Read Ebook: The Gentleman from San Francisco and Other Stories by Bunin Ivan Alekseevich Koteliansky S S Samuel Solomonovitch Translator Lawrence D H David Herbert Translator Woolf Leonard Translator

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"But neither are you a woman yet," said the headmistress, still more meaningly, and her pale face flushed a little. "To begin with, why do you do your hair like that? You do it like a woman."

"It is not my fault, madam, that I have nice hair," Olga replied, and gave a little touch with both hands to her beautifully dressed hair.

"Ah, is that it? You are not to blame!" said the headmistress. "You are not to blame for the way you do your hair; you are not to blame for those expensive combs; you are not to blame for ruining your parents with your twenty-rouble shoes. But, I repeat, you completely forget that you are still only a schoolgirl...."

And here Olga, without losing her simplicity and calm, suddenly interrupted her politely:

"Excuse me, madam, you are mistaken--I am a woman. And, do you know who is to blame for that? My father's friend and neighbour, your brother, Alexey Mikhailovitch Malyntin. It happened last summer in the country...."

"I glanced through those pages," said the officer, "went out on to the platform where she was walking up and down, and waiting for me to finish reading it, and I shot her. The diary is in the pocket of my overcoat; look at the entry for July 10 of last year."

And this is what the coroner read:

"It is now nearly two o'clock in the morning. I fell sound asleep, but woke up again immediately.... I have become a woman to-day! Papa, mamma, and Tolya had all gone to town, and I was left alone. I cannot say how happy I was to be alone. In the morning I walked in the orchard, in the field, and I went into the woods, and it seemed to me that I was all by myself in the whole world, and I never had such pleasant thoughts before. I had lunch by myself; then I played for an hour, and the music made me feel that I should live for ever, and be happier than any one else had ever been. Then I fell asleep in papa's study, and at four o'clock Kate woke me, and said that Alexey Mikhailovitch had come. I was very glad to see him; it was so pleasant to receive him and entertain him. He came with his pair of Viatka horses, very beautiful, and they stood all the time at the front door, but he stayed because it was raining, and hoped that the roads would dry towards evening. He was very sorry not to find papa at home, was very animated and treated me very politely, and made many jokes about his having been long in love with me. Before tea we walked in the garden, and the weather was charming, the sun shining through the whole wet garden; but it grew quite cold, and he walked with me, arm in arm, and said that he was Faust with Margarete. He is fifty-six, but still very handsome, and always very well dressed--the only thing I didn't like was his coming in a sort of cape--he smells of English eau-de-Cologne, and his eyes are quite young, black; his beard is long and elegantly parted down the middle, it is quite silvery. We had tea in the glass verandah, and suddenly I did not feel very well, and lay down on the sofa while he smoked; then he sat down near me, and began to say nice things, and then to take my hand and kiss it. I covered my face with a silk handkerchief, and several times he kissed me on the lips through the handkerchief.... I can't understand how it happened; I went mad; I never thought I was like that. Now I have only one way out.... I feel such a loathing for him that I cannot endure it...."

The town in these April days has become clean and dry, its stones have become white, and it is easy and pleasant to walk on them. Every Sunday, after mass, along Cathedral Street which leads out of the town, there walks a little woman in mourning, in black kid gloves, and with an ebony sunshade. She crosses the yard of the fire-station, crosses the dirty market-place by the road where there are many black smithies, and where the wind blows fresher from the fields; in the distance, between the monastery and the gaol, is the white slope of the sky and the grey of the spring fields; and then, when you have passed the muddy pools behind the monastery wall and turn to the left, you will see what looks like a large low garden, surrounded by a white wall, on the gates of which is written "The Assumption of Our Lady." The little woman makes rapid little signs of the cross, and always walks on the main path. When she gets to the bench opposite the oak cross she sits down, in the wind and the chilly spring, for an hour, two hours, until her feet in the light boots, and her hand in the narrow kid glove, grow quite cold. Listening to the birds of spring, singing sweetly even in the cold, listening to the whistling of the wind through the porcelain wreath, she sometimes thinks that she would give half her life if only that dead wreath might not be before her eyes. The thought that it is Olga Meschersky who has been buried in that clay plunges her into astonishment bordering upon stupidity: how can one associate the sixteen-year-old school-girl, who but two or three months ago was so full of life, charm, happiness, with that mound of earth and that oak cross. Is it possible that beneath it is the same girl whose eyes shine out immortally from this bronze medallion, and how can one connect this bright look with the horrible event which is associated now with Olga Meschersky? But in the depths of her soul the little woman is happy, as are all those who are in love or are generally devoted to some passionate dream.

The woman is Olga Meschersky's class-mistress, a girl over thirty, who has for long been living on some illusion and putting it in the place of her actual life. At first the illusion was her brother, a poor lieutenant, in no way remarkable--her whole soul was bound up in him and in his future, which, for some reason, she imagined as splendid, and she lived in the curious expectation that, thanks to him, her fate would transport her into some fairyland. Then, when he was killed at Mukden, she persuaded herself that she, very happily, is not like others, that instead of beauty and womanliness she has intellect and higher interests, that she is a worker for the ideal. And now Olga Meschersky is the object of all her thoughts, of her admiration and joy. Every holiday she goes to her grave--she had formed the habit of going to the cemetery after the death of her brother--for hours she never takes her eyes off the oak cross; she recalls Olga Meschersky's pale face in the coffin amid the flowers, and remembers what she once overheard: once during the luncheon hour, while walking in the school garden, Olga Meschersky was quickly, quickly saying to her favourite friend, the tall plump Subbotin:

"I have been reading one of papa's books--he has a lot of funny old books--I read about the kind of beauty which woman ought to possess. There's such a lot written there, you see, I can't remember it all; well, of course, eyes black as boiling pitch--upon my word, that's what they say there, boiling pitch!--eye-brows black as night, and a tender flush in the complexion, a slim figure, hands longer than the ordinary--little feet, a fairly large breast, a regularly rounded leg, a knee the colour of the inside of a shell, high but sloping shoulders--a good deal of it I have nearly learnt by heart, it is all so true; but do you know what the chief thing is? Gentle breathing! And I have got it; you listen how I breathe; isn't it gentle?"

Now the gentle breathing has again vanished away into the world, into the cloudy day, into the cold spring wind....

KASIMIR STANISLAVOVITCH

On the yellow card with a nobleman's coronet the young porter at the Hotel "Versailles" somehow managed to read the Christian name and patronymic "Kasimir Stanislavovitch." There followed something still more complicated and still more difficult to pronounce. The porter turned the card this way and that way in his hand, looked at the passport, which the visitor had given him with it, shrugged his shoulders--none of those who stayed at the "Versailles" gave their cards--then he threw both on to the table and began again to examine himself in the silvery, milky mirror which hung above the table, whipping up his thick hair with a comb. He wore an overcoat and shiny top-boots; the gold braid on his cap was greasy with age--the hotel was a bad one.

Kasimir Stanislavovitch left Kiev for Moscow on April 8th, Good Friday, on receiving a telegram with the one word "tenth." Somehow or other he managed to get the money for his fare, and took his seat in a second-class compartment, grey and dim, but really giving him the sensation of comfort and luxury. The train was heated, and that railway-carriage heat and the smell of the heating apparatus, and the sharp tapping of the little hammers in it, reminded Kasimir Stanislavovitch of other times. At times it seemed to him that winter had returned, that in the fields the white, very white drifts of snow had covered up the yellowish bristle of stubble and the large leaden pools where the wild-duck swam. But often the snow-storm stopped suddenly and melted; the fields grew bright, and one felt that behind the clouds was much light, and the wet platforms of the railway-stations looked black, and the rooks called from the naked poplars. At each big station Kasimir Stanislavovitch went to the refreshment-room for a drink, and returned to his carriage with newspapers in his hands; but he did not read them; he only sat and sank in the thick smoke of his cigarettes, which burned and glowed, and to none of his neighbours--Odessa Jews who played cards all the time--did he say a single word. He wore an autumn overcoat of which the pockets were worn, a very old black top-hat, and new, but heavy, cheap boots. His hands, the typical hands of an habitual drunkard, and an old inhabitant of basements, shook when he lit a match. Everything else about him spoke of poverty and drunkenness: no cuffs, a dirty linen collar, an ancient tie, an inflamed and ravaged face, bright-blue watery eyes. His side-whiskers, dyed with a bad, brown dye, had an unnatural appearance. He looked tired and contemptuous.

The train reached Moscow next day, not at all up to time; it was seven hours late. The weather was neither one thing nor the other, but better and drier than in Kiev, with something stirring in the air. Kasimir Stanislavovitch took a cab without bargaining with the driver, and told him to drive straight to the "Versailles." "I have known that hotel, my good fellow," he said, suddenly breaking his silence, "since my student days." From the "Versailles," as soon as his little bag, tied with stout rope, had been taken up to his room, he immediately went out.

It was nearly evening: the air was warm, the black trees on the boulevards were turning green; everywhere there were crowds of people, cars, carts. Moscow was trafficking and doing business, was returning to the usual, pressing work, was ending her holiday, and unconsciously welcomed the spring. A man who has lived his life and ruined it feels lonely on a spring evening in a strange, crowded city. Kasimir Stanislavovitch walked the whole length of the Tverskoy Boulevard; he saw once more the cast-iron figure of the musing Poushkin, the golden and lilac top of the Strasnoy Monastery.... For about an hour he sat at the Caf? Filippov, drank chocolate, and read old comic papers. Then he went to a cinema, whose flaming signs shone from far away down the Tverskaya, through the darkling twilight. From the cinema he drove to a restaurant on the boulevard which he had also known in his student days. He was driven by an old man, bent in a bow, sad, gloomy, deeply absorbed in himself, in his old age, in his dark thoughts. All the way the man painfully and wearily helped on his lazy horse with his whole being, murmuring something to it all the time and occasionally bitterly reproaching it--and at last, when he reached the place, he allowed the load to slip from his shoulders for a moment and gave a deep sigh, as he took the money.

"I did not catch the name, and thought you meant 'Brague'!" he muttered, turning his horse slowly; he seemed displeased, although the "Prague" was further away.

"I remember the 'Prague' too, old fellow," answered Kasimir Stanislavovitch. "You must have been driving for a long time in Moscow."

"Driving?" the old man said; "I have been driving now for fifty-one years."

"That means that you may have driven me before," said Kasimir Stanislavovitch.

"Perhaps I did," answered the old man dryly. "There are lots of people in the world; one can't remember all of you."

Then a grey-haired, curly, black-eyed Georgian brought him, on a large iron fork, a half-cooked, smelly shashlyk, cut off the meat on to the plate with a kind of dissolute smartness, and, with Asiatic simplicity, with his own hand sprinkled it with onions, salt, and rusty barbery powder, while the gramophone roared out in the empty hall a cake-walk, inciting one to jerks and spasms. Then Kasimir Stanislavovitch was served with cheese, fruit, red wine, coffee, mineral water, liquers.... The gramophone had long ago grown silent; instead of it there had been playing on the platform an orchestra of German women dressed in white; the lighted hall, continually filling up with people, grew hot, became dim with tobacco smoke and heavily saturated with the smell of food; waiters rushed about in a whirl; drunken people ordered cigars which immediately made them sick; the head-waiters showed excessive officiousness, combined with an intense realization of their own dignity; in the mirrors, in the watery gloom of their abysses, there was more and more chaotically reflected something huge, noisy, complicated. Several times Kasimir Stanislavovitch went out of the hot hall into the cool corridors, into the cold lavatory, where there was a strange smell of the sea; he walked as if on air, and, on returning to his table, again ordered wine. After midnight, closing his eyes and drawing the fresh night air through his nostrils into his intoxicated head, he raced in a hansom-cab on rubber tyres out of the town to a brothel; he saw in the distance infinite chains of light, running away somewhere down hill and then up hill again, but he saw it just as if it were not he, but some one else, seeing it. In the brothel he nearly had a fight with a stout gentleman who attacked him shouting that he was known to all thinking Russia. Then he lay, dressed, on a broad bed, covered with a satin quilt, in a little room half-lighted from the ceiling by a sky-blue lantern, with a sickly smell of scented soap, and with dresses hanging from a hook on the door. Near the bed stood a dish of fruit, and the girl who had been hired to entertain Kasimir Stanislavovitch, silently, greedily, with relish ate a pear, cutting off slices with a knife, and her friend, with fat bare arms, dressed only in a chemise which made her look like a little girl, was rapidly writing on the toilet-table, taking no notice of them. She wrote and wept--of what? There are lots of people in the world; one can't know everything....

On the tenth of April Kasimir Stanislavovitch woke up early. Judging from the start with which he opened his eyes, one could see that he was overwhelmed by the idea that he was in Moscow. He had got back after four in the morning. He staggered down the staircase of the "Versailles," but without a mistake he went straight to his room down the long, stinking tunnel of a corridor which was lighted only at its entrance by a little lamp smoking sleepily. Outside every room stood boots and shoes--all of strangers, unknown to one another, hostile to one another. Suddenly a door opened, almost terrifying Kasimir Stanislavovitch; on its threshold appeared an old man, looking like a third-rate actor acting "The Memoirs of a Lunatic," and Kasimir Stanislavovitch saw a lamp under a green shade and a room crowded with things, the cave of a lonely, old lodger, with icons in the corner, and innumerable cigarette boxes piled one upon another almost to the ceiling, near the icons. Was that the half-crazy writer of the lives of the saints, who had lived in the "Versailles" twenty-three years ago? Kasimir Stanislavovitch's dark room was terribly hot with a malignant and smelly dryness.... The light from the window over the door came faintly into the darkness. Kasimir Stanislavovitch went behind the screen, took the top-hat off his thin, greasy hair, threw his overcoat over the end of his bare bed.... As soon as he lay down, everything began to turn round him, to rush into an abyss, and he fell asleep instantly. In his sleep all the time he was conscious of the smell of the iron wash-stand which stood close to his face, and he dreamt of a spring day, trees in blossom, the hall of a manor house and a number of people waiting anxiously for the bishop to arrive at any moment; and all night long he was wearied and tormented with that waiting.... Now in the corridors of the "Versailles" people rang, ran, called to one another. Behind the screen, through the double, dusty window-panes, the sun shone; it was almost hot.... Kasimir Stanislavovitch took off his jacket, rang the bell, and began to wash. There came in a quick-eyed boy, the page-boy, with fox-coloured hair on his head, in a frock-coat and pink shirt.

"A loaf, samovar, and lemon," Kasimir Stanislavovitch said without looking at him.

"And tea and sugar?" the boy asked with Moscow sharpness.

Then he carefully got himself in order: he undid his bag, changed his underclothing, took out a cheap, but clean handkerchief, brushed his shiny frock-coat, top-hat, and overcoat, took out of its torn pocket a crumpled Kiev newspaper of January 15, and threw it away into the corner.... Having dressed and combed his whiskers with a dyeing comb, he counted his money--there remained in his purse four roubles, seventy copecks--and went out. Exactly at six o'clock he was outside a low, ancient, little church in the Molchanovka. Behind the church fence a spreading tree was just breaking into green; children were playing there--the black stocking of one thin little girl, jumping over a rope, was continually coming down--and he sat there on a bench among perambulators with sleeping babies and nurses in Russian costumes. Sparrows prattled over all the tree; the air was soft, all but summer--even the dust smelt of summer--the sky above the sunset behind the houses melted into a gentle gold, and one felt that once more there was somewhere in the world joy, youth, happiness. In the church the chandeliers were already burning, and there stood the pulpit and in front of the pulpit was spread a little carpet. Kasimir Stanislavovitch cautiously took off his top-hat, trying not to untidy his hair, and entered the church nervously; he went into a corner, but a corner from which he could see the couple to be married. He looked at the painted vault, raised his eyes to the cupola, and his every movement and every gasp echoed loudly through the silence. The church shone with gold; the candles sputtered expectantly. And now the priests and choir began to enter, crossing themselves with the carelessness which comes of habit, then old women, children, smart wedding guests, and worried stewards. A noise was heard in the porch, the crunching wheels of the carriage, and every one turned their heads towards the entrance, and the hymn burst out "Come, my dove!" Kasimir Stanislavovitch became deadly pale, as his heart beat, and unconsciously he took a step forward. And close by him there passed--her veil touching him, and a breath of lily-of-the-valley--she who did not know even of his existence in the world; she passed, bending her charming head, all flowers and transparent gauze, all snow-white and innocent, happy and timid, like a princess going to her first communion.... Kasimir Stanislavovitch hardly saw the bridegroom who came to meet her, a rather small, broad-shouldered man with yellow, close-cropped hair. During the whole ceremony only one thing was before his eyes: the bent head, in the flowers and the veil, and the little hand trembling as it held a burning candle tied with a white ribbon in a bow....

About ten o'clock he was back again in the hotel. All his overcoat smelt of the spring air. After coming out of the church, he had seen, near the porch, the car lined with white satin, and its window reflecting the sunset, and behind the window there flashed on him for the last time the face of her who was being carried away from him for ever. After that he had wandered about in little streets, and had come out on the Novensky Boulevard.... Now slowly and with trembling hands he took off his overcoat, put on the table a paper bag containing two green cucumbers which for some reason he had bought at a hawker's stall. They too smelt of spring even through the paper, and spring-like through the upper pane of the window the April moon shone silvery high up in the not yet darkened sky. Kasimir Stanislavovitch lit a candle, sadly illuminating his empty, casual home, and sat down on the sofa, feeling on his face the freshness of evening.... Thus he sat for a long time. He did not ring the bell, gave no orders, locked himself in--all this seemed suspicious to the porter who had seen him enter his room with his shuffling feet and taking the key out of the door in order to lock himself in from the inside. Several times the porter stole up on tiptoe to the door and looked through the key-hole: Kasimir Stanislavovitch was sitting on the sofa, trembling and wiping his face with a handkerchief, and weeping so bitterly, so copiously that the brown dye came off, and was smeared over his face.

At night he tore the cord off the blind, and, seeing nothing through his tears, began to fasten it to the hook of the clothes-peg. But the guttering candle flickered and the paper bag, and terrible dark waves swam and flickered over the locked room: he was old, weak--and he himself was well aware of it.... No, it was not in his power to die by his own hand!

In the morning he started for the railway station about three hours before the train left. At the station he quietly walked about among the passengers, with his eyes on the ground and tear-stained; and he would stop unexpectedly now before one and now before another, and in a low voice, evenly but without expression, he would say rather quickly:

"For God's sake ... I am in a desperate position.... My fare to Briansk.... If only a few copecks...."

And some passengers, trying not to look at his top-hat, at the worn velvet collar of his overcoat, at the dreadful face with the faded violet whiskers, hurriedly, and with confusion, gave him something.

And then, rushing out of the station on to the platform, he got mixed in the crowd and disappeared into it, while in the "Versailles," in the room which for two days had as it were belonged to him, they carried out the slop-pail, opened the windows to the April sun and to the fresh air, noisily moved the furniture, swept up and threw out the dust--and with the dust there fell under the table, under the table cloth which slid on to the floor, his torn note, which he had forgotten with the cucumbers:

"I beg that no one be accused of my death. I was at the wedding of my only daughter who...."

Footnote 1:

SON

He was about ten years her elder; he was not tall, with a swarthy face and curly hair; his hand was dry and his voice melodious. One felt in her the presence of some other, non-Latin blood; she was over medium height, although her figure was charming, and she had dark hair and blue-grey eyes. After touching at Naples, Palermo, and Tunis, they arrived at the Algerian town of Constantine, where M. Maraud had obtained a rather good post. And their life in Constantine, for the fourteen years since that happy spring, gave them everything with which people are normally satisfied: wealth, family happiness, healthy and beautiful children.

Their house stood in a quiet, clean part of the town. From the front rooms on the second floor, which were always half dark with the blinds drawn down, one saw Constantine, known the world over for its picturesqueness. On steep rocks stands the ancient Arab fortress which has become a French city. The windows of the living-rooms looked into a garden where in perpetual heat and sunshine slumbered the evergreen eucalyptuses, the sycamores, and palms behind high walls. The master was frequently away on business, and the lady led the secluded existence to which the wives of Europeans are doomed in the colonies. On Sundays she always went to church. On weekdays she rarely went out, and she visited only a small and select circle. She read, did needle-work, talked or did lessons with the children; sometimes taking her younger daughter, the black-eyed Marie, on her knee, she would play the piano with one hand and sing old French songs, in order to while away the long African day, while the great breath of hot wind blew in through the open windows from the garden.... Constantine, with all its shutters closed and scorched pitilessly by the sun, seemed at such hours a dead city: only the birds called behind the garden wall, and from the hills behind the town came the dreary sound of pipes, filled with the melancholy of colonial countries, and at times there the dull thud of guns shook the earth, and you could see the flashing of the white helmets of soldiers.

The days in Constantine passed monotonously, but no one noticed that Madame Maraud minded that. In her pure, refined nature there was no trace of abnormal sensitiveness or excessive nervousness. Her health could not be called robust, but it gave no cause of anxiety to M. Maraud. Only one incident once astonished him: in Tunis once, an Arab juggler so quickly and completely hypnotized her that it was only with difficulty that she could be brought to. But this happened at the time of their arrival from France; she had never since experienced so sudden a loss of will-power, such a morbid suggestibility. And M. Maraud was happy, untroubled, convinced that her soul was tranquil and open to him. And it was so, even in the last, the fourteenth year of their married life. But then there appeared in Constantine Emile Du-Buis.

Emile Du-Buis, the son of Madame Bonnay, an old and good friend of M. Maraud, was only nineteen. Emile was the son of her first husband and had grown up in Paris where he studied law, but he spent most of his time in writing poems, intelligible only to himself; he was attached to the school of "Seekers" which has now ceased to exist. Madame Bonnay, the widow of an engineer, also had a daughter, Elise. In May, 1889, Elise was just going to be married, when she fell ill and died a few days before her wedding, and Emile, who had never been in Constantine, came to the funeral. It can be easily understood how that death moved Madame Maraud, the death of a girl already trying on her wedding dress; it is also known how quickly in such circumstances an intimacy springs up between people who have hardly met before. Besides, to Madame Maraud Emile was, indeed, only a boy. Soon after the funeral Madame Bonnay went for the summer to stay with her relations in France. Emile remained in Constantine, in a suburban villa which belonged to his late step-father, the villa "Hashim," as it was called in the town, and he began coming nearly every day to the Marauds. Whatever he was, whatever he pretended to be, he was still very young, very sensitive, and he needed people to whom he could attach himself for a time. "And isn't it strange?" some said; "Madame Maraud has become unrecognizable! How lively she has become, and how her looks have improved!"

His nerves gave way completely. Once he sat for nearly the whole day in silence; then he got up, bowed, took his hat and went out--and half an hour later he was carried in from the street in a terrible state; he was in hysterics and he wept so passionately that he terrified the children and servants. But Madame Maraud, it seemed, did not attach any particular importance to this delirium. She herself tried to help him recover himself, quickly undid his tie, told him to be a man, and she only smiled when he, without any restraint in her husband's presence, caught her hands and covered them with kisses and vowed devotion to her. But an end had to be put to all this. When, a few days after this outbreak, Emile, whom the children had greatly missed, arrived calm, but looking like some one who has been through a serious illness, Madame Maraud gently told him everything which is always said on such occasions.

"My friend, you are like a son to me," she said to him, for the first time uttering the word son, and, indeed, almost feeling a maternal affection. "Don't put me in a ridiculous and painful position."

"But I swear to you, you are mistaken!" he exclaimed, with passionate sincerity. "I am only devoted to you. I only want to see you, nothing else!"

And suddenly he fell on his knees--they were in the garden, on a quiet, hot, dark evening--impetuously embraced her knees, nearly fainting with passion. And looking at his hair, at his thin white neck, she thought with pain and ecstasy:

"Ah yes, yes, I might have had such a son, almost his age!"

However, from that time until he left for France he behaved reasonably. This essentially was a bad sign, for it might mean that his passion had become deeper. But outwardly everything had changed for the better--only once did he break down. It was on a Sunday after dinner at which several strangers were present, and he, careless of whether they noticed it, said to her:

"I beg you to spare me a minute."

She got up and followed him into the empty, half-dark drawing-room. He went to the window through which the evening light fell in broad shafts, and, looking straight into her face, said:

"To-day is the day on which my father died. I love you!"

She turned and was about to leave him. Frightened, he hastily called after her:

"Forgive me, it is for the first and last time!"

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