Read Ebook: Blue Ridge Country by Thomas Jean Caldwell Erskine Editor

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Ebook has 702 lines and 59400 words, and 15 pages

Pretty Audrey Billberry gripped little Tinie's hand until the child squealed and hopped on one foot. They looked at each other, then at the gun. Fright came into their eyes. Audrey tried to laugh lightly. "When you kill that deer be sure to bring me a piece, neighbor Tingley," she said, as unconcerned as you please, and away she went with the little girl at her side. When they reached home Audrey Billberry turned the wood button on the door and flung back her head. "Kill a deer and her fawn! There is no fear, Tinie. Why"--she scoffed--"Amos Tingley's got only lead to load his rifle. I saw." She put her hands to her sides and laughed and danced around the room. "Lead can't kill a deer and her fawn. It takes silver! Silver! Do you hear that, Tinie? Silver hammered and molded round to load the gun. And when, I'd like to know, would skinflint Amos Tingley, the miser, ever destroy a silver coin by pounding it into a ball to load a gun? There's nothing to fear. Rest easy, Tinie. Besides all living creatures must eat. It is their right. Only silver, remember, not lead, can harm the deer. A miser will keep his silver and let his garden go!" She caught little Tinie by both hands and skipped to and fro across the floor, saying over and over, "Only silver can harm the deer."

The wind caught up her words and carried them through the trees, across the ridge into Laurel Hollow.

While Audrey and Tinie skipped and frolicked and chanted, "Only silver can harm the deer," Amos Tingley, the miser, over in Laurel Hollow was busy at work. He took a silver coin from the leather poke in his pocket and hammered it flat on the anvil in his barn. Thin as paper he hammered it until he could roll it easily between thumb and finger. Then around and around he rolled it between his palms until there was a ball as round and as firm as ever was made with a mold. Amos put it in his rifle.

The next morning when he went out to work in his garden there was scarcely a head of cabbage left. The bunch beans he had been saving back and the cut-short beans had been plucked and the row of sweet corn which he had planted so carefully along the fence-row had been stripped to the last roasting ear. He stooped down to look at the earth. "Footprints of the deer and the fawn, without a doubt. But she must have worn an apron or carried a basket to take away so much." Amos shook his head in perplexity. Then he hurried back to the house to get his gun.

"Right here do I wait." He braced himself in the doorway, back to the jam, knees jackknifed, gun cocked. "Here do I wait until I catch sight of that doe and her fawn."

It wasn't long till the two appeared on a nearby ridge, pranking to and fro. Into the forest they scampered, then out again, frisking up their hind feet, then standing still as rocks and looking down at Amos Tingley in his doorway.

Then Amos lifted his gun, pulled the trigger.

The fawn darted away but the deer fell bleeding with a bullet in the leg.

"Let her bleed! Bleed till there's not a drop of blood left in her veins and my silver coin is washed back to my own hands!" That was the wish of Amos Tingley, the miser. He went back into the house and put his gun in the corner.

When darkness came little Tinie Billberry stood sobbing at Amos Tingley's door. "Please to come," she pleaded. "My mother says she'll die if you don't. She wants to make amends!"

"Amends?" gasped Amos Tingley. "Amends for what?"

But Tinie had dashed away in the darkness.

When Amos reached pretty Audrey Billberry's door, he found her pale in the candlelight, her ankle shattered and bleeding. The foot rested in a basin.

"See what you've done, Amos Tingley." The pretty widow lifted tear-dimmed eyes, while Tinie huddled shyly behind her. "A pitcher of water, quick, Tinie, to wash away the blood!"

As the child poured the water over the bleeding foot, Amos heard something fall into the basin. He caught the flash of silver. Amos stood speechless.

In the basin lay the silver ball the miser had made from a coin.

"Never tell!" cried pretty Audrey Billberry, her dark eyes starting from the bloodless face. "Never tell and I promise, I promise and so does Tinie--see we promise together."

The child had put down the pitcher and came shyly to rest her head upon her mother's shoulder, her small hand in Audrey's.

"We promise," they spoke together, "never, never again to bother your garden!"

They kept their word all three, Amos Tingley and pretty Audrey Billberry and little Tinie. But somebody told, for the tale still lives in Laurel Hollow of the miser and the deer woman and the little fawn.

GHOST OF DEVIL ANSE

Near the village of Omar, Logan County, in the hills of West Virginia there is a little burying ground that looks down on Main Island Creek. It is a family burying ground, you soon discover when you climb the narrow path leading to the sagging gate in the rickety fence that encloses it. There are a number of graves, some with head stones, some without. But one grave catches the eye, for above it towers a white marble statue. The statue of a mountain man, you know at once by the imposing height, the long beard, the sagging breeches stuffed into high-topped boots. Drawing nearer, you read the inscription upon the broad stone base upon which the statue rests:

CAPT. ANDERSON HATFIELD

and below the names of his thirteen children:

JOHNSON WM. A. ROBERT L. NANCY ELLIOTT R. MARY ELIZABETH ELIAS TROY JOSEPH D. ROSE WILLIS E. TENNIS

You lift your eyes again to the marble statue. If you knew him in life, you'll say, "This is a fine likeness--and a fine piece of marble."

"His children had it done in Italy," someone offers the information.

"So," you say to yourself, "this is the grave of Devil Anse Hatfield."

You've seen all there is to see. You're ready to go, if you are like hundreds of others who visit the last resting place of the leader of the Hatfield-McCoy feud. But, if you chance to tarry--say, in the fall when fogs are heavy there in the Guyan Valley, through which Main Island Creek flows--you may see and hear things strangely unaccountable.

Close beside the captain's grave is another. On the stone is carved the name--Levisa Chafin Hatfield. If you were among the many who attended her funeral you will remember how peaceful she looked in her black burying dress she'd kept so long for the occasion. Again you will see her as she lay in her coffin, hands primly folded on the black frock, the frill of lace on the black bonnet framing the careworn face. You look up suddenly to see a mountain woman in a somber calico frock and slat bonnet. She is putting new paper flowers, to take the place of the faded ones, in the glass-covered box between the grave of Devil Anse and the mother of his children.

"You best come home with me," she invites with true hospitality, after an exchange of greetings. You learn that Molly claims kin to both sides, being the widow of a Hatfield and married to a McCoy, and at once you are disarmed.

That night as you sit with Molly in the moonlight in the dooryard of her shack, a weather-beaten plank house with a clapboard roof and a crooked stone chimney, she talks of life in the West Virginia hills. "There's a heap o' things happens around this country that are mighty skeery." Suddenly in the gloaming a bat wings overhead, darts inside the shack. You can hear it blundering around among the rafters. An owl screeches off in the hollow somewhere. "Do you believe in ghosts and haynts?" There are apprehension and fear in Molly's voice.

Presently the owl screeches dolefully once more and the bat wheels low overhead. A soft breeze stirs the pawpaw bushes down by the fence row. "Did you hearn something mourn like, just then?" Molly, the widow of a Hatfield and wife of a McCoy, leans forward.

If you are prudent you make no answer to her questions.

"Nothing to be a-feared of, I reckon. The ghosts of them that has been baptized they won't harm nobody. I've heard Uncle Dyke Garrett say as much many's the time." The woman speaks with firm conviction.

A moth brushes her cheek and she straightens suddenly.

The moon is partly hidden behind a cloud; even so by its faint light you can see the clump of pawpaw bushes, and beyond--the outline of the rugged hills. Farther off in the burying ground atop the ridge the marble figure of the leader of the Hatfields rises against the half-darkened sky.

At first you think it is the sound of the wind in the pines far off in the hollow, then as it moves toward the burying ground it changes to that of low moaning voices.

You feel Molly's arm trembling against your own.

"Listen!" she whispers fearfully, all her courage gone. "It's Devil Anse and his boys. Look yonder!"--she tugs at your sleeve--"See for yourself they're going down to the waters of baptism!"

Following the direction of the woman's quick trembling hand you strain forward.

At first there seems to be a low mist rolling over the burying ground and then suddenly, to your amazement, the mist or cloud dissolves itself into shafts or pillars of the height of the white figure of Devil Anse above the grave. They form in line and now one figure, the taller, moves ahead of all the rest. Six there were following the leader. You see distinctly as they move slowly through the crumbling tombstones, down the mountain side toward the creek.

"Devil Anse and his boys," repeats the trembling Molly, "going down into the waters of baptism. They ever do of a foggy night in the falling weather. And look yonder! There's the ghost too of Uncle Dyke Garrett a-waiting at the water's edge. He's got the Good Book opened wide in his hand."

Whether it is the giant trunk of a tree with perhaps a leafless branch extended, who can say? Or is nature playing a prank with your vision? But, surely, in the eerie moonlight there seems to appear the figure of a man with arm extended, book in hand, waiting to receive the seven phantom penitents moving slowly toward the water's edge.

After that you don't lose much time in being on your way. And if anyone should ask you what of interest is to be seen along Main Island Creek, if you are prudent you'll answer, "The marble statue of Capt. Anderson Hatfield." And if you knew him in life you'll add, "And a fine likeness it is too."

THE WINKING CORPSE

On the night of June 22, 1887, the bodies of four dead men lay wrapped in sheets on cooling boards in the musty sitting room of an old boarding house in Morehead, Rowan County, Kentucky. Only the bullet-shattered faces, besmeared with blood, were exposed. Their coffins had not yet arrived from the Blue Grass. No friend or kinsman watched beside the bier that sultry summer night; they had prudently kept to their homes, for excitement ran high over the battle that had been fought that day in front of the old hostelry which marked, with the death of the four, the end of the Martin-Tolliver feud.

While the bodies lay side-by-side in the front part of the shambling house, there sat in the kitchen, so the story goes, a slatternly old crone peeling potatoes for supper--should the few straggling boarders return with an appetite, now that all the shooting was over.

It was the privilege of old women like Phronie in the mountains of Kentucky to go unmolested and help out as they felt impelled in times of troubles such as these between the Martins and Tollivers.

The place was strangely quiet. Indeed the old boarding house was deserted. For those who had taken the law in their own hands that day in Rowan County had called a meeting at the courthouse farther up the road. The citizenry of the countryside, save kin and friend of the slain feudists, had turned out to attend.

"Nary soul to keep watch with the dead," Phronie complained under her breath. "It's dark in yonder. Dark and still as the grave. A body's got to have light. How else can they see to make it to the other world?" She paused to sharpen her knife on the edge of the crock, glancing cautiously now and then toward the door of the narrow hallway that led to the room where the dead men lay.

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