Read Ebook: Primary Handwork by Dobbs Ella Victoria

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The responsibility in grouping the boxes should be thrown as fully as possible upon the children, the teacher merely suggesting where necessary. It should be their house, not the teacher's. The planning should not be hurried but time allowed to discuss the advantages and disadvantages of different plans and reach an agreement. In trying to express individual opinions convincingly their ideas will become clearer--a factor in the development of the children which is much more important than any of the actual details of the house itself. Whether the class decides to have one or two bedrooms in the house is a matter of small consequence. Whether or not they are growing in power to appreciate conditions and make an intelligent decision is a matter of great consequence. Their decisions when made may not always reach the high standard at which the teacher is aiming, but if they have really made a decision, not merely followed the teacher's suggestion, and if their independent selections from time to time show a higher standard of appreciation and greater refinement of taste in ever so small a degree, it is evidence of genuine growth upon a sure foundation.

Bore holes in the corners of the doors and windows and saw out with keyhole or compass saw. In order to avoid mistakes it is well, after sawing out the opening for a door in one box, to place the two boxes together and test the measurements before sawing out the second opening. A mistake of this sort, however, is not fatal, but may prove the most effective way of impressing the workers with the necessity of careful measurement.

The question of color combinations demands special attention. Unless the children come from refined homes their ideas of color will be very crude, and if contributions of material have been asked for, some gaudy impossibilities in flowered paper are apt to be presented. If so, it may require considerable tact on the part of the teacher to secure a satisfactory selection without casting any reflections on the taste of somebody's mother. This difficulty may be avoided to a degree by providing all the materials necessary. It is not enough, however, to cause the children to select good combinations at the teacher's suggestion while in their hearts they are longing for the gaudy thing she has frowned upon. It is better to get an honest expression from them, even though it is very crude, and endeavor to educate their taste to a love for better things, so that each time they choose the choice may be on a higher level of appreciation. Immediate results may not be as beautiful by this plan, and apparent progress may be slow, but only by some such method can a real appreciation be developed which will prevent the return to the crude expression as soon as the teacher's influence is withdrawn.

Plain papers generally give the most pleasing effects. Attractive borders may be made by cutting simple units and repeating them at intervals. Almost any motif may be used for the unit. Animals, birds, trees, flowers, ships, etc., serve well. The process of making the border should be a serious lesson in design. A good border is not merely the repetition of a pretty figure. The units must not be too far apart nor too close together. The shape of the figure used must be such that each unit seems to need the next one. Little children will usually take greatest pleasure in working from some nature motif, as flower or animal, but interesting work can be done with simple geometric figures. Take, for example, the hollow square. Fold a square of paper on both diagonals. Cut on dotted line. Let each child cut several and lay them in order for a border or mount them on a paper of different color. Let the work of the class be put up for general criticism. Several points which very small children are able to appreciate will be found to enter into the success or failure of their efforts. The hollow square itself may be cut too wide and look clumsy, or cut too narrow and look frail. In the arrangement they may be too close together and look crowded, or too far apart and look scattered. A sensitiveness to good proportions comes naturally to only a few people, but nearly all are capable of a higher degree of appreciation if their attention is directed to the essential elements which make things good or bad. The beginnings of this appreciation lie in simple things which are easily understood by first-grade children.

For very small rugs a cardboard loom will serve. This may be made by cutting notches or punching holes along opposite edges of a piece of cardboard into which the warp may be strung. If a knitting needle is inserted at each side, the cardboard will be stiffened and the edges of the rug kept straight. Weaving needles may be purchased from supply houses. Wooden needles cost 50 cents per dozen. Sack needles serve well for small rugs and may be had at any hardware store for 10 cents per dozen.

As soon as the children have mastered the plain weave and have a fairly clear idea of the possibilities in design through varying the colors in the woof only, they may be initiated into the mysteries of the "gingham weave" and allowed to experiment with the variations in warp as well as in woof. Cotton rovings is an excellent material for weaves of this sort. This weave may also be used with raffia to make matting for the dining-room floor.

Paper mats may also be used as carpets with good effect. Weaving paper strips is often an easier process to little children than weaving with textiles, except where very coarse textile materials are used. For paper mats select paper of suitable color and cut to the size desired for the mat. Fold on the short diameter. Cut slashes from the folded edge, not less than one half inch apart, to within one inch of edge of the paper , leaving a margin on all four sides of the mat. For weavers, cut from paper of harmonious tone, strips equal in width to the slashes in the mat.

Variations of the simple over one, under one weave add interest to the work and also give practice in number combinations such as over one, under two, etc. Work of this sort is used in many schools as a method of teaching number, the teacher dictating the combinations while the interest of the children centers in the new pattern which develops under their fingers. While such work has much to be said in its favor, it is open to criticism, especially in the matter of dictation. All the children in any one group will not work with equal speed. Some will undoubtedly "get behind" and others will lose time while waiting for the slow ones. Accidents are liable to happen in individual cases.

Many of these undesirable features may be eliminated while still retaining the valuable part of the work by writing the directions on the board instead of dictating them to the children. It then becomes a lesson in reading as well as in number. Each child is thrown more completely upon his own responsibility and can proceed as rapidly and as steadily as his capacity permits. His rate of progress will often be a fair measure of his ability for independent thought and action, which is the real measure for successful teaching.

Among the various materials and styles in common use, folded paper furniture has the advantage of being quickly made. The process is of sufficient interest to little children to hold their attention, and in order to secure the desired result they must hear the directions intelligently and obey them promptly. These are desirable habits to form. It is quite possible, however, for the work to be done in a very formal, mechanical way, in which the children merely follow directions, often blindly, without any clear purpose and very little thought. Success or failure is due largely to chance; for, if by accident even a good worker "loses out" on a direction, his work is at a standstill until special help is given. He is unable to proceed because he does not know what to do next. There is very little opportunity in such a process for independent thought or action. It is not self-directed activity.

A second objection to paper furniture is its lack of stability. Paper which is pliable enough to fold readily will not hold its own weight long when made into furniture, and very soon becomes wobbly. To overcome this tendency to wobble, heavier papers are often used and new complications arise. Heavy papers do not fold readily without scoring. Scoring demands considerable accuracy of measurement--often to a degree beyond the power of a six-year-old. The stiff papers, being hard pressed, are harder to paste, and neat work is often an impossibility, unless considerable assistance is given.

It is possible to make satisfactory furniture in a great variety of styles from stiff paper, and the processes involve some excellent practice in measurement and design. The processes necessary to obtain these satisfactory results are, however, beyond the ability of children in the lower grades. Even fairly satisfactory results are impossible unless an undue amount of assistance is given by the teacher. In actual practice, where stiff paper is used a few of the best workers in the class are helped to make the few pieces needed in the playhouse and the unhappy failures of the rest of the class are promptly consigned to the wastebasket.

Very pretty furniture may be made from reeds and raffia, but the processes are too difficult to be successfully performed by small children. The reeds do not lend themselves readily to constructions small enough to suit the average playhouse, and the larger pieces are out of proportion to the other features of the house.

The use of wood overcomes the most serious of the objections to be made to other materials, besides being the material most commonly used in "real" furniture. Wooden furniture is stable, and a great variety of processes in construction are possible without introducing complications which prevent independent work on the part of the little people.

Use 2 x 2 for seat and thin wood 2 in. wide for back. Children should measure and decide how much to saw off from strip of 2 x 2 in order to make a square block or cube for the seat. They should estimate the length of the back of the chair, then measure and saw off the thin wood needed. Nail the back piece to the cube and finish with a coat of water-color paint or color with crayon. An armchair may be made by the addition of shorter pieces of thin wood to the sides of the chair.

Use thin wood for top. Use 1/2 x 1/2 for legs. Measure and saw off pieces needed. Measure places for legs about one inch from corner of top in order to allow an overhang. Children frequently put the legs flush with the edge of the table, which gives a clumsy appearance. Nail through the top with a comparatively long nail.

Use wood 1/2 to 1 in. thick for body. Use thin wood of corresponding width for head and foot boards. Class or individual workers should decide on dimensions for different parts and height of body of bed from the floor.

Proceed as for double bed, using narrow pieces of wood, or use six or seven inches of 2 x 2 for body of bed and make head and foot boards after the style of chair back.

Decide upon dimensions needed. Use 2 x 2 for body. Use thin wood of equal width for back. Use tinfoil for mirror. Indicate drawers with pencil lines.

Use piece of 2 x 2 of desired length and make couch cover of appropriate material, or add back and arms of thin wood to piece of 2 x 2 and finish to match other furniture.

Use wood 3/4 or 1 in. thick for body. Nail on piece 1/2 x 1/2 for keyboard. Draw keys on paper and paste on keyboard.

Use 2 x 4 or any scrap or empty box of appropriate size and shape. Color black with crayon. Add chalk marks or bits of tinfoil to indicate doors and lids. Make hot-water tank of paper. Pieces of reed, wire, or twigs covered with tinfoil make good water pipes. Macaroni sticks and lemonade straws have served this purpose.

The teakettle and other stove furniture may be modeled in clay. Electric light bulbs of clay suspended by cords from the ceiling have a realistic air. Paper shades of appropriate color add to the general effect.

The variety of possible constructions in building the staircase corresponds to the varying ability of classes. A strip of paper may be folded back and forth and made to serve with least mature classes. This paper stair will sag unless it rests on a board or piece of stiff pasteboard. A substantial stairway may be made by sawing two thin boards for supports, as in Fig. 24, and nailing on steps of thin wood or cardboard. There is usually one boy in every first grade who is capable of as difficult a piece of handwork as this. He is apt, also, to be the boy who takes least interest in the general work of the class, and often it is possible to arouse him to special effort through some such problem. The stairway may be made of heavy cardboard with a construction similar to that just described, but this requires pasting instead of nailing and is much more difficult for little children.

The roof may be made of wood as a base, with either wood or cardboard shingles tacked on in proper fashion; or it may be made of cardboard with the shingles merely indicated by lines made with crayon. If the wood base is used, wood gables may be made for sides or ends of the house. To these, long boards may be nailed to form a solid roof. Shingles two inches long by about one inch wide may be cut from cardboard or very thin wood and tacked to the boards. The children should be spurred to study the roofs of houses and find out how the shingles are arranged, and discover for themselves, if possible, the secret of successful shingling.

A cardboard roof is in many ways easier to build. In a house similar to the one shown in Fig. 25 two gables are used, and the roof slopes to front and back. The framework can be very simply made. At the two gable ends place uprights made of two pieces of wood joined in the form of an inverted T. These should be nailed to the box. A ridgepole may then be nailed to the upper ends of the uprights. If the house is not large, no other framework will be necessary. If the slope of the roof is long enough to allow the cardboard to sag, light strips of wood extending from the ridgepole to the outer edge of the box may be added. If a single piece of cardboard of sufficient size is available, it may be scored and bent at the proper place and laid over the ridgepole, with the edges extending beyond the box to form the eaves. Or, two pieces may be used, one for each slope of the roof, each piece being tacked to the ridgepole. Chimneys may be made from paper and colored to represent bricks or stone.

The outside of the house may be treated in several ways. It may be sided after the manner of frame houses by tacking on strips of paper or cardboard lapped in the proper fashion. It may be covered with paper marked in horizontal lines to represent siding, in irregular spaces to represent stone, or in regular spaces to represent brick, and finished in the appropriate color. Or, a coat of paint or stain may be applied directly to the box.

VARIATIONS IN HOUSE PROBLEM

A playhouse for its own sake is a justifiable project for primary children and one which may be repeated several times without exhausting its possibilities. Each time it is repeated the emphasis will fall on some new feature, and the children will wish to do more accurate work.

In the lowest grades very simple houses of one or two rooms may be built for story-book friends, such as the "Three Bears" or "Little Red Riding Hood," with only such furniture as the story suggests. In intermediate grades the house may have an historical motive and illustrate home life in primitive times or in foreign countries, such as a colonial kitchen in New England, a pioneer cabin on the Western prairies, a Dutch home, a Japanese home, etc. In upper grades it may become a serious study in house decoration.

As skill in construction increases, a wish for something more realistic than the box construction will arise, and the elements of house framing will be studied with great eagerness.

The story of the Three Bears was taken up after Christmas, told and retold, read, and dramatized by the children. Teddy bears were brought to school. Many bears were modeled in clay, each child making the set of three many times.

The children laid off spaces on the table for individual Bears' houses and made furniture for these as their fancy prompted. The furniture was made of wood after the general style described above. Later, carpets were woven for these individual playhouses. Each carpet was woven to a given dimension, making it necessary to use the rule. This was their introduction to the rule as a tool for measuring. Every child in a class of forty made one or more pieces of furniture and wove one or more small carpets from rags. Nearly all made some bedding.

Later, four boxes were secured and arranged as a house. The openings for doors were marked off during school time, but were sawed out by a few children who remained during the noon intermission. This is the only part of the work which was not done during regular class time. The papering was done by two or three of the most capable children, while the rest were deeply absorbed in weaving. All made borders. Certain borders were selected for the house, and several children worked together to make enough of the same pattern for one room. Selections were then made from the carpets and furniture already made by the children.

The roof was made chiefly by one boy who "knew a good way to make it." The porches were also individual projects by pupils who had ideas on the subject and were allowed to work them out.

The conveyer being of special interest, two boys worked out a larger model which illustrated the band-bucket process. This is shown in Fig. 30, at the right of the mill. Small cups were made of soft tin and fastened to a leather strap. The strap was fastened around two rods, placed one above the other. The lower rod was turned by a crank fastened on the outside of the box. Two or three brads driven into the lower rod caught into holes in the strap and prevented slipping. The machine successfully hoisted grain from the lower box to one fastened higher up, but not shown in the picture. The model was very crude in its workmanship, but it showed the ability of fourth-grade boys to successfully apply an important principle in mechanics, and it gave opportunity for their ingenuity to express itself. The work was done with such tools and materials as the boys could provide for themselves, and without assistance other than encouraging suggestions from the teacher. This bit of construction accompanied a broad study of the subject of milling, including the source and character of the raw materials, the processes involved, the finished products and their value.

THE VILLAGE STREET

Playing store is a game of universal interest. Making a play store is a fascinating occupation. These are factors which cannot be overlooked in any scheme of education which seeks to make use of the natural activities of children.

The downtown store stands to the children as the source of all good things which are to be bought with pennies. It is usually the first place outside the home with which they become familiar, and its processes are sure to be imitated in their play. In their play they not only repeat the processes of buying and selling, but try to reproduce in miniature what they regard as the essential features of the real store.

Being a subject of universal interest, it may be adapted to the conditions of the various grades. It being also impossible to exhaust the possibilities of the subject in any single presentation, it may profitably be repeated with a change of emphasis to suit the development of the class. For example, in the second grade, the study of the street is chiefly a classification of the various commodities which are essential to our daily life, and a few of the main facts of interest concerning their origin. Those a little older are interested in the processes of manufacture and the geography of their sources. In playing store, weights and measures, the changing of money, and the making of bills take on an interest impossible in the old-fashioned method of presenting these phases of arithmetic. Discussions and narratives supply oral language work, and descriptions, letters, and notes provide material for written exercises.

The class may be divided into groups, each group contributing one store to the street, or the attention of the whole class may be centered on one store at a time, as the immediate conditions suggest. If the former method is used, as each store is finished it may be used as subject matter for the entire class, while the important facts concerning it are considered. The first permits a broader scope; the second a more exhaustive study. In either case visits to the real stores studied are important supplements to the work.

If self-organized groups are allowed to choose the part they are to work out, both interest and harmony are promoted and leadership stimulated.

Use a box for each store. Each group is usually able to provide its own box. Paper inside of box with clean paper, or put on a coat of fresh paint. Make appropriate shelving and counters of thin wood.

Stock the store with samples of appropriate merchandise as far as possible. Supplement with the best representations the children can make. They should be left to work out the problem for themselves to a large extent, the teacher giving a suggestion only when they show a lack of ideas.

Playing store will involve the making of bills, the changing of money, and the measuring of merchandise. Different pupils may take turns acting as salesmen or cashier. The common practices of business life should be followed as closely as possible, only in this case each purchaser should make out his own bills. Actual purchase slips may be brought from home and used in number lessons.

Figure 32 shows about half the stores built by one third-grade class. Some of the subject matter drawn from the various stories was as follows: in connection with the grocery, a study of the source of various articles of food with oral and written descriptions of processes of manufacture; the common measures used in the grocery, and ordinary amounts purchased.

In connection with the meat market, the names of various kinds of meat, the animals from which they are obtained, and the part of the animal which furnishes certain cuts; as, for example, ham, bacon, chops. The current prices and approximate quantity needed for a meal made practical number work.

The bakery called for an investigation of the processes of bread making and a study of the material used. In all of the processes the teacher had opportunity to stress the necessity for proper sanitation.

In connection with the dry goods store, the distinguishing characteristics of cotton, wool, linen, and silk were emphasized and illustrated by the samples collected for the store and by the clothing worn by the children. Common problems in measuring cloth enlivened the number lessons.

The millinery store disclosed considerable ingenuity in the field of hat manufacture, and a lively business in doll hats was carried on for some time.

In connection with the post office, registered letters, dead letters, money orders, rural free delivery, etc., were discussed, and the advantages of co?peration touched upon.

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