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Read Ebook: The Romantic Analogue by Skupeldyckle W W Emshwiller Ed Illustrator
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Ebook has 144 lines and 7580 words, and 3 pages
Illustrator: Ed Emsh
Transcriber's Note:
THE
Romantic Analogue
Illustrated by Ed Emsh
Mathematicians are just like people: old, young, fat, thin, male, female. This one was male, thirty-five, with steady brown eyes and a nice smile when he remembered to use it. His name was Norman Venner, and besides being a mathematical whiz generally, he had designed and built an electronic brain, or calculator, which was in some ways smarter than himself--and a lot less diffident.
Electronic calculators are invariably given acronymic names such as BINAC, SEAC, and MANIAC, and nine out of ten of them are of the digital type. This is a nice way of saying that they count on their fingers. They're nearly as big as yachts, and cost more, but can calculate a million times faster than any human.
Norm's machine was of the analogue type, which is less flexible, less complex, and vastly smaller and cheaper. He called it the ICWEA , which stood for "I Can Work 'Em All!" It could, too! It was especially good at deriving equations from curves, which was really something.
Charley Oglethorpe burst into the office one morning, catching Norm in a brown study. "Hi, Genius. How is she perking now?"
"All right, except the pen skips a little sometimes and makes a messy curve."
"Have to damp that arm better. When can I have her to work on?"
"Soon as I finish these Mugu problems."
Charley stared at him.
"Mugu. Guided-missile center. It's nice business if we can get it--the digitals are all booked up months ahead, and the particular type of problem they send us is right up our alley."
"I thought you were kidding me, like that Boolean Algebra stuff."
"Wasn't kidding then, either."
"I'll stick to instrument-making, thanks. You math guys never have any fun."
Norm shrugged, turned to the telephone, and called an extension.
"Hermosa." It was a rich, pleasant voice.
"Vic? How about the rest of the Mugu cards? Ready yet?"
"I'll send them up right away. Just finished them."
"Who was that?" Charley inquired.
"Vic Hermosa. Smart boy."
Charley smiled a little.
There was a knock at the door.
"Come in," Norm called. The door opened, and a small, neat girl entered. Her long bob was dark and silky, but windblown. She tossed her head and her hair settled into place, as if she had just brushed it. She extended a pack of punched cards.
"Thank you," Norm said, gravely.
The girl looked up at him suddenly, and he stepped back a little. She had surprising, deep-violet eyes, and their glance seemed to have a tangible impact. She nodded grave acknowledgment and left.
"Damn it, I wish I could do that!" Norm complained.
"Make goo-goo eyes?"
"No. Shake my head so my hair would automatically be combed like hers. I've been fighting this cowlick ever since I've been a kid--stocking caps, gunk, the works. Still got it. And the part moves around and I have to hunt for it."
"Know who she is?"
"Nope. Clerk, messenger, I guess. They're always hiring new ones."
"Doesn't she ever speak?"
"Of course she--come to think of it, I've never heard her. Must say it's a relief after the usual yackety-yack. Haven't anything to talk to her about, anyway. She's just a child."
"A pretty one, though."
"Yes, she is."
"You sure don't know anything about women. If anyone made eyes at me that way, I'd do something about it."
"What, for instance?" Norm inquired dryly.
"Well, of course, I'm married. But I'd find out who she was, anyhow. Sometimes I think you're dead and don't know it."
"Sometimes I agree with you," Norm said. He fed one of the punch cards into the transmitter head, which fingered the holes and told ICWEA what the problem was. ICWEA began drawing a curve on the curve tracer. It would have taken Norm or anyone else days to arrive at the answer. "See? Skips here and there, but I can ink in the gaps."
"Looks like the pen catches on the paper a little. I'll grind the point while I'm at it. Say, that thing really thinks, doesn't it?"
"In a way. Generally, the digitals have it all over the analogues when it comes to reasoning, but I built an extra brain into her."
"Where?"
"I bet. She's more alive than you are. Why don't you step out a little? First thing you know, you'll be getting old, and it'll be too late."
"Leave the match-making to the women. I may be old, but I'm not an old fool. It's fall, not spring."
"Yeah? All you need to be an old fool is just a little more time."
Norm ignored him, and took a card from his desk. It seemed to be an extra, not with the pack. He put it in the machine. The curve-tracer began to draw a rather abrupt curve, which meandered half across the sheet before Norm realized what it was. Suddenly, an image leaped to his mind's eye and he watched with fascination while the pen traced this mathematical impossibility to the far end of the paper, and in obedience to several successive negative factors in the problem retraced in the opposite direction a little lower down.
A head, a slightly lifted elbow, full rounded breast, a knee luxuriously drawn up, a dangling arm, all in one continuous line. There was nothing obvious about it; it was formalized, but with the individual style that is the artist's signature. Once seen, the image persisted.
"Hey, Charley, look at this!"
"Yeah. What about it?"
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