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It would hardly be possible to conceive anything more truly touching than the shift of William Thom, when he practised the pardonable deception upon his hungry children of turning day into night, though for downright deprivation the experience of John Ledyard, the traveller, may be said to excel it. This celebrated discoverer, who came into Europe from the United States in 1776, when making a tour of the world with Captain Cook, as corporal of a troop of Marines, arrived in England in 1780. He then formed the design of penetrating from the North West to the East Coast of America, for which purpose Sir Joseph Banks furnished him with some money. He bought sea stores with the intention of sailing to Nootka Sound, but altered his mind, and determined to travel overland to Kamschkatka, from whence the passage is short to the opposite shore of the American continent. Towards the close of the year 1786, he started with ten guineas in his pocket, went to and from Stockholm, because the Gulf of Bothnia was frozen; proceeding north he walked to the Arctic Circle, passed round the head of the Gulf of Bothnia, and descended on its east side to St. Petersburg, where he arrived in March 1787, without shoes or stockings. He proceeded to the house of the Portuguese Ambassador, who gave him a good dinner, and obtained for him twenty guineas on a bill drawn in the name of Sir Joseph Banks, with which sum he proceeded to Yakutz, accompanying a convoy of provisions, and there met Captain Cook. He says in his Journal, "I have known both hunger and nakedness to the utmost extremity of human endurance. I have known what it is to have food given me as charity to a madman, and I have at times been obliged to shelter myself under the miseries of that character to avoid a heavier calamity. My distresses have been greater than I have ever owned, or will own to any man. Such evils are terrible to bear, but they never yet had power to turn me from my purpose."

To have to submit to be thought a lunatic to escape starvation must certainly have been rather trying, though from the fact of part of the journey being performed without shoes or stockings it would certainly look as if John Ledyard were anything but particular; and it is well for us that he and other glorious pioneers were not, otherwise we should not be living in such an age of marvellous enlightenment as is our present privilege. Round the world in eighty days, facilitated by Cook's tourist coupons would hardly have been practicable, had not men like Ledyard been martyrs in the cause of exploration.

"An old fox broad sword, and a good black gown, And thus old Henry came to London Town."

Being thus intimately associated, it is only natural that the doctor in his 'Life of Savage' should thoroughly believe that individual's version of his own birth and parentage, which was that he was the illegitimate son of the Countess of Macclesfield, and that his father was Lord Rivers; the birth of Richard Savage giving his mother an excuse for obtaining a divorce from her husband, whom she hated. It is stated that "he was born in 1696, in Fox Court, a low alley leading out of Holborn, whither his mother had repaired under the name of Mrs. Smith--her features concealed in a mask, which she wore throughout her confinement. Discovery was embarrassed by a complication of witnesses; the child was handed from one woman to another until, like a story bandied from mouth to mouth, it seemed to lose its paternity." Lord Rivers, it is alleged, looked on the boy as his own, but his mother seems always to have disliked him; and the fact that Lady Mason, the mother of the countess, looked after the child's education, and had him put to a Grammar School at St. Albans, certainly favours the view of his aristocratic parentage. He was subsequently apprenticed to a shoemaker, but discovering the secret, or the supposed secret, of his birth, for not a few discredit his story, he cut leather for literature, and appealed to his mother for assistance. His habit was to walk of an evening before her door in the hope of seeing her, and making an appeal; but his efforts were in vain, he could neither open her heart nor her purse. He was befriended by many, notably by Steele, Wilks the actor, and Mrs. Oldfield, a "beautiful" actress, who allowed him an annuity of ?50 during her life; but in spite of all the assistance he received, his state was one of chronic impecuniosity. No sooner was he helped out of one difficulty than he managed to get into another, and though he is described by some biographers as a literary genius, his genius seemed principally a knack of getting into debt. Rambling about like a vagabond, with scarcely a shirt to his back, he was in such a plight when he composed his tragedy that he used to write it on scraps of paper picked up by accident, or begged in the shops which he occasionally stepped into, as thoughts occurred to him, craving the favour of pen and ink as if it were just to make a memorandum.

The able author of 'The Road to Ruin' was likewise one who had travelled some distance on that thorny path, for at one time he found himself in the streets of London without money, without a home, or a friend to whom his shame or pride would permit his making known his necessity. Wandering along he knew not whither, plunged in the deepest despondency, his eye caught sight of a printed placard, "To Young Men," inviting all spirited young fellows to make their fortunes as common soldiers in the East India Company's Service. After reading it over a second time he determined without hesitation to hasten off and enroll himself in that honourable corps, when he met with a person he had known at a sporting club he had been in the habit of frequenting. His companion seeing his bundle and rueful face, asked him where he was going, to which Holcroft replied that had he enquired five minutes before he could not have told him, but that now he was "for the wars." At this his friend appeared greatly surprised, and told him he thought he could put him up to something better than that. Macklin, the famous London actor, was going over to play in Dublin, and had asked him if he happened to be acquainted with a young fellow who had a turn for the stage, and, said his friend, "I should be happy to introduce you." The offer was gladly accepted, and when the introduction had been managed Holcroft was asked by Macklin "what had put it into his head to turn actor?" to which he replied, "He had taken it into his head to suppose it was genius, but that it was very possible he might be mistaken."

Holcroft was engaged for the tour, became an actor, and though he does not appear to have shone particularly strong on the stage, acquired considerable celebrity as a dramatic author, his play before mentioned being one of the few works of the old dramatists that has not become out of date with the playgoing public.

More than one literary man of note, has been compelled by poverty to accept the Queen's shilling. Coleridge, according to one of his biographers, left Cambridge partly through the loss of his friend Middleton, and partly on account of college debts. Vexed and fretted by the latter, he was overtaken by that inward grief which in after life he described in his 'Ode to Dejection.'

"A grief without a pang, void, dark, and drear, A stifled, drowsy, unimpassioned grief, Which finds no natural outlet, no relief, In word, or sigh, or tear."

In this state of mind he came to London, strolled about the streets till night, and then rested on the steps of a house in Chancery Lane. Beggars importuned him for alms and to them he gave the little money he had left. Next morning he noticed a bill to the effect that a few smart lads were wanted for the 15th Elliot's Light Dragoons. Thinking to himself "I have all my life had a violent antipathy to soldiers and horses, and the sooner I can cure myself of such absurd prejudices the better," he went to the enlisting-station, where the sergeant finding that Coleridge had not been in bed all night, made him have some breakfast and rest himself. Afterwards, he told him to cheer up, to well consider the step he was about to take, and suggested that he had better have half-a-guinea, go to the play, shake off his melancholy and not return. Coleridge went to the theatre, but afterwards resought the sergeant, who was extremely sorry to see him, and saying with evident emotion, "Then it must be so," enrolled him. In the morning he was marched to Reading with his new comrades, and there inspected by the general of the district. Looking at Coleridge, that officer said,--

"What's your name?"

"Comberback!"

"What do you come here for, sir?"

"For what most other persons come, to be made a soldier!"

"Do you think you can run a Frenchman through the body, sir?"

"I do not know," said Coleridge, "as I never tried, but I'll let a Frenchman run me through the body, before I'll run away."

"That will do," said the general; and Coleridge was turned into the ranks.

Alexander Somerville, author of 'Cobdenic Policy,' 'Conservative Science of Nations,' &c., &c., was also driven to the extremity of enlisting under circumstances more or less humorous. Unlike Coleridge, Alexander Somerville was not of gentle birth, being, as he styles himself in 'The Autobiography of a Working Man,' "One who has whistled at the plough." He received as a boy but scant education, being sent to a common day school where cruel discipline and unnecessary severity preponderated over learning. Though put to farm-work, where he was by turns carter, mower, stable-boy, thresher, wood-sawyer and excavator, his natural intelligence and love of books made him anxious to turn his face from the parish of Oldhamstocks, where he was brought up, in a westerly direction towards Edinburgh. When about eighteen years of age he was much interested in the Reform Bill of 1830, and gave evidence then of his enthusiasm for politics, became canvasser for a weekly newspaper, but does not appear to have succeeded in this vocation, for his circumstances were such that he wandered about moneyless; and meeting with an old chum they agreed to go and have a chat at any rate with the recruiting corporal of the dragoon regiment popularly known as the Scots Greys.

"My companion," he says, "had seen the Greys in Dublin, and having a natural disposition to be charmed with the picturesque, was charmed with them. He knew where to enquire for the corporal, and having enquired, we found him in his lodging up a great many pairs of stairs, I do not know how many, stretched in his military cloak, on his bed. He said he was glad to see anybody upstairs in his little place, now that the regimental order had come out against moustachios; for since he had been ordered to shave his off, his wife had sat moping at the fireside, refusing all consolation to herself and all peace to him. 'I ha'e had a weary life o't,' he said plaintively 'since the order came out to shave the upper lip. She grat there. I'm sure she grat as if her heart would ha'e broken when she saw me the first day without the moustachios.' Having listened to this and heard a confirmation of it from the lady herself, as also a hint that the corporal had been lying in bed half the day, when he should have been out looking for recruits, for each of whom he had a payment of ten shillings, we told him that we had come looking for him to offer ourselves as recruits. He looked at us for a few moments, and said if we 'meant' it he saw nothing about us to object to; and as neither seemed to have any beard from which moustachios could grow, he could only congratulate us on the order that had come out against them as we should not have to be at the expense of getting burnt corks to blacken our upper lips, to make us look uniform with those who wore hair. We assured the corporal that we were in earnest, and that we did mean to enlist, whereupon he began by putting the formal question, 'Are you free, able and willing to serve his Majesty King William the Fourth?'

In connection with music the name of Loder, the clever composer , recalls an interesting episode in his life revealing a remarkable shift to which he was put. One evening when leaving his lodgings with a friend named Jay for the purpose of enjoying a quiet little dinner at Simpson's, he received an ominous tap on the shoulder from one of those individuals whose attentions are not appetising, since without you can settle the little amount, they require your immediate company. Loder was by no means able to satisfy the law's demands, and the sheriff's officer refused to lose sight of his man, even though "he had a most particular appointment;" so the only thing to be done was to invite the bailiff to join them at dinner. After the repast was concluded the party repaired to Sloman's, a notorious spunging-house in Cursitor Street, Chancery Lane, when just as Jay was taking leave of Loder the latter remembered having something in his pocket which might be turned to account. It was a song by Samuel Lover. "Goodbye, old fellow," said Loder. "Come to-morrow morning, and see what I shall have ready." As soon as his friend had gone he set to work and set Lover's words of 'The Three Stages of Love' to music, which was a most successful and satisfactory way of composing himself to sleep, for when Jay called in the morning he received a manuscript which, when taken to Chappell's, realised ?30. The proceeds enabled Loder to pay the debt, and dine with his friend at Simpson's in the afternoon, without the unwelcome guest of the preceding day.

John Joseph Winckelmann, who became one of the most famous of German writers on classical antiquities, was the son of a poor cobbler, who not only had to struggle with poverty, but with disease which, while his boy was yet young, compelled him to avail himself of the hospital. When placed at the burgh seminary there, the rector was struck with young Winckelmann's dawning genius, and by accepting less than the usual fee, and getting him placed in the choir, contrived that the boy should receive all the advantages the school afforded. The rector continued to take the greatest interest in his apt pupil, made him usher, and when seventeen years of age, sent him to Berlin with a letter of introduction to the rector of a gymnasium, with whom he remained twelve months. While there Winckelmann heard that the library of the celebrated Fabricius was about to be sold at Hamburgh, and he determined to proceed there on foot and be present at the sale. He set out accordingly, asking charity of the clergymen whose houses he passed; and, having collected in this way sufficient to purchase some of his darling poets at the sale, returned to Berlin in great glee. After studying at Halle and elsewhere for six years, his early passion for wandering revived, and fascinated with a fresh perusal of Caesar's 'Commentaries,' he began in the summer of 1740 a pedestrian journey to France, to visit the scene of the great Roman's military exploits. His funds, however, soon became exhausted, and when close to Frankfort-on-the-Maine, he was obliged to return.

When he arrived at the bridge of Fulda, he remarked his own dishevelled, travel-stained appearance, and believing himself alone, began to effect an alteration. He had pulled out a razor, and was about to operate on his chin, when he was disturbed by shrieks from a party of ladies, who, imagining that he was about to make away with himself, cried loudly for help. The facts were soon explained, and the fair ones insisted on his accepting a monetary gift that enabled him to return without inconvenience.

It was not until the year 1755, when Winckelmann was thirty-eight years of age, and had published his first book, the 'Reflections on Imitation of the Greeks in Painting and Statuary,' that he freed himself from penury.

Flaxman, who throughout his honourable life seems to have entertained a most modest view of his own talents, married before he had acquired distinction, though regarded as a skilful and exceedingly promising pupil; and when Sir Joshua Reynolds heard of the indiscretion of which he had been guilty, he exclaimed, "Flaxman is ruined for an artist!" But his mistake was soon made manifest. When Mrs. Flaxman heard of the remark, she said, "Let us work and economize. It shall never be said that Ann Denham ruined John Flaxman as an artist;" and they economised accordingly, her husband undertaking amongst other things to collect the local rates in Soho.

"MY DEAR GEORGE,

"Yours, "S. DAVIES."

There is not the slightest doubt that the beau was pretty sure his visitors had breakfasted, and it was only the extreme improbability of their accepting his invitation that made him give it. Had they taken him at his word, instead of the magnificent repast which he offered them, his guests would have sat down to an uncommonly plain breakfast, for the polite and hospitable host had nothing but a penny roll and the coffee simmering by his bedroom fire. On another occasion a visitor called on him, and in course of conversation said he was going to dine with a certain Mr. Jones, a retired soap-boiler, who had radically opposed the appointment of a man like Brummell to superintend the British interests at Caen.

"Well I think I shall dine there too," said Brummell.

"But you haven't an invitation, have you?"

"No," was the reply; "but I think I shall dine there all the same."

"The house was better known for years afterwards by this name than by its real sign. The two wayfarers entered. Old Charles Mathews in his 'At Home' used to tell a story of pulling up at a road-side inn, and interrogating the waiter as to what he could have for dinner.

"'Any hot joint?' said the traveller.

"'No, sir; no hot joint, sir.'

"'Any cold one?'

"'Cold one, sir? No, sir; no cold one, sir.'

"'Can you broil me a fowl?'

"'Fowl, sir? No, sir; no fowl, sir.'

"'No fowl, and in a country inn!' exclaimed Mathews. 'Let me have some eggs and bacon then.'

"'Eggs and bacon, sir?' said the waiter. 'No eggs and bacon, sir.'

"'Confound it,' at length said the traveller. 'What have you got in the house?'

"'An execution, sir,' was the prompt response of the doleful waiter.

"And so it was at 'The Swan.' When Pellatt and his friend entered the parlour there was but a glimmer of light, and no fire. A most civil man, whose name turned out to be Mathews, informed his guests that he would instantly light a fire and make them comfortable.

"'Not worth while,' said Pellatt, 'We only want a glass of gin and water, and a pipe.'

"'The deaf ears' , said he, 'will make excellent gravy. The 'Hard Ups' can't afford beef. No, no, we'll make the deaf ears do.' It may be imagined that Old Beans's place was a difficult one. One Kay, a large, seedy lawyer, who wore shabby black and white stockings, and shoes, was always behindhand with his share of cash. If a shilling were required, Kay would pay into the hands of the steward about nine pence halfpenny, vowing that he had no more, and Beans always declared himself out of pocket by Kay. We had, however, a visitor who added lustre to our association, but he was not a dining member--he could not be--his means were too limited even for our humble carousings. This member was a very old man, Colonel Curry, formerly a member of the Irish Parliament. He lodged in one room in Arundel Street, therefore the 'Never Sink' was to him a convenient hostelry, and he could do as he liked. He did so. On a small shelf over the parlour-door the colonel kept his own table-napkin, mustard, pepper, and salt. He also had a small gravy-tight tin case, and in that he brought with him every day four pennyworth of hot meat, generally bought at the corner of Angel Inn Yard, Clement's Inn. All he spent at the 'Never Sink' was three halfpence for a glass of rum, which he diluted from six o'clock in the evening till eleven o'clock at night: in the last mixing the rum was unrecognisable, the water colourless. Curry was a proud Irishman, never accepting the oft-proffered hospitality of others. His conversation was delightful, amusing, instructive. He never complained, and we were left to doubt whether his economy proceeded from parsimony or poverty; but from his highly honourable sentiments I should conclude the latter. It was a rule with the club that all the good sort of fellows with whom the members might be acquainted should be pressed into the general service of the club: thus any member who in better days had been a good customer to a thriving publican should use his best endeavour to introduce that publican to the 'Never Sink,' and get him to stand treat. The number of dinners and liquors obtained by such endeavours were prodigious. The club included several members of the republic of letters, who, to quote Tom Hood, had not a sovereign amongst them. Indeed, they had but one passable crown. One hat served nine; their shirts were latent; their dinners intermittent, and their grog often eleemosynary. Nothing sparkled about them but their wit, which was as keen as their appetites. The man of genius crouches in social poverty in a commonwealth of mutual privation.

"'There wit, subdued by poverty's sharp thorn, Was joined by wisdom equally forlorn; And stinted genius took a draught of malt On baked potatoes mixed with attic salt.'"

THE LUCK AND ILL LUCK OF IMPECUNIOSITY.

Shakespeare, though he says "There's a divinity doth shape our ends, rough-hew them how we will," admits that "There is a tide in the affairs of men, which, taken at the flood, leads on to fortune," which certainly looks as if we had something to do with the matter. "Man," it has been said, "is the architect of his own fortune," but it is equally a fact that some individuals have many more chances than others of making that fortune, especially those who are apparently undeserving. In the same way, impecuniosity has with some been the very means of introducing them to the road to success, while it has only plunged others in suffering.

Under the circumstances it must surely be conceded, that the impecuniosity which caused him to sing that song at that particular time, was particularly lucky, and Incledon is not the only individual who has been blessed with good fortune through the same means. In 'The Life of a Showman,' by D. G. Miller, that gentleman relates that one winter's afternoon he arrived with his family at a Cumberland village in a most pitiable plight, for though he had several "children he had but one sixpence." The journey, effected with a horse and cart, had been extremely trying, because across the road they had travelled ran a small rivulet, which was frozen, and a passage through which had to be made for the horse, the driver standing upon the shafts across the back of the horse, while the showman waded through the water nearly up to his waist, a state of discomfort enhanced by the plunging of the horse and the shrieks of the children. When the party arrived at the public-house , they were nearly frozen, and proceeded to warm themselves by the kitchen fire. After calling for a quart of ale, and paying for it with the solitary sixpence in his possession, the showman proceeded to look after his properties, and found that the man with the cart, being anxious to get back, had unloaded the luggage at the door. Enquiring of the landlady if he could engage the large room for a few nights for a very superior exhibition, the itinerant performer was informed by her, "I can't tell, but I think not. The last people who were here didn't pay the rent. However, the landlord is not at home, and I can say nothing about it."

After this he asked if they could be supplied with some tea, and on being replied to in the affirmative, says, "The expression on my wife's face seemed to say, 'Are you mad--where will you get the money to pay for it?' I paid no attention, however, to her look: the tea was got ready, and we sat down and made a hearty meal--at least, the children and I did. As to my wife, she was alarmed at my conduct, and was too frightened to eat, although she had tasted nothing since breakfast."

He says, "I have no bed to-night. Why, it matters not. Perhaps I have lost my latch-key--perhaps I never had one; yet am fearful of knocking up my landlady after midnight. Perhaps I have a caprice--a fancy--for stopping up all night. At all events, I have no bed; and, saving ninepence , no money. I must walk the streets all night; for I cannot, look you, get anything in the shape of a bed for less than a shilling. Coffee-houses, into which--seduced by their cheap appearance--I have entered, and where I have humbly sought a lodging, laugh my ninepence to scorn. They demand impossible eighteenpences--unattainable shillings. There is clearly no bed for me.

"It is midnight--so the clanging tongue of St. Dunstan's tells me--as I stand thus bedless at Temple Bar. I have walked a good deal during the day, and have an uncomfortable sensation in my feet, suggesting the idea that the soles of my boots are made of roasted brickbats. I am thirsty too , and just as the last chime of St. Dunstan's is heard, I have half-a-pint of porter, and a ninth part of my ninepence is gone from me for ever. The public-house where I have it is an early closing one, and the proprietor, as he serves me, yawningly orders the potboy to put the shutters up, for he is 'off to bed.' Happy proprietor! There is a bristly-bearded tailor too, very beery, having his last pint, who utters a similar somniferous intention. He calls it 'Bedfordshire.' Thrice happy tailor!

In like manner the needy circumstances of Charlotte Cushman had much to do with her obtaining an engagement at the Princess's Theatre, and making the great reputation she achieved in England. When first introduced to Mr. Maddox, the then lessee and manager of the house in Oxford Street, she did not impress him favourably. She had no pretensions to beauty, and Mr. Maddox considered she had not the qualities essential to a stage heroine. From London she went to Paris, in the hope of getting engaged by an English company performing there, but failing, and having obtained a letter of introduction from some one supposed to have great influence with the lessee, she again sought Mr. Maddox, with no better result. Stung to the quick by this second repulse, and made desperate by her critical situation, she turned when she had almost reached the door, exclaiming, "I know I have enemies in this country, but" , "so help me Heaven, I'll defeat them!" Mr. Maddox was at once satisfied with the tragic power of his visitor, and offered her an engagement forthwith.

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