Read Ebook: Chambers's Edinburgh Journal No. 446 Volume 18 New Series July 17 1852 by Various Chambers Robert Editor Chambers William Editor
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'It is as I thought,' muttered he to himself, turning to depart. Then suddenly looking up, he requested my address, and wished me good-morning.
'Dear me, sir, you've been wandering strangely in your sleep. Here have I been a-knocking at the door this half-hour. The shaving-water is getting cold, and Mr Thomas is waiting yonder in the other room, to give you some papers he's got this morning.'
I rose, rubbed my eyes, wondered what it all meant. Ah, yes; there was no mistaking the room and Mrs M'Donnell's good-natured Scotch voice. It was all a dream, and my imagination had magnified the thumping at the door into the 'sweet music of popular applause.' I fell back in bed, hid my face in the pillow, sighed over my short-lived glory, and felt very wretched when my young clerk came smiling into the room. 'Here's some business at last, sir!' cried the boy with pleasure.
ELECTRO-BIOLOGY--
That the phenomena now so commonly exhibited under the above title, demand a careful examination, and, if possible, a distinct explanation, will be readily admitted. It is clear that they ought not to be allowed to rest as materials for popular amusement, but should be submitted to strict scientific inquiry. The theory which so boldly ascribes them to electric influence, should be strictly examined. If this theory is found to be untenable, some important questions will remain to be considered; such as: May not the phenomena be explained on physiological principles? and, Is it not probable that the means employed may have an injurious tendency?
It is on this latter point--the means by which the effects are produced--that we would chiefly direct our inquiry, for we shall very briefly dismiss the attempt to explain them by a vague charge of collusion or imposture.
Before we proceed to consider this question, it will be well to give some examples of the phenomena to which our remarks apply. We shall state only such cases as we have seen and carefully examined.
B. is an intelligent man, upwards of thirty years of age, of nervous temperament. His honesty and veracity are quite beyond all rational doubt. The numerous spectators, who have known him well for many years, are quite sure that if he has any will in the matter, it is simply to defeat the lecturer's purpose. However, after he has submitted himself to the process, the experiments made upon him prove successful. He is naturally a fluent talker, but now cannot, without difficulty and stammering, pronounce his own name, an easy monosyllable--cannot strike the lecturer's hand--cannot rise from a chair, &c. We may add, that he cannot be made to mistake water for vinegar.
One more case. C. is a tradesman, middle-aged, has no tendency to mysticism or imaginative reverie--knows nothing of 'mesmerism' or 'electro-biology'--was never suspected of falsehood or imposition. He proves, however, the most pliable of all the patients--the experiments succeed with him to the fullest extent--his imagination and his senses seem to be placed entirely under the control of the experimenter. Standing before a large audience, he is made to believe that he and the lecturer are alone in the room. He cannot recognise his own wife, who sits before him. He cannot step from the platform, which is about one foot higher than the floor. When informed that his limbs are too feeble to support him, he totters, and would fall if not held. Many of the experiments upon him, shewing an extreme state of mental and physical prostration, are rather painful to witness, others are ludicrous; for instance, he is made to believe that he is out amid the snow in the depth of winter--he shivers with cold, buttons up his coat, beats the floor with his feet, brushes away the imagined fast-falling flakes from his clothes, and almost imparts to the spectators a sympathetic feeling of cold by his wintry pantomime: then he is jocosely recommended not to stand thus shivering, but to make snow-balls, and pelt the lecturer. Heartily, and with apparent earnestness, he acts according to orders. Next, he is made to believe that the room has no roof.--'You see the sky and the stars, sir?'--'Yes.' 'And there, see, the moon is rising, very large and red, is it not?'--'Yes, sir.' 'Very well: now you see this cord in my hand; we will throw it over the moon, and pull her down.' He addresses himself to the task with perfect gravity, pulls heartily. 'Down she comes, sir! down she comes!' says the experimenter: 'mind your head, sir!'--and the deluded patient falls on the platform, as he imagines that the moon is coming down upon him.
To give a familiar instance of the control under which it is generally compelled to act: You are walking home in the night-time, and some withered and broken old tree assumes, for a moment, the appearance of a giant about to make an attack upon you with an enormous club. You walk forward to confront the monster with perfect coolness. Why? Not because you are a Mr Greatheart, accustomed to deal with giants, but because, in fact, the illusion does not keep possession of your mind even for a moment. Imagination merely suggests the false image; but memory and reason, with a rapidity of action which cannot be described, instantly correct the mistake, and tell you it is only the old elm-tree; so that here, and in a thousand similar instances, there is really no sufficient time allowed for any display of the power of imagination.
A tale is told--we cannot say on what authority--which, whether it be a fact or a fiction, is natural, and may serve very well to shew what would be the effect of imagination if reason did not interfere. It is said that the companions of a young man, who was very 'wild,' had foolishly resolved to try to frighten him into better conduct. For this purpose, one of the party was arrayed in a white sheet, with a lighted lantern carried under it, and was to visit the young man a little after midnight, and address to him a solemn warning. The business, however, was rather dangerous, as the subject of this experiment generally slept with loaded pistols near him. Previously to the time fixed for the apparition, the bullets were abstracted from these weapons, leaving them charged only with gunpowder. When the spectre stalked into the chamber, the youth instantly suspected a trick, and, presenting one of the pistols, said: 'Take care of yourself: if you do not walk off, I shall fire!' Still stood the goblin, staring fixedly on the angry man. He fired; and when he saw the object still standing--when he believed that the bullet had innocuously passed through it--in other words, as soon as reason failed to explain it and imagination prevailed--he fell back upon his pillow in extreme terror.
If we required proof that the operation of reason demands a wakeful and active condition of the brain, we might find it in the fact, that all intellectual efforts which imply sound reasoning are prevented even by a partial sleepiness or dreaminess. A light novel may be read and enjoyed while the mind is in an indolent and dreamy state; music may be enjoyed, or even composed, in the same circumstances, because it is connected rather with the imaginative than with the logical faculty; but, not to mention any higher efforts, we cannot play a game of chess well unless we are 'wide awake.'
Now we come to our point:--Supposing that, by any means, the brain can be deprived of that wakefulness and activity which is required for a free exercise of the reasoning powers, then what would be the effect on the imagination? For an answer to this query, we shall not refer to the phenomena of natural sleep and dreaming, because it is evident that the subjects of the experiments we have to explain are not in a state of natural sleep; we shall rather refer to the condition of the brain during what we may call 'doziness,' and also to the effects sometimes produced by disease on the imagination and the senses.
Again, in his verses recording his impression of the beauty of a bed of daffodils, he says:
These words are nothing more, we believe, than a simple and unexaggerated statement of a mental phenomenon.
Enough has now been said to shew, that in a certain condition of the brain, when it is deprived of the wakefulness and activity necessary for the free use of reason, the effects of imagination may far exceed any that are displayed during a normal, waking state of the intellectual faculties. The question now remains: Are the means employed by the professors of electro-biology sufficient to produce that peculiar condition to which we refer? We believe that they are; and shall proceed to give reasons for such belief.
To this explanation we can only add, that all who doubt it may easily put it to an experimental test. If it is thought that the mere 'fixed gaze,' without electric or galvanic agency, is not sufficient to produce the phenomena in question, then the only way of determining our dispute must be by fair experiment. But here we would add a word of serious caution, as we regard the process as decidedly dangerous, especially if frequently repeated on one subject.
FOOTNOTES:
We can corroborate the view taken by the writer of this article as to the reality of the effects produced on the persons submitting to the process, having seen many who are intimately known to us experimented on with success. The incredulity which still prevails on this subject in London can only be attributed to the necessary rarity, in so large a town, of experiments performed on persons known to the observers.--ED.
NEW MOTIVE-POWER.
GOOD-NIGHT.
Good-night! a word so often said, The heedless mind forgets its meaning; 'Tis only when some heart lies dead On which our own was leaning, We hear in maddening music roll That lost 'good-night' along the soul.
'Good-night'--in tones that never die It peals along the quickening ear; And tender gales of memory For ever waft it near, When stilled the voice--O crush of pain!-- That ne'er shall breathe 'good-night' again.
Good-night! it mocks us from the grave-- It overleaps that strange world's bound From whence there flows no backward wave-- It calls from out the ground, On every side, around, above, 'Good-night,' 'good-night,' to life and love!
Good-night! Oh, wherefore fades away The light that lived in that dear word? Why follows that good-night no day? Why are our souls so stirred? Oh, rather say, dull brain, once more, 'Good-night!'--thy time of toil is o'er!
Good-night!--Now cometh gentle sleep, And tears that fall like welcome rain. Good-night!--Oh, holy, blest, and deep, The rest that follows pain. How should we reach God's upper light If life's long day had no 'good-night?'
ENGLISH INDEPENDENCE.
Printed and Published by W. and R. CHAMBERS, High Street, Edinburgh. Also sold by W. S. ORR, Amen Corner, London; D. N. CHAMBERS, 55 West Nile Street, Glasgow; and J. M'GLASHAN, 50 Upper Sackville Street, Dublin.--Advertisements for Monthly Parts are requested to be sent to MAXWELL & CO., 31 Nicholas Lane, Lombard Street, London, to whom all applications respecting their insertion must be made.
GUNNAR.
HI?RDIS.
DAGNY.
Haste thee, Gunnar! Call thy men to arms!
GUNNAR.
To arms! Against whom?
DAGNY.
GUNNAR.
Sigurd has done this for me!
DAGNY.
Sigurd is ever thy faithful friend.
GUNNAR.
DAGNY.
What meanest thou?
GUNNAR.
Nothing, nothing! I thank thee for thy tidings, Dagny; I go to gather my men together. Tell me--how goes it with ?rnulf?
DAGNY.
Ask not of him. Yesterday he bore Thorolf's body to the ships; now he is raising a grave-mound on the shore;--there shall his sons be laid.
Hi?rdis, I have another errand in thy house; it is to thee I come.
HI?RDIS.
To me? After all that befell yesterday?
DAGNY.
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