Read Ebook: The Woman's Part: A Record of Munitions Work by Yates L K

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In the foundry, her appearance is as yet exceptional, yet in the North country it is no unusual sight to find a woman in the cage suspended from the overhead travelling crane, operating its protruding arm. Now, she will pick up with the clumsy iron fingers a pig of iron and thrust it into the glowing depths of a furnace, or she will lift the red-hot billet and bring it to the hydraulic press, where it is roughly hollowed into its predestined shape.

In the shell shop proper you may watch the woman operator on some scores of processes; at one machine, she may be attacking the centre of the billet with a revolving nose, at another she may be 'turning' the outside of a shell. The shavings curl off in this process like hot bacon rind and fall in iridescent rings around her: blue, purple, peacock, or gleaming silver. Or, you may watch the woman worker 'threading' the shell, a process by which the screw threads are provided, into which the nose of the shell is afterwards fitted; or, you may stand and marvel at the skill of the worker who so deftly rivets the base-plate into the shell's lower end. But, perhaps, the most attractive operation to the visitor to the shell shop is the fitting and grooving of the shell's copper band, a process which leaves the machine and worker half-hidden in the glory of sunset tints, as the copper scrap falls thickly from the machine.

At every stage, the shell is gauged and tested, examined and re-examined, since accuracy is the watch-word of its production. Sometimes, the machine-operator will gauge her own product; at other stages, the shell passes into the hands of women overlookers of the factory, the final tests being made by Government 'viewers'. The inside, as well as the outside of the shell is submitted to such inspection, and you may see women peering into the interior of the shells, aided by the light from a tiny electric bulb, mounted on a stick. This contrivance is thrust successively into rows and rows of shells.

Women are now exclusively used for the painting of the shells, a process accomplished, not by means of a brush and paint-pot, but by the operator playing a fine electrically-worked syringe on to the surface of the shell. This process is undertaken in what is often called 'the butcher's shop', the shells, in pairs, being swung up on a rope into a compartment where the operator works from behind a protective iron screen.

In the Filling shops, women's devotion to their work has been proved once and again. Whether the process undertaken be in company of a few comrades, or in isolated huts where lonely vigils are kept over stores of explosives, the munition-girls are hardly known to flinch in their duty.

Sometimes, they have volunteered to work throughout the night when air-raids are in progress, at other times, women-workers have returned to the Danger Zone immediately after some bad experience there; and, in every case, the woman worker in the Filling Factory cheerfully sacrifices much which she holds dear in life. It may signify but little to a man to give up his small personal possessions whilst at work in the danger areas, but to many a woman worker it means much, that she may not wear a brooch, or a flower, while on duty, and that her wedding-ring, the only allowable trinket, must be bound with thread while she works. Her tresses, which she normally loves to braid, or twist into varying fashions, must also be left hairpinless beneath her cap. She must relinquish her personal belongings before going to her allotted task; no crochet-hook or knitting-pin may accompany her into the zone where friction of steel, or hard metal, might spell death to a multitude of employees. Yet this sacrifice of individuality is given freely by the woman in the Filling shop, and she is still merry-hearted and blithe as she fills the small bags with deadly powder, or binds the charge which shall fire the shell.

When the shell is finally filled and passed 'O.K.', or perfect, it is a woman who packs it into its box and who wheels it on a truck, sometimes for a mile or more over narrow platforms, to hand it to another woman who stacks it into the waiting railway-wagon. Any one who has watched throughout the production of a shell in a factory of to-day can only echo a well-known author's recent salute: 'Hats off to the Women'.

The fuse, that small and complicated object which explodes the shell, is a war-product now largely produced by women's labour. A few inches in length, it requires some hundreds of operations for its manufacture, even if the initial processes on the metal are excluded from the count. In section, it looks like a complicated metal jig-saw puzzle of exquisite finish and cohesion: viewing it externally, a child might mistake it for a conjurer's 'property', a bright metal egg, or roll often surrounded by a metal ring marked with time measurements.

The care and accuracy necessary for the production of this small object can hardly be imagined by the uninitiated: it is measured and re-measured in every diameter, since on its perfection depends the life of the gunner and his team. The fuse shop is usually characterized by its cleanliness and quietude. I recall one such shop stretching far away into distance both in length and breadth. Under its roof some 1,500 women were at work. Conversation could be held in any part of the shop, undisturbed by the usual factory noises. The fuse parts are, indeed, so small that the machinery is necessarily light, and in such a shop it is dexterity and accuracy that tell, rather than physical strength.

Rows of graceful women and girls were standing at their machines, and I recall how their overalls and caps of varied hues made a rainbow effect, as one watched from a distant corner. Some were in cream colour and some in russet-brown, or apple green, the caps sometimes matching the overall and sometimes offering a strong contrast. A splash of purple, or a deep magenta, mingled with the head-dresses of softer hue, for in this shop, away from the Danger Zone, no insistence was made on uniformity of factory costume. Other women, wearing a distinctive armlet, were passing in and out between the rows of workers, now stopping and bending over a machine, now making some bright remark to the operator, as a ripple of laughter indicated, or again, pointing out in sterner wise some danger, or some error in the job. These itinerary women are the overlookers, who since the war have perfected themselves in their special job and can now supervise the operators.

At long tables, other women were sitting; some quite elderly and grey-haired, some mere girls. They were measuring with small gauges parts of the fuse, some the size of a good-sized bead. There are 150 different gauges authorized for the measurement of one type of fuse, and in practice even more are used, to ensure perfection of accuracy. I stood spell-bound at one of these gauging tables and watched the examination of small screws and flash plugs. There were six little squares of felt on the table, on which the examiner placed rejects, classified according to the detected flaw. The work proceeded with the utmost dispatch, the 'accepted' or 'perfect' heap growing as if by magic.

At another table, a girl was testing springs of about an inch long. If any of these showed the smallest fraction too much length after being submitted to a given pressure, they were put aside as 'scrap'. At yet another table, tiny fuse needles were being examined for length, thickness of phlange, and accuracy of point, and on a high flat desk, near a machine, I noticed seventeen different gauges were ranged for the examination of the percussion end of the fuse-body, one ten-thousandth part of an inch being the limitation or variation allowed in such parts.

When all the parts have been examined they are passed to other tables for assembling, or putting together. In this operation almost superhuman care is required, and the work is reserved for the best operators and time-keepers as a reward for long service. 'Assembling' is regarded as the plum of the fuse-room. The operators are well aware of the importance of the task, as they stow away in the time fuses the pea-ball, pellet, spring, stirrup, ferrule, and other components of the fuse. The needle is fixed by blows from a small hammer, and at length the fuse is completed and passes out of the room of its creation to receive its 'filling' from other hands.

The production of cartridges and bullets is another branch of munitions production in which women are mainly employed. These objects, which, when completed, are together no longer than a ball-room pencil, make in their manufacture no great demand on physical strength.

On entering a cartridge and bullet shop, one is at once struck with its individuality. There is more stir and movement than in a fuse-room, but less of the imperiousness of the machinery than in the shell or gun shop. There is in the cartridge and bullet room still the whirr of wheels and, above that, the deep constant throb of the driving-force, that makes conversation almost inaudible to the new-comer. But beneath this bass accompaniment, one can hear the lesser sounds belonging to the cartridge and bullet-room alone. There may be the buzz of the circulating gas machines--which resemble miniature merry-go-rounds--the tap, tap, of the cartridges as they are thrown out of the machine into a box below, and the tinkle of bullets as they are poured into weighing machines, or on to tables, or into huge barrels, such as are used on the wharves for the transport of herrings.

A cartridge and bullet-shop sometimes is as animated and as picturesque as an open-air market under a southern sky. I remember such a shop where the girls were in various factory costumes, some at the machines in khaki and some in cream-coloured overalls and caps; some, who were 'trucking', or removing the product in boxes, were in cream trouser-suits, with smart head-dresses fashioned from brightly-coloured oriental handkerchiefs. In between the rows of girls men in dark suits were passing to and fro, now stopping to examine, or alter a machine and now taking up a box of bullets and pouring out its glittering contents like a silver stream, so that the output from each worker might be weighed and assessed.

Through an open door, at one side of the shop, one could see other men, like stern magicians, dropping cartridges into vats of acid, and just to the side of the vats I caught sight of two girls vigorously shaking a sack of cartridges, hot from the furnace. As they shook, they sang an army refrain: 'Take me back to dear old Blighty,' with a chorus of laughter. At the extreme end of the shop, near the door whence the product made its exit, were long narrow tables, piled with bullets, reminding one of a haul of silver sprats on the quay-side. These were the inspecting tables where the bullets receive minute attention from women viewers.

The women's work in the bullet-shop is of extraordinary interest to the onlooker, although many of the processes must be infinitely more monotonous, from the worker's standpoint, than operations in other munitions productions. The elongation of the little metal vessel, resembling an acorn-cup, into a full-length cartridge, or bullet, necessitates many operations in which the dexterity of human fingers and the ingenuity of the machine both come into play. In the shop I recall, in one machine employed for semi-annealing, the cartridge was being 'fed' into a metal revolving plate. This passed behind an asbestos screen into a double row of gas jets, where the semi-annealing or hardening process was being accomplished. The dexterity of the operators was so great that one woman was often feeding two machines, apparently without effort, and never missed placing the cartridge into the correct aperture in the revolving plate.

In another process, I watched young girls sitting round a table and placing bullets into circular apertures in small trays, resembling solitaire-boards. Many of the girls were working with such speed that it was impossible to follow the movements of their fingers, but they, unconscious of their prowess, worked with averted heads, smiling in amusement at the visitor's astonishment.

In yet another operation, it was the machine that held one's attention. The operator was feeding cartridges into a metal band which slipped out of view while the process of 'tapering' was performed. When finished, a metal thumb and index finger appeared, which delicately picked up the cartridges, one by one, and threw them aside. The displaced cartridge then hopped out of the machine into a box at the side of the machine.

Entranced by the many mysteries in the production of cartridges and bullets in the shop I am recalling, I had not noticed that the tea-interval had arrived, and suddenly found that the work-room was almost empty of human beings. Only two girls remained. They were sitting sewing, whilst they devoured thick slices of bread and butter out of a newspaper packet. The woman inspector, who was my guide, turned sharply. 'What are you doing here?' she said, 'Eating your tea in the workshop, instead of outside, or in the canteen. Be off at once into the fresh air.' Then, with the indignation fading out of a good-humoured face: 'What next?' she said.

Looking out of the open door at the streams of bright and happy girls laughing, singing, dancing, and running, as only healthy youth can do in the midst of these dark days of war, I seemed to see other and brighter days ahead stretching out into the years of the future, when the workfolk would all taste a fuller joy in life. With renewed hope, I gave her back her challenge: 'Well! and what next?'

THE MAKING OF AIRCRAFT--OPTICAL INSTRUMENTS--IN THE SHIPYARDS

The production of aircraft, undertaken in this country on a large scale only since the outbreak of the war, has fallen more naturally into the hands of women. The work is for the most part light, and the new factories, often erected in open country, are bright, airy, and largely free from the noise of machinery. Added to these special attractions to the woman worker, there is apparently a distinct appeal to the youth of both sexes and to women of all ages in anything connected with the art of flying.

It is no secret that our output of aircraft is steadily increasing, and that during 1917 it has been doubled. In one factory in London, the output has been trebled within three months; in Lancashire, there are instances in which it has been doubled, and other areas show an improved production varying from 25 to 50 per cent. Yet the increased demand for labour for this work has always been immediately answered, and there is a steady flow into the factories of the best type of women workers from every class of society. Here and there, one already meets a woman who, during the short period of the war, has risen to be manager or partner in an aircraft factory. Unconsciously, such a one emphasizes the fact that the mastery of the element of the future is likely to be an affair of both the sexes.

To-day, they undertake almost every other process both at the carpenter's bench and in the engineering shop, and the chief impression you carry away from a stroll through such a factory is that the women are thoroughly at home in the work. The operations are often so clean that the workers' overalls and caps of the daintiest shades of pink, blue, white, and heliotrope, remain fresh; the material for aeroplane parts is usually so light that the handling of it presents no difficulty to a slip of a girl. When within the works, the visitor is constantly stimulated to the thought that the hand which rocks the cradle should obviously be the one to make the air-machine.

One expects, of course, women's familiarity with the occupation in the room where the fine Irish linen is cut out and fashioned into wings. One is not surprised at the facility with which the measuring and cutting out are accomplished, and, maybe, an emotion of admiration arises, similar to that evoked by the contemplation of old tapestries, when one watches the hand-sewing of a seam in a wing of some 10 feet in length. Not a stitch of the button-holing of such a seam deviates by a hairbreadth from its fellows. Such work has, however, been women's province through the ages.

But a new sensation is awakened in the carpenter's shop where women are working with dexterity at the bench, handling woodwork like the men, now dealing with delicate wooden ribs, or again, fashioning propellers out of mahogany or walnut with such nicety that there is not the slightest deviation between the dimensions of a pair. In the room where the linen is stretched over the wooden ribs, I have seen women working with tiny hammers, giving fairy blows that never miss their mark on tiny nails.

It is with fascination that a visitor stands by be-goggled women as they undertake the welding of metal joints by the oxy-acetylene process. Here, conscientiousness is a vital quality in the operator, since an undetected flaw in the weld, as a works foreman recently remarked, 'might easily send an airman to Kingdom Come'. For this process, women of education are more often selected.

It is with awe that you watch the women at work on the metal parts of the aeroplane, drilling, grinding, boring, milling on the machine, or soldering tiny aluminum parts for the fuselage, and in each process gauging and re-gauging, measuring and re-measuring. Women also work on aero-engines, and help in the manufacture of the magneto, the very heart of the machine. They even undertake special processes, which before the war were only entrusted to a select body of men. I stood one day, for example, watching a woman splicing steel rope, a process undertaken in pre-war days by sailors. She was working with extraordinary speed and unconcern, and had learned the job in three or four days. Before then, she told me, she had been her employer's cook.

But the most alluring scene of all is the assembling of aircraft. The infinite number of separate parts are now ready; they have been tested by factory overlookers and retested by Government inspectors. The greatest care is taken in these examinations: it is the only possible insurance of the lives of the brave youths on their journey above the clouds. All the workers know this, and the seriousness of the job is reflected on their faces. But now all the parts are ready and to hand in the Erecting shop. Then wings and propeller are added to body, the engine and leather-upholstered seats introduced, the electric apparatus fitted up, the compass, ammunition box and other instruments and weapons placed in position.

The aeroplane is at length complete, and stands in the hangar like some great bird, with outstretched pinions, awaiting its first flight into the Unknown. Women undertake every process of this assembling, and have acquired familiarity with all the parts. This was put to the test recently in a certain works when a woman operator was directed to dismantle a machine. Without hesitation, she stripped the complex network of the structural stay-wires and the control wires, and then re-assembled them, correct in every particular, at the first attempt.

Of the many industries developed by the war, the production of optical instruments offers a striking example of rapid progress. Before 1914, the optical glass industry of Europe was largely in the hands of Germany and Austria, and the outbreak of hostilities meant the total closing of that market to the Allies. The lack of optical instruments thus occasioned was at first a source of grave national peril, since optical glass provides, as it were, eyes for both Navy and Army. The eyes of the guns are the range-finder, the director, the sighting telescope, periscope, prism binoculars, and other instruments for observing fire and correcting the aim; the tank would be blind without its periscope, and observations are made from aircraft by means of photographic cameras and lenses.

At sea, the tale is repeated; the submarine requires at least one eye, and the submarine chaser needs many, while, by means of optical instruments, the naval gunner can fire at a target which is about 15 to 20 miles away. The very health of the army depends, in great measure, on optical glass, since the Royal Army Medical Corps fights malaria and other diseases due to parasites, which must be magnified by a microscope a thousand times before they can be identified. Hence, the solution of the problem of optical munitions was a vital matter in the early days of the war.

With characteristic energy, Great Britain set to work and soon restored a languishing trade. The task was enormous; the industry had to be revived from its very foundations. The production of the peculiar types of glass required for optical instruments in itself presented a formidable obstacle, even its principal ingredient, a special quality of sand, being formerly derived mainly from Fontainebleau and Belgium. But by widespread investigation efficient substitutes were soon discovered, the problem of mixing the ingredients was at length solved, formulae for special glasses devised, and we are now producing large quantities of optical glass of perfect quality. The production of the raw material was, however, only a first step in obtaining an adequate supply of optical instruments.

Numbers of delicate processes stand between the rough glass and the finished implement. The glass must be cut, ground, and curved exactly to the requisite design, which in itself takes many days of high mathematical computation; it must be smoothed and polished, cleaned with meticulous care, and adjusted to a nicety in the particular instrument for which it is fashioned. The difficulties and pitfalls are incalculable; from start to finish the glass obeys no fixed laws, but answers only to the skilled handling of the scientist and craftsman. 'Optical glass is the mule of materials', comments a recent writer with sincerity.

The absence of requisite labour for what was practically a new industry was a serious menace, and it is to the credit of Englishwomen that, as soon as the need for their services in this direction was made known, they stepped without hesitation into this unfamiliar and highly skilled industry. Their success therein is remarkable, and many, from such callings as high-class domestic service, kindergarten instruction, music teaching, blouse and dressmaking, have achieved a wonderful record in the delicate and highly technical processes of lens-smoothing and polishing and in the production of prisms of faultless polish and cut.

There is, I take it, no more interesting munitions development than in factories where these lenses and prisms are produced. The work is so fine and so delicate that one feels it might be more suitably transferred for manipulation to elves, or fairy folk, who might undertake the various processes standing at a large-sized toad-stool. But with the stern reality of war upon us, willing feminine fingers have had to be trained to handle these lenses, the smallest of which, when ranged in trays, resemble a collection of dewdrops, and the largest of which would easily fill the port-hole of an ocean-liner.

Optical glass when it comes into the workshop has the appearance of small blocks of rough ice of a greyish hue. These blocks are roughly sliced and cut into shape by a rotating metal disk charged with diamond dust. The prisms and lenses in their initial stage are then handed on to women, who complete the work on their surfaces. Each process has its particular lure for the interested visitor. You may watch the slices of glass being shaped into prisms by handwork against the tool; you may follow these embryo prisms through the various processes of smoothing and polishing until a small magnifying prism is obtained for use in a magnetic compass, or until a large prism is completed suitable for a submarine periscope. You may follow the creation of a lens from the roughing and grinding of the glass slices with emery, or carborundum, until the approximate shape is given, or you may follow a later process of sticking the smaller lenses on to pitch, so that they may form a single surface for smoothing and polishing.

Again, you may watch the superlatively difficult operation of centring a lens. This task is necessary to ensure the polished surfaces of the lens running perfectly true and it requires a skilled touch and a trained eye to undertake it satisfactorily.

In a shop in a certain optical munitions factory I met the first woman who worked a centring machine in that area. She was formerly a housemaid, and told me that, at first, all the men had discouraged her from the job and had said it was 'impossible for a woman to do such work'. But she 'stuck it'--so she said--and in a few weeks, to her own surprise and the men's dismay, this peculiarly skilled job became familiar to her. 'Now I feel I am doing something,' she said in triumph. This sentiment was echoed by another worker in that factory who was accomplishing the surprising task of 'chamfering', or putting a tiny bevel onto the edge of a lens.

The large lenses measure only 2 inches in diameter; the smaller ones are about the size of a threepenny bit, and every operation, whether grinding, trueing, smoothing, polishing, or centring, must be accomplished with the utmost care. Even the final process in the manufacture of the lens or prism, 'wiping off', is fraught with responsibility to the operator. 'Wiping off,' or cleaning the lens, can only be done with a silken duster, for the finished glass, like a dainty lady, will tolerate the touch of nothing coarse.

In cases where the glass is graticulated, or marked with fine lines for measurement purposes, the task of 'wiping off' is of extraordinary difficulty; in the opinion of at least one foreman with whom I have discussed this question, the operation is only perfectly successful when performed by a girl's fingers. It is of supreme importance that no speck of dirt or hint of grease from a finger-mark be left on the glass when finally adjusted, or the instrument would become a source of danger to the user. No wonder that the feeling of the optical instrument workshop expresses itself in the words: 'Cleanliness is more than godliness at this job.'

The completed glass at length reaches the stage where it is set in its instrument, be it periscope, dial-sight, telescope, and so on. Although the most exact measurements have been observed both in the metal part and on the glass, small adjustments are necessary; for the fit must be so perfect that even if the metal case suffers shell-shock, the glass must still not rattle. But it is the metal alone which is submitted to alteration, and it is wonderful how women have been able to obtain sufficient dexterity to make these infinitesimal changes in the metal parts. One can see a mere girl undertaking such a task by giving the metal three or four delicate strokes from a file so fine that it would not hurt a baby's skin. Meantime, the lens or prism is finally examined for size, scratches, and other imperfections, and is then re-cleaned. Girls and women take a full share in the production of the metal parts for the optical instruments and also assemble, or collect the parts, for the adjustment of the glass, but so far they do not generally adjust or test the completed instrument.

The operations used in the production of optical instruments for war purposes are, of course, similar to those required in the manufacture of implements used in peace-time, such as opera-glasses, telescopes, microscopes, surveying instruments, photographic and cinematograph apparatus, &c., and it is expected that women who have entered the new war-time industry will happily find themselves, when peace dawns, in possession of a permanent means of livelihood in a skilled occupation.

'Ships, ships, and still ships': such is the main need of the Allies in this, the fourth year of the war. To answer this demand, every dockyard in the country is working at the highest pressure. Into this work, strange as it may seem to those familiar with the rough-and-tumble life of a shipyard, women have penetrated and have so far surmounted all obstacles in the tasks to which they have been allocated.

At first, dilution in shipyards was looked upon as a hazardous experiment. The work is mostly heavy and clumsy, and the type of men undertaking it, splendid fellows enough in their physique and general outlook, are mainly accustomed to dealings with the boisterous elements and with men comrades of their own pattern. Their attitude towards women, it was feared, would make for trouble immediately that the other sex was introduced as fellow-workers. Even the most optimistic amongst shipbuilders were aghast at the idea of women working shoulder to shoulder with men on board ship. Yet here and there a pioneer employer has arisen, and the experiment has been tried. It is succeeding unquestionably.

I have been into the shipyards and seen the amazing sight and am convinced of its expediency, at all events as a war-time measure. Special care must, of course, be taken in the planning and the supervision of women's work on board ship, but given the right type of inspectress, charge hand, and workers, there is no reason why women should not, in increasing numbers, fill the gaps in the shipyards, as in the factories. The women chosen to undertake such tasks are well aware of the service they are rendering to the nation at this juncture, and to the women workers the first day on board ship is one of supreme happiness. 'They are so excited when they actually get on board,' said a dockyard inspectress to me recently 'that they forget all about the difficulties and objections to the work.' It is well that this is so, for it is not too easy for the novice to move about below, even on a big battleship.

I was taken over one where the women were working. It was in a big yard crammed with shipping of every kind--so full that one could echo the words of the old Elizabethan, who said of a crowd: 'There was not room for a snail to put out its horns.' A stiff breeze was blowing, and the sea beyond ran full and blue. The great battleship along the dock lay serene and stately, bearing, as it were, with grim humour the meddlesome tappings and chippings of impertinent human beings, who presumed to furbish her up. There were men on the conning-tower, busy with paint-pots, and there was a tangle of ropes and pots on the upper decks where the guns were biding their time. Men were calling lustily to each other, and were darting here and there as brisk and wholesome as the breeze.

'We go down here,' said the inspectress, pointing to a ladder as steep as the side of a house. She bounded down with the ease of an antelope. Another ladder, and yet another. The inspectress seemed to have forgotten their steep incline and I was left, a helpless landlubber, cautiously descending step by step. When I joined her in the engine-room she was already deep in conversation with one of her staff. And then I noticed the secret aid to her agility. All the women aboard ship were dressed in trouser suits. The suits, of blue drill for the supervisors, and of a similar material in brown for the labourers, were made with a short tunic, and the trousers were buckled securely at the ankle. A tight-fitting cap to match completed the smart workmanlike costume which permits of perfect freedom of movement in confined places. Without such a costume it would be hardly possible for women to work on board.

The women workers on this particular battleship were engaged in renewing electric wires and fittings, a job which requires a good deal of care and accuracy. On the lower deck, they were fitting up new cables and were perched in high places, here 'sweating in' a distribution box, there marking off the position for the wires. Others were drilling holes, others again were 'tapping', or making a thread in the holes. In the engine-room the women were busy stripping worn-out electric wiring and were working by the light of tall candles, as merry as a party preparing a Christmas tree.

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