, and His Holiness contrives commonly to prevent the appearance of religion in young men throughout his dominions.

Valery speaks of the delightful society which he met in the gray old town; and it is said that Ferrara has an unusual share of culture in her wealthy class, which is large. With such memories of learning and literary splendor as belong to her, it would be strange if she did not in some form keep alive the sacred flame. But, though there may be refinement and erudition in Ferrara, she has given no great name to modern Italian literature. Her men of letters seem to be of that race of grubs singularly abundant in Italy,--men who dig out of archives and libraries some topic of special and momentary interest and print it, unstudied and unphilosophized. Their books are material, not literature, and it is marvelous how many of them are published. A writer on any given subject can heap together from them a mass of fact and anecdote invaluable in its way; but it is a mass without life or light, and must be vivified by him who uses it before it can serve the world, which does not care for its dead local value. It remains to be seen whether the free speech and free press of Italy can reawaken the intellectual activity of the cities which once gave the land so many literary capitals.

I think some of the pleasantest people in Italy are the army gentlemen. There is the race's gentleness in their ways, in spite of their ferocious trade, and an American freedom of style. They brag in a manner that makes one feel at home immediately; and met in travel, they are ready to render any little kindness.

The other year at Reggio we stopped to dine at a restaurant where the whole garrison had its coat off and was playing billiards, with the exception of one or two officers, who were dining. These rose and bowed as we entered their room, and when the waiter pretended that such and such dishes were out , they bullied him for the honor of Italy, and made him bring them to us. Indeed, I am afraid his life was sadly harassed by those brave men. We were in deep despair at finding no French bread, and the waiter swore with the utmost pathos that there was none; but as soon as his back was turned, a tightly laced little captain rose and began to forage for the bread. He opened every drawer and cupboard in the room, and finding none, invaded another room, captured several loaves from the plates laid there, and brought them back in triumph, presenting them to us amid the applause of his comrades. The dismay of the waiter, on his return, was ineffable.

"I suppose you gentlemen are all Piedmontese?" I said.

"Not at all," said our Crimean. "I am from Como; this gentleman, il signor Conte, is of Piacenza; and our friend across the table is Genoese. The army is doing a great deal to unify Italy. We are all Italians now, and you see we speak Italian, and not our dialects, together."

My cheap remark that it was a fine thing to see them all united under one flag, after so many ages of mutual hate and bloodshed, turned the talk upon the origin of the Italian flag; and that led our Crimean to ask what was the origin of the English colors.

"I scarcely know," I said. "We are Americans."

Our friends at once grew more cordial. "Oh, Americani!" They had great pleasure of it. Did we think Signor Leencolen would be re?lected?

I supposed that he had been elected that day, I said.

At this the Genoese frowned superior intelligence, and the Crimean gazing admiringly upon him, said he had been nine months at Nuova York, and that he had a brother living there. The poor Crimean boastfully added that he himself had a cousin in America, and that the Americans generally spoke Spanish. The count from Piacenza wore an air of pathetic discomfiture, and tried to invent a transatlantic relative, as I think, but failed.

I am persuaded that none of these warriors really had kinsmen in America, but that they all pretended to have them, out of politeness to us, and that they believed each other. It was very kind of them, and we were so grateful that we put no embarrassing questions. Indeed, the conversation presently took another course, and grew to include the whole table.

THROUGH BOLOGNA TO GENOA.

We had intended to stay only one day at Ferrara, but just at that time the storms predicted on the Adriatic and Mediterranean coasts, by Mathieu de la Drome, had been raging all over Italy, and the railway communications were broken in every direction. The magnificent work through and under the Apennines, between Bologna and Florence, had been washed away by the mountain torrents in a dozen places, and the roads over the plains of the Romagna had been sapped by the flood, and rendered useless, where not actually laid under water.

We knew quite as well from this pantomime of negation as from the dialogue our sad fate, and submitted to it. Some adventurous spirit demanded whether any trains would go on the morrow. The Capo-Stazione, with an air of one who would not presume to fathom the designs of Providence, responded: "Who knows? To-day, certainly not. To-morrow, perhaps. But"--and vanished.

It may give an idea of the Italian way of doing things to say that, as we understood, this break in the line was only a few miles in extent, that trains could have approached both to and from Bologna, and that a little enterprise on the part of the company could have passed travellers from one side to the other with very small trouble or delay. But the railway company was as much daunted by the inundation as a peasant going to market, and for two months after the accident no trains carried passengers from one city to the other. No doubt, however, the line was under process of very solid repair meanwhile.

For the present the only means of getting to Bologna was by carriage on the old highway, and accordingly we took passage thither in the omnibus of the Stella d'Oro.

There was little to interest us in the country over which we rode. It is perfectly flat, and I suppose the reader knows what quantities of hemp and flax are raised there. The land seems poorer than in Lombardy, and the farm-houses and peasants' cottages are small and mean, though the peasants themselves, when we met them, looked well fed, and were certainly well clad. The landscape lay soaking in a dreary drizzle the whole way, and the town of Cento when we reached it, seemed miserably conscious of being too wet and dirty to go in-doors, and was loitering about in the rain. Our arrival gave the poor little place a sensation, for I think such a thing as an omnibus had not been seen there since the railway of Bologna and Ferrara was built. We went into the principal caff? to lunch,--a caff? much too large for Cento, with immense red-leather cushioned sofas, and a cold, forlorn air of half-starved gentility, a clean, high-roofed caff? and a breezy,--and thither the youthful nobility and gentry of the place followed us, and ordered a cup of coffee, that they might sit down and give us the pleasure of their distinguished company. They put on their very finest manners, and took their most captivating attitudes for the ladies' sake; and the gentlemen of our party fancied that it was for them these young men began to discuss the Roman question. How loud they were, and how earnest! And how often they consulted the newspapers of the caff?! I may tire some time of the artless vanity of the young Italians, so innocent, so amiable, so transparent, but I think I never shall.

The great painter Guercino was born at Cento, and they have a noble and beautiful statue of him in the piazza, which the town caused to be erected from contributions by all the citizens. Formerly his house was kept for a show to the public; it was full of the pictures of the painter and many mementos of him; but recently the paintings have been taken to the gallery, and the house is now closed. The gallery is, consequently, one of the richest second-rate galleries in Italy, and one may spend much longer time in it than we gave, with great profit. There are some most interesting heads of Christ, painted, as Guercino always painted the Saviour, with a great degree of humanity in the face. It is an excellent countenance, and full of sweet dignity, but quite different from the conventional face of Christ.

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