Read Ebook: The Religions of Japan from the Dawn of History to the Era of Méiji by Griffis William Elliot

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These three religious systems as at present constituted, are "book religions." They rest, respectively, upon the Kojiki and other ancient Japanese literature and the modern commentators; upon the Chinese classics edited and commented on by Confucius and upon Chu Hi and other mediaeval scholastics who commented upon Confucius; and upon the shastras and sutras with which Gautama, the Buddha, had something to do. Yet in primeval and prehistoric Nippon neither these books nor the religions growing out of the books were extant. Furthermore, strictly speaking, it is not with any or all of these three religions that the Christian missionary comes first, oftenest or longest in contact. In ancient, in mediaeval, and in modern times the student notices a great undergrowth of superstition clinging parasitically to all religions, though formally recognized by none. Whether we call it fetichism, shamanism, nature worship or heathenism in its myriad forms, it is there in awful reality. It is as omnipresent, as persistent, as hard to kill as the scrub bamboo which both efficiently and sufficiently takes the place of thorns and thistles as the curse of Japanese ground.

The book-religions can be more or less apprehended by those alien to them, but to fully appreciate the depth, extent, influence and tenacity of these archaic, unwritten and unformulated beliefs requires residence upon the soil and life among the devotees. Disowned it may be by the priests and sages, indignantly disclaimed or secretly approved in part by the organized religions, this great undergrowth of superstition is as apparent as the silicious bamboo grass which everywhere conditions and modifies Japanese agriculture. Such prevalence of mental and spiritual disease is the sad fact that confronts every lover of his fellow-men. This paganism is more ancient and universal than any one of the religions founded on writing or teachers of name and fame. Even the applied science and the wonderful inventions imported from the West, so far from eradicating it, only serve as the iron-clad man-of-war in warm salt water serves the barnacles, furnishing them food and hold.

We propose to give in this our first lecture, a general or bird's-eye view of this dead level of paganism above which the systems of Shint, Confucianism and Buddhism tower like mountains. It in by this omnipresent superstition that the respectable religious have been conditioned in their history and are modified at present, even as Christianity has been influenced in its progress by ethnic or local ideas and temperaments, and will be yet in its course of victory in the Mikado's empire.

Just as the terms "heathen" and "pagan" suggest the heath-man of Northern Europe and the isolated hamlet of the Roman empire, while the cities were illuminated with Christian truth, so, in the main, the matted superstitious of Chinese Asia are more suggestive of distances from books and centres of knowledge, though still sufficiently rooted in the crowded cities.

One to whom the boundary line between the Creator and his world is perfectly clear, one who knows the eternal difference between mind and matter, one born amid the triumphs of science can but faintly realize the mental condition of the millions of Japan to whom there is no unifying thought of the Creator-Father. Faith in the unity of law is the foundation of all science, but the average Asiatic has not this thought or faith. Appalled at his own insignificance amid the sublime mysteries and awful immensities of nature, the shadows of his own mind become to him real existences. As it is affirmed that the human skin, sensitive to the effects of light, takes the photograph of the tree riven by lightning, so, on the pagan mind lie in ineffaceable and exaggerated grotesqueness the scars of impressions left by hereditary teaching, by natural phenomena and by the memory of events and of landmarks. Out of the soil of diseased imagination has sprung up a growth as terrible as the drunkard's phantasies. The earthquake, flood, tidal wave, famine, withering or devastating wind and poisonous gases, the geological monsters and ravening bird, beast and fish, have their representatives or supposed incarnations in mythical phantasms.

Frightful as these shadows of the mind appear, they are both very real and, in a sense, very necessary to the ignorant man. He must have some theory by which to explain the phenomena of nature and soothe his own terrors. Hence he peoples the earth and water, not only with invisible spirits more or less malevolent, but also with bodily presences usually in terrific bestial form. To those who believe in one Spirit pervading, ordering, governing all things, there is unity amid all phenomena, and the universe is all order and beauty. To the mind which has not reached this height of simplicity, instead of one cause there are many. The diverse phenomena of nature are brought about by spirits innumerable, warring and discordant. Instead of a unity to the mind, as of sun and solar system, there is nothing but planets, asteroids and a constant rain of shooting-stars.

Shamanism.

Glancing at some phases of the actual unwritten religions of Japan we name Shamanism, Mythical Zo?logy, Fetichism, Phallicism, and Tree and Serpent Worship.

In actual Shamanism or Animism there may or there may not be a belief in or conception of a single all-powerful Creator above and beyond all. Usually there is not such a belief, though, even if there be, the actual government of the physical world and its surroundings is believed to lie in the hands of many spirits or gods benevolent and malevolent. Earth, air, water, all things teem with beings that are malevolent and constantly active. In time of disaster, famine, epidemic the universe seems as overcrowded with them as stagnant water seems to be when the solar microscope throw its contents into apparition upon the screen. It is absolutely necessary to propitiate these spirits by magic rites and incantations.

Yet, besides the Ainos, there are millions of Japanese who are Shamanists, even though they know not the name or organized cult. And if we make use of the term Shamanism instead of the more exact one of Animism, it is for the very purpose of illustrating our contention that the underlying paganisms of the Japanese archipelago, unwritten and unformulated, are older than the religions founded on books; and that these paganisms, still vital and persistent, constantly modify and corrupt the recognized religious. The term Shaman, a Pali word, was originally a pure Buddhist term meaning one who has separated from his family and his passions. One of the designations of the Buddha was Shamana-Gautama. The same word, Shamon, in Japanese still means a bonze, or Buddhist priest. Its appropriation by the sorcerers, medicine-men, and lords of the misrule of superstition in Mongolia and Manchuria shows decisively how indigenous paganism has corrupted the Buddhism of northern Asia even as it has caused its decay in Japan.

As out of Animism or Shamanism grows Fetichism in which a visible object is found for the abode or medium of the spirit, so also, out of the same soil arises what we may call Imaginary Zo?logy. In this mental growth, the nightmare of the diseased imagination or of the mind unable to draw the line between the real and the unreal, Chinese Asia differs notably from the Aryan world. With the mythical monsters of India and Iran we are acquainted, and with those of the Semitic and ancient European cycle of ideas which furnished us with our ancients and classics we are familiar. The lovely presences in human form, the semi-human and bestial creations, sphinxes, naiads, satyrs, fauns, harpies, griffins, with which the fancy of the Mediterranean nations populated glen, grotto, mountain and stream, are probably outnumbered by the less beautiful and even hideous mind-shadows of the Turanian world. Chief among these are what in Chinese literature, so slavishly borrowed by the Japanese, are called the four supernatural or spiritually endowed creatures--the Kirin or Unicorn, the Phoenix, the Tortoise and the Dragon.

Mythical Zo?logy.

The Phoenix is of the essence of water; it was born in the vermilion cave; it perches not but on the most beautiful of all trees; it eats not but of the seed of the bamboo; its body is adorned with the five colors; its song contains the five notes; as it walks it looks around; as it flies hosts of birds follow it.

Older than the elaborate descriptions of it and its representations in art, the H-w is one of the creations of primitive Chinese Animism.

The Kwei or Tortoise is not the actual horny reptile known to naturalists and to common experience, but a spirit, an animated creature that ages ago rose up out of the Yellow River, having on its carapace the mystic writing out of which the legendary founder of Chinese civilization deciphered the basis of moral teachings and the secrets of the unseen. From this divine tortoise which conceived by thought alone, all other tortoises sprang. In the elaboration of the myths and legends concerning the tortoise we find many varieties of this scaly incarnation. It lives a thousand years, hence it is emblem of longevity in art and literature. It is the attendant of the god of the waters. It has some of the qualities and energies of the dragon, it has the power of transformation. In pictures and sculptures we are familiar with its figure, often of colossal size, as forming the curb of a well, the base of a monument or tablet. Yet, whatever its form in literature or art, it is the later elaborated representation of ancient Animism which selected the tortoise as one of the manifold incarnations or media of the myriad spirits that populate the air.

Chief and leader of the four divinely constituted beasts is the Lung, Japanese Ri, or Dragon, which has the power of transformation and of making itself visible or invisible. At will it reduces itself to the size of a silk-worm, or is swollen until it fills the space of heaven and earth. This is the creature especially preeminent in art, literature and rhetoric. There are nine kinds of dragons, all with various features and functions, and artists and authors revel in their representation. The celestial dragon guards the mansions of the gods and supports them lest they fall; the spiritual dragon causes the winds to blow and rain to descend for the service of mankind; the earth dragon marks out the courses of rivers and streams; the dragon of the hidden treasures watches over the wealth concealed from mortals, etc. Outwardly, the dragon of superstition resembles the geological monsters brought to resurrection by our paleontologists. He seems to incarnate all the attributes and forces of animal life--vigor, rapidity of motion, endurance, power of offence in horn, hoof, claw, tooth, nail, scale and fiery breath. Being the embodiment of all force the dragon is especially symbolical of the emperor. Usually associated with malevolence, one sees, besides the conventional art and literature of civilization, the primitive animistic idea of men to whose mind this mysterious universe had no unity, who believed in myriad discordant spirits but knew not of "one Law-giver, who is able both to save and to destroy." An enlargement, possibly, of prehistoric man's reminiscence of now extinct monsters, the dragon is, in its artistic development, a mythical embodiment of all the powers of moisture to bless and to harm. We shall see how, when Buddhism entered China, the cobra-de-capello, so often figured in the Buddhistic representations of India, is replaced by the dragon.

As with the superstitions and survival of Animism and Fetichism from our pagan ancestors among ourselves, many of the lingering beliefs may be harmless, but over the mass of men in Japan and in Chinese Asia they still exert a baleful influence. They make life full of distress; they curtail human joy; they are a hindrance, to spiritual progress and to civilization.

Fetichism.

The animistic tendency in that part of Asia dominated by the Chinese world of ideas shows itself not only in a belief in messengers or embodiments of divine malevolence or benevolence, but also in the location of the spiritual influence in or upon an inanimate object or fetich. Among men in Chinese Asia, from the clodhopper to the gentleman, the inheritance of Fetichism from the primeval ages is constantly noticeable. Let us glance at the term itself.

Let me draw a picture from actual observation. I look out of the windows of my house in Fukui. Here is a peasant who comes back after the winter to prepare his field for cultivation. The man's horizon of ideas, like his vocabulary, is very limited. His view of actual life is bounded by a few rice-fields, a range of hills, and the village near by. Possibly one visit to a city or large town has enriched his experience. More probably, however, the wind and clouds, the weather, the soil, crops and taxes, his family and food and how to provide for them, are the main thoughts that occupy his mind. Before he will strike mattock or spade in the soil, lay axe to a tree, collect or burn underbrush, he will select a stone, a slab of rock or a stick of wood, set it upon hill side or mud field-boundary, and to this he will bow, prostrate himself or pray. To him, this stone or stick is consecrated. It has power to placate the spirits and ward off their evil. It is the medium of communication between him and them. Now, having attended, as he thinks, to the proprieties in the case, he proceeds to dig, plough, drain, put in order and treat soil or water, tree or other growth as is most convenient for his purpose. His fetich is erected to "the honorable spirits." Were this not attended to, some known or unknown bad luck, sinister fortune, or calamity would befall him. Here, then, is a fetich-worshipper. The stick or stone is the medium of communication between the man and the spirits who can bless or harm him, and which to his mind are as countlessly numerous as the swarms of mosquitoes which he drives out of and away from his summer cottage by smudge fires in August.

Of the 7,817,570 houses in the empire, enumerated in the census of 1892, it is probable that seven millions of them are subjects of insurance by fetich. They are guaranteed against fire, thieves, lightning, plague and pestilence. It is because of money paid to the priests that the wooden policies are duly nailed on the walls, and not on account of the wise application of mathematical, financial or medical science. Examine also the paper packages carefully tied and affixed above the transom, decipher the writing in ink or the brand left by the hot iron on the little slabs of pine-wood--there may be one or a score of them--and what will you read? Names of the temples with date of issue and seal of certificate from the priests, mottoes or titles from sacred books, often only a Sanskrit letter or monogram, of which the priest-pedler may long since have forgotten the meaning. To build a house, select a cemetery or proceed to any of the ordinary events of life without making use of some sort of material fetich, is unusual, extraordinary and is voted heterodox.

The civilized Japanese, having passed far beyond the Aino's stage of religion, still show their fetichistic instincts in the veneration accorded to priestly inventions for raising revenue. This instinct lingers in the faith accorded to medicine in the form of decoction, pill, bolus or poultice made from the sacred writing and piously swallowed; in the reverence paid to the idol for its own sake, and in the charm or amulet worn by the soldier in his cap or by the gentleman in his pill-box, tobacco-pouch or purse.

As the will of the worshipper who selects the fetich makes it what it is, so also, by the exercise of that will he imagines he can in a certain measure be the equal or superior of his god. Like the Italian peasant who beats or scolds his bambino when his prayers are not answered or his wishes gratified, so the fetich is punished or not allowed to know what is going on, by being covered up or hidden away. Instances of such rough handling of their fetiches by the people are far from unknown in the Land of Great Peace. At such childishness we may wonder and imagine that fetich-worship is the very antipodes of religion; and yet it requires but little study of the lower orders of mind and conduct in Christendom to see how fetich-worship still lingers among people called Christians, whether the fetich be the image of a saint or the Virgin, or a verse of the Bible found at random and used much as is a penny-toss to decide minor actions. Or, to look farther south, what means the rabbit's foot carried in the pocket or the various articles of faith now hanging in the limbo between religion and folk-lore in various parts of our own country?

Phallicism.

We may easily see why and how that which to us is a degrading cult was not only closely allied to Shint, but directly fostered by and properly a part of it, as soon as we read the account of the creation of the world, an contained in the national "Book of Ancient Traditions," the "Kojiki." Several of the opening paragraphs of this sacred book of Shint are phallic myths explaining cosmogony. Yet the myths and the cult are older than the writing and are phases of primitive Japanese faith. The mystery of fatherhood is to the primitive man the mystery of creation also. To him neither the thought nor the word was at hand to put difference and transcendental separation between him and what he worshipped as a god.

Into the details of the former display and carriage of these now obscene symbols in the popular celebrations; of the behavior of even respectable citizens during the excitement and frenzy of the festivals; of their presence in the wayside shrines; of the philosophy, hideousness or pathos of the subject, we cannot here enter. We simply call attention to their existence, and to a form of thought, if not of religion, properly so-called, which has survived all imported systems of faith and which shows what the native or indigenous idea of divinity really is--an idea that profoundly affects the organization of society. To the enlightened Buddhist, Confucian, and even the modern Shintoist the phallus-worshipper is a "heathen," a "pagan," and yet he still practises his faith and rites. It is for us to hint at the powerful influence such persistent ideas have upon Japanese morals and civilization. Still further, we illustrate the basic fact which all foreign religions and all missionaries, Confucian, Buddhist, Mahometan or Christian must deal with, viz.: That the Eastern Asiatic mind runs to pantheism as surely as the body of flesh and blood seeks food.

Tree and Serpent Worship.

In instances more pleasant to witness, may be seen trees festooned with the symbolical rice-straw in cords and fringes. With these the people honor the trees as the abode of the kami, or as evidence of their faith in the renown accredited in the past.

In common with most human beings the Japanese consider the serpent an object of mystery and awe, but most of them go further and pay the ophidian a reverence and awe which is worship. Their oldest literature shows how large a part the serpent played in the so-called divine age, how it acted as progenitress of the Mikado's ancestry, and how it afforded means of incarnation for the kami or gods. Ten species of ophidia are known in the Japanese islands, but in the larger number of more or less imaginary varieties which figure in the ancient books we shall find plenty of material for fetich-worship. In perusing the "Kojiki" one scarcely knows, when he begins a story, whether the character which to all appearance is a man or woman is to end as a snake, or whether the mother after delivering her child will or will not glide into the marsh or slide away into the sea, leaving behind a trail of slime. A dragon is three-fourths serpent, and both the dragon and the serpent are prominent figures, perhaps the most prominent of the kami or gods in human or animal form in the "Kojiki" and other early legends of the gods, though the crocodile, crow, deer, dog, and other animals are kami. It is therefore no wonder that serpents have been and are still worshipped by the people, that some of their gods and goddesses are liable at any time to slip away in scaly form, that famous temples are built on sites noted as being the abode or visible place of the actual water or land snake of natural history, and that the spot where a serpent is seen to-day is usually marked with a sacred emblem or a shrine. We shall see how this snake-worship became not only a part of Shint but even a notable feature in corrupt Buddhism.

Pantheism's Destruction of Boundaries.

In its rudest forms, this pantheism branches out into animism or shamanism, fetichism and phallicism. In its higher forms, it becomes polytheism, idolatry and defective philosophy. Having centuries ago corrupted Buddhism it is the malaria which, unseen and unfelt, is ready to poison and corrupt Christianity. Indeed, it has already given over to disease and spiritual death more than one once hopeful Christian believer, teacher and preacher in the Japan of our decade.

There is one Lawgiver. In the beginning, God. In the end, God, all in all.

"In the great days of old, When o'er the land the gods held sov'reign sway, Our fathers lov'd to say That the bright gods with tender care enfold The fortunes of Japan, Blessing the land with many an holy spell: And what they loved to tell, We of this later age ourselves do prove; For every living man May feast his eyes on tokens of their love."

--Poem of Yamagami-no Okura, A.D. 733.

Baal: "While I on towers and banging terraces, In shaft and obelisk, behold my sign. Creative, shape of first imperious law."

--Bayard Taylor's "Masque of the Gods."

"Thou hast also taken thy fair jewels of my gold and of my silver, which I had given thee, and madest to thyself images of men, and didst commit whoredom with them, and tookest thy broidered garments, and coveredst them: and thou hast set mine oil and mine incense before them. My meat also which I gave thee, fine flour, and oil, and honey, wherewith I fed thee, thou hast even set it before them for a sweet savor: and thus it was, saith the Lord GOD."--Ezekiel.

"If Shint has a dogma, it is purity."--Kaburagi.

"I will wash my hands in innocency, O Lord: and so will I go to thine altar."--Ps. xxvi. 6.

The Japanese a Young Nation.

What impresses us in the study of the history of Japan is that, compared with China and Korea, she is young. Her history is as the story of yesterday. The nation is modern. The Japanese are as younger children in the great family of Asia's historic people. Broadly speaking, Japan is no older than England, and authentic Japanese history no more ancient than British history. In Albion, as in the Honorable Country, there are traditions and mythologies that project their shadows aeons back of genuine records; but if we consider that English history begins in the fifth, and English literature in the eighth century, then there are other reasons besides those commonly given for calling Japan "the England of the East."

No trustworthy traditions exist which carry the known history of Japan farther back than the fifth century. The means for measuring and recording time were probably not in use until the sixth century. The oldest documents in the Japanese language, excepting a few fragments of the seventh century, do not antedate the year 712, and even in these the Chinese characters are in many instances used phonetically, because the meaning of the words thus transliterated had already been forgotten. Hence their interpretation in detail is still largely a matter of conjecture.

Whether Kami no Michi is wholly the product of Japanese soil, or whether its rudimentary ideas were imported from the neighboring Asian continent and more or less allied to the primitive Chinese religion, is still an open question. The preponderance of argument tends, however, to show that it was an importation as to its origin, for not a few events outlined in the Japanese mythology cast shadows of reminiscence upon Korea or the Asian mainland. In its development, however, the cultus is almost wholly Japanese. The modern forms of Shint, as moulded by the revivalists of the eighteenth century, are at many points notably different from the ancient faith. At the World's Parliament of Religions at Chicago, Shint seemed to be the only one, and probably the last, of the purely provincial religions.

In order to gain a picture of life in Japan before the introduction of Chinese civilization, we must consult those photographs of the minds of the ancient islanders which still exist in their earliest literature. The fruits of the study of ethnology, anthropology and archaeology greatly assist us in picturing the day-break of human life in the Morning Land. In preparing materials for the student of the religions of Japan many laborers have wrought in various fields, but the chief literary honors have been taken by the English scholars, Messrs. Satow, Aston, and Chamberlain. These untiring workers have opened the treasures of ancient thought in the Altaic world.

Although even these archaic Japanese compositions, readable to-day only by special scholars, are more or less affected by Chinese influences, ideas and modes of expression, yet they are in the main faithful reflections of the ancient life before the primitive faith of the Japanese people was either disturbed or reduced to system in presence of an imported religion. These monuments of history, poetry and liturgies are the "Kojiki," or Notices of Ancient Things; the "Many?shu" or Myriad Leaves or Poems, and the "Norito," or Liturgies.

The Ancient Documents.

The first book, the "Kojiki," gives us the theology, cosmogony, mythology, and very probably, in its later portions, some outlines of history of the ancient Japanese. The "Kojiki" is the real, the dogmatic exponent, or, if we may so say, the Bible, of Shint. The "Manyshu," or Book of Myriad Poems, expresses the thoughts and feelings; reflects the manners and customs of the primitive generations, and, in the same sense as do the Sagas of the Scandinavians, furnishes us unchronological but interesting and more or less real narratives of events which have been glorified by the poets and artists. The ancient codes of law and of ceremonial procedure are of great value, while the "Norito" are excellent mirrors in which to see reflected the religion called Shint on the more active side of worship.

In a critical study, either of the general body of national tradition or of the ancient documents, we must continually be on our guard against the usual assumption that Chinese civilization came in earlier than it really did. This assumption colors all modern Japanese popular ideas, art and literature. The vice of the pupil nations surrounding the Middle Kingdom is their desire to have it believed that Chinese letters and culture among them is an nearly coeval with those of China as can be made truly or falsely to appear. The Koreans, for example, would have us believe that their civilization, based on letters and introduced by Kishi, is "four thousand years old" and contemporaneous with China's own, and that "the Koreans are among the oldest people of the world." The average modern Japanese wishes the date of authentic or official history projected as far back as possible. Yet he is a modest man compared with his mediaeval ancestor, who constructed chronology out of ink-stones. Over a thousand years ago a deliberate forgery was officially put on paper. A whole line of emperors who never lived was canonized, and clever penmen set down in ink long chapters which describe what never happened. Furthermore, even after, and only eight years after the fairly honest "Kojiki" had been compiled, the book called "Nihongi," or Chronicles of Japan, was written. All the internal and not a little external evidence shows that the object of this book is to give the impression that Chinese ideas, culture and learning had long been domesticated in Japan. The "Nihongi" gives dates of events supposed to have happened fifteen hundred years before, with an accuracy which may be called villainous; while the "Kojiki" states that Wani, a Korean teacher, brought the "Thousand Character Classic" to Japan in A.D. 285, though that famous Chinese book was not composed until the sixth century, or A.D. 550.

Despite Japanese independence and even arrogance in certain other lines, the thought of the demolition of cherished notions of vast antiquity is very painful. Critical study of ancient traditions is still dangerous, even in parliamentary Nippon. Hence the unbiassed student must depend on his own reading of and judgment upon the ancient records, assisted by the thorough work done by the English scholars Aston, Satow, Chamberlain, Bramsen and others.

It was the coming of Buddhism in the sixth century, and the implanting on the soil of Japan of a system of religion in which were temples with all that was attractive to the eye, gorgeous ritual, scriptures, priesthood, codes of morals, rigid discipline, a system of dogmatics in which all was made positive and clear, that made the variant myths and legends somewhat uniform. The faith of Shaka, by winning adherents both at the court and among the leading men of intelligence, reacted upon the national traditions so as to compel their collection and arrangemeut into definite formulas. In due time the mythology, poetry and ritual was, as we have seen, committed to writing and the whole system called Shint, in distinction from Butsud, the Way of the Gods from the Way of the Buddhas. Thus we can see more clearly the outward and visible manifestations of Shint. In forming our judgment, however, we must put aside those descriptions which are found in the works of European writers, from Marco Polo and Mendez Pinto down to the year 1870. Though these were good observers, they were often necessarily mistaken in their deductions. For, as we shall see in our lecture on Riybu or Mixed Buddhism, Shint was, from the ninth century until late into the nineteenth century, absorbed in Buddhism so as to be next to invisible.

Origins of the Japanese People.

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