Read Ebook: Under the Law by Babcock Edwina Stanton Coleman Ralph P Ralph Pallen Illustrator

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Ebook has 1310 lines and 89703 words, and 27 pages

"I wonder if this thing works--it doesn't seem to ring in the kitchen."

"It is at present ringing in the chicken-coop and the garage," announced Dunstan; "I heard it as I dressed--it is ringing in the furnace and in the fountain; it is ringing in Heaven, it is ringing--in--excuse me."

The Judge, twitching the paper, looked at his son. "She ought to hear it," he growled; "ring it again."

Dunstan suddenly dived under the table, feeling for the button.

"Blame not the damsel," came the lad's voice, this time near Sard's feet.

"Cuss the battery if you must cuss." He emerged from under the table and catapulted into the kitchen, where he nearly upset the cook, entering with a tray of smoking Sally Lunn. His father followed him with a cold eye of disgust.

"We love Foddie, little Sard, don't we? We aren't afraid of him--he won't send us to pwison." Then over their own clasping had come the man's bear hug and little laughs and screams from her pretty mother. Then Sard had always gone gravely and happily away to play.

Dunstan returned from the kitchen with the air of news. "Cook hath secured the main part of the breakfast booty, but thy maiden hath left--she answers not to her name in the scullery."

Miss Aurelia Bogart, the Judge's sister, sighed deeply. "Poor Dora, she never came in at all last night--she--I--you--well, she is taking this thing very hard--I suppose," with another sigh, "it is natural."

Dunstan grinned. "You are right, Aunt Reely; right, delicate nun! It is not unnatural to be sad when your only brother is indicted for murder. So the fair nymph never came in at all last night? Queer about these women." Dunstan winked at his sister, then stared blankly into his father's equally blank face.

"I say, Pop, are you really going to jug him for life, meaning the tow-headed murderer brother of our esteemed waitress?"

The Judge turned. It might have been a veritable mask of implacability that met the young brown faun-like gaze turned toward it, except that plaster is tenderer and softer than the human face devoid of the emotions of the human heart. A human face controlled by machine action is a terrible thing to see. The Judge had for years been a machine.

Dunstan's own face reddened and turned away. Sticking out his cup in the direction of the breakfast urn, the Judge remarked curtly, "More sugar." Then to his son, "I rather fancy your sort of levity is not as amusing as you seem to think. It is merely underbred and oafish, a sort of nigger minstrel's buffoonery." The Judge paused a moment and then added coolly, "As for what you wish to know, I am always ready to talk with you on any subject that is not pure meddling on your part."

Then the Judge rose and after they had heard the whine of his car swinging out of the drive, Sard and her brother looked at each other. Together they had noted the red eyes of the maid who, high-heeled of shoe and extravagant of dark hair, had replenished the muffins and brought back the coffee-urn.

"Well," Dunstan loomed over her gloomily, "you'll turn into an old maid, a wall flower, a sort of solemn crow." He stood on his heels, hands in his pockets, surveying her. "It's all of a piece," he said fretfully. "You took down those bally chromos of Paw's and you got pretty chintz for the chairs and put around bright candles--and he hated it. You begged him to let you cut windows into the hall and he squashed you. You can't get sun and joy into this house, and you can't get sun and human warmth into that jellyfish." With a sudden squirm Dunstan struck a match. "Oh, he's so plaguy sure," he growled. "Law? law?--a lot of stuff in books brought down from the funny old bigwigs in England--all scared of their king; all hanging on to rotten things they called 'precedents' for fear somebody would get something away from them; charters, burning of witches, dungeons, strait-jackets, ducking-stools; Father belongs to those days! Well," the young fellow turned upon his sister fiercely, "they know no better, but you and I do know better. We belong to a different age, and we sit here comfortable and happy while our smug parent does for a young fellow, a young blood-and-bone man, full of grit and sap and dreams, a fellow that could sail a boat and cut down a tree! We send him to a filthy, smelly hell of a prison with a lot of awful men!" Dunstan stopped. "I went through State prison once, and the smell of it alone would rot a man's soul--keep him hating good forever--you realize it? A curly-headed fellow, a man younger than I!"

The girl sitting soberly behind the silver coffee-urn looked wistfully at her brother. Dunstan's brown face was long, and his ears just a trifle pointed like a faun's; his voice was young and crackling, like a tongue of young flame trying to push up through heaped-up brush. He smoked silently, staring down at his sister. "It's good-bye for him," he said slowly, "good-bye to green trees and swimming in the pools and climbing mountains and hearing a girl's voice. Oh! to just being a man! Good-bye forever to everything but smells and rats and the minds of decayed men and we--you, Sard, and my father are doing this thing."

Dunstan suddenly pushed back a chair. "Drat parents!" he said fiercely, "drat law, drat the system," then he laughed. "Aunt Reely, don't shudder; if a man on the stage talked that way, you'd think it was lovely. Did you see my tennis racket?" demanded Dunstan in his usual voice. "Oh, I guess I jammed it in the rack of the car. Well, so long; don't grieve for me if I don't turn up for lunch. I guess I'll mess with Prudy Anterp and her bunch."

Sard and her aunt watched the light reedy figure swing around the little footpath to the garage, and in a few minutes Dunstan's car had glided out of sight.

OTHER LAWS

Two years of college had done little to affect Sard Bogart's life. True, those two years she had trodden the athletic-social paths of the American academic experience gaily, then the death of her mother called her home. Her father's appeal made on the stark, lonely night after the funeral had created circumstances she had met four-square. From that time on, Sard, with youthful heroism, had seen her life cut out for her. She was to run the home and "keep things bright" for her father.

There was also the Judge's sister, Miss Aurelia, of the age always in conjecture, and of a curious beauty that made poetry of an otherwise ineffective personality. Miss Aurelia's small head was covered with swathes of vital auburn hair, her delicate skin had porcelain pinks and whites, and her soft eyes and slim frame were of a curious suggestive quality that only needed force and will to make her a vibrant, seductive human creature. But this force and will were lacking. Miss Aurelia had been reared altogether on the "ladylike" plan. So while there was no look of wear and tear on her, no wrinkles on her face, no gray in her hair, and while her teeth were even, with the effect of crowding her pursy mouth, yet all these signs and colors of her spoke of untried, untested things; there was an eternal insecurity in her rabbity chin, her soft apologetic voice, the tentatives of her conversational method.

It was said in the village that Miss Aurelia "presided" over her brother's house, and that Sard "ran" it. However, there was no friction between the two. Sard accepted Miss Aurelia with the same devotion that she tended her mother's giant fuchsia, an unnecessary trellised crime of thousands of purple and red flowers, and refrained from sending away the chromos that her father loved.

"The--er--telephone, my dear," Miss Aurelia came softly up to Sard's tower room, "sorry to call you but the--er--person--long distance--don't you ever find it confusing?--I--they--she--the operator."

"Did you get the name?" asked Sard. "Is it Minga Gerould?"

Sard, smiling, hung up the receiver. Not until this, the first visit of a college pal since her mother's death, had she felt her hunger for real companionship. Now as she had done the first day she had left off her simple mourning, she looked up at the portrait of her mother hanging in the hall. She kissed her hand to that curly, ear-ringed little lady. "Dear little dead Mother," said Sard tenderly. "Dear little dead Mother!" Instinctively she thought about the mothers of the other girls of the town. Mrs. Bradon, Cynthia's mother, fat, stupid and conventional. Gertrude's mother, a hard practical woman with ambitions, the other mothers as Sard knew them seemed too girlish, crude, trivial, beside the little soft, curly, ear-ringed lady that Sard had only just begun to look at with woman eyes. "Would we have gotten on, Mother dear, would we?" whispered Sard, wistfully. "The other girls don't with their mothers."

Often Sard had been troubled by the guilty feeling that had her mother lived--well, there might not have been so much comradeship between them. Sard, clad in her crisp, clean linen, with white low-cut shoes and the plain little pin at her trim collar, remembered with a sense of tender wonder all her mother's little fripperies and gewgaws, the chains, the laces, and little sets of jewelry and pins and dewdabs--how quickly two years of camp and college had taught one of how small account were these things!

It needed tenderness and humor, even that of a very young girl, to get any real human life into a home like the Bogart home. It had a stodgy gloom of its own, a solemn, gloomy importance like the Judge's step, his way of entering a room. The hall was dark, the wainscoting was dark, the ceilings were gummy with queer medallions and heavy, gemmy Georgian ornaments. Of late years there had been extra electric lights put in the hall and a fireplace added to the living-room. These things gave a little cheer, as did the brass candlesticks with the soft tawny or mellow colored candles of Sard's own choosing. There was distinguished silver in the dining-room and rows of heavenly blue and pink willow plates in the cupboards, just as there were graceful pieces of Majolica that burned their hot color into the dull respectability of the living and tea rooms, but these didn't help much. Sard often shook her head over it all. She would turn away from her mother's portrait to that of her father when a young man. The then unbearded face had a cold kind of virtue and strength, the uncovered mouth was prim and uncompromising. Could it be that Sard's home had somehow taken its color from that prim mouth, those hard gooseberry colored eyes? The girl went slowly to a mirror over the large fireplace in the living-room. She pushed into the sunlight a vase full of daffodils, the better to see her own face.

"Funny! Where did you come from?" she asked the girl in the mirror, then softly, as if it were almost shameful to ask this question, "What are your laws?"

The dark brown eyes looked wistfully at Sard; the forehead, a little high but square and harmonious, was swept with a wave of golden brown hair that crisped with vitality. The face seemed not interesting to the girl who questioned it. "If I had more of Mother I could do things with Father," she thought; "if I had little curls and earrings that shook, and dimples and queer little pudgy, patting hands. These do things to men--and women, too. I've seen it happen."

Oh! our ancestors!--brave, struggling, dreaming, pathetic ancestors! How you struggled, how you prayed and agonized, or were wild and wanton to send your strange gifts down to us! Here's to you, Ancestors, all of you! May we send you the best and bravest of you on and as far as we can, we will do the best we can with your gifts!

FOR LIFE

The kitchen of the Bogart House was a pleasant room whose two doors opened out into a tidy latticed vegetable garden and whose outer arrangement of entry and drying yard were of the "save steps" description. Sard and her mother had worked these things out together, for at college, under one of the few strong souls and true brains that are still left unmartyred in American colleges, the girl had learned practical ideals of what should be the attitude of the employer to those who toil for his comfort. It was Sard who had the kitchen walls painted a sunshiny yellow, selected pretty rag rugs and placed bookshelves and good reading lights in the room; it was she who had insisted upon the lattices and ladyslippers and morning-glory vines. All with the sense of her own pleasure in them, though none of the people the Bogarts employed seemed to care much for these things. The young daughter of the house soon began to realize that any bright sport-hat she herself wore, the set of her skirts, the make of her shoes, interested Dora and Maggie better than the books she tried to discuss with them. The name of Edith Cavell did not thrill them as did the name of the most recent screen actress. They cared only, it seemed, to catch up with the joy and pleasure of the life ahead of them. They seemed always to feel that the very stuff of life was arrayed against them--and sometimes they had reason.

Now as the girl pushed aside the swinging door of the old-fashioned "butler's pantry," she was half prepared for the interrupted Irish sentences, the hot questions and answers.

"Is it justice, I ask you; is it justice? To take him now--only nineteen. When he's sort of wild and notional by nature and traps set for him? Maybe he dunnit--maybe he dunnit, but he keeps saying he ain't done it. Oh, my God, my God, I don't know."

The girl stood before the two women in the kitchen, the cook who, like Sard, wiped her hands and silently handed her the ordering list.

"Thank you, Maggie," said Sard; then, her forehead drawing together, "Dora, is there anything new?"

The waitress with a gesture of dumb inability to answer, turned away, and Sard, no asperity in her voice, saw that it was to a resolutely turned back that she was speaking.

"She blames me, somehow," the girl sighed, "as if I could help it!"

There was no answer, only dry coughing sobs. The cook turned. "Ah, don't bother your head with it all, dear. It ain't nothing to you--only, Gawd help the poor thing! Er course," said the cook somewhat bitterly, "we're all under this law; the boy done wrong; he done awful, and they'll be able to prove it against him, and your papa--well," the cook sighed, "only he's young, a rill smart curly-headed young feller and his chanst is gorn."

Then cook, with a curious rising howl, turned away herself.

Wiping her eyes, the young waitress stonily piling up the silver on the tray, let drop a fork. The girl stood there looking at it. Sard tried to comfort her.

"It--it is Human Sorrow," she said awkwardly. "I think we--we don't understand sorrow as well as we ought to and I am quite powerless but Miss Aurelia and I care, Dora."

The girl said it tremulously; already she was feeling the awful gulf between a person who suffers tragedy and that other who stands by longing to help. Also Sard knew a kind of shame--for it seemed treachery to her father and the equity he maintained, to say more. What could words do? It was Sard's first experience of the great naked fact of human sorrow and shame; she knew that the only person who could help Dora would be someone who had been through a wave of tragedy like hers.

"Words," thought Sard hotly, "are disgusting. We bandy them about and pile them up like money. We exchange them like coin of the realm." The young girl, clean and defiant of emotion as a young animal, had no mature power, that amazing power borne through sorrow and sympathy, the strange power of the healing touch, else she would have touched Dora's bowed head, put a comforting hand on the heaving shoulder. She stood silent, then once more said, helplessly, "Dora, don't you believe me, that I do truly care?"

Miss Aurelia lifted a lamp off the table, dusted where it had been and put it back again; in doing so the silk shade toppled and fell. Miss Aurelia, frowning and gasping, treated the incident like a catastrophe, something to be met with firmness and an intake of breath. When she had solemnly adjusted all as it had been again, she took up the subject of dust. "It's the open fires," she remarked gloomily; "sometimes I think we should never have--a land where there is no dust, that is how I always think of Heaven! Yes, Sard, I know that--er--she--he, of course, it was a regular murder, such as you read about, he is, you see, a criminal, my dear, and that, of course, makes you--me--us feel a natural revulsion." Miss Aurelia stood up; the sunlight fell upon her gown of a rather sentimental blue with white ruffles, her fair white skin was noticeable even in the bald morning light, her rabbity mouth somehow too full of teeth, paused unctuously, with drama on the subject in hand.

Sard, strumming a few chords on the piano, looked thoughtfully at her aunt. "Shall I bring in some of those big Japanese iris?" she asked. "Minga's coming to-night, did I tell you? I want things to look jolly. The old dear hasn't been here since that holiday week before Mother" --Sard never could finish the sentence--"Mother died. Do you suppose Father will let us have the small sedan altogether? Minga is used to her own car; she fusses with any machine they've got."

Something that had been hanging on Miss Aurelia's mind hung there still; this slangy sort of talk, the planning for Minga Gerould's visit Aunt Aurelia hailed with delight. This was more as it should be, better than Sard's behavior since she had remained home from college after her mother's death. It was the kind of thing, some of it, that Miss Aurelia had grown to believe in while she deprecated it. American young girls, of course, came of a nobly material race, everyone avowed that America was very great and the fact of the young people having no manners and no respect for age and no morals and no loyalty to life--well, Miss Aurelia thought it was only the other countries who were jealous who said such things. American young girls came of a nobly material race. Americans were so practical, so anxious to get ahead--everyone seemed so anxious that the young people shouldn't be high-brow. But then Sard had a queer, Miss Aurelia thought almost common, way of noticing servants and poor people, their troubles and all that. It wasn't good or even religious to think too much. For instance, the new man on the place. Miss Aurelia didn't think it quite nice or "young" to be interested in him. Miss Aurelia had often spoken to a fat, calm friend, Mrs. Spoyd, about these things, and Mrs. Spoyd had sighed, "I know what you mean, dear. Did you hear about the little Gringlon girl? Well, of course, it may not be true. I heard it from their dressmaker, but it seems she noticed everything and--er--was crazy for all kinds of information. No, dear, of course, Sard ought not to be noticing anything but a good time at her age. Girls should only be interested in a good time. They shouldn't be interested in--er--unpleasant things."

So Miss Aurelia overlooked the slang. It was all right for Sard to be a little slangy; so much better than sitting up in that tower room and thinking about murderers. It would make her more "popular" to have Minga Gerould go to dances and such things with her. "America is a wonderful country," said Miss Aurelia to herself, "and I think it is our 'popularity.' Have you ever noticed," to Mrs. Spoyd, "how awful it is for an American girl or man not to be popular? Don't you think that our great men like Theodore Roosevelt and--er--Barnum, are just as popular in Heaven as here?

"I think God meant us to be--er--popular, don't you? Just see," added Miss Aurelia with a flash of insight, "how unpopular all of our statesmen have been who have been in any way unique or--er--unusual. Americans, the good, patriotic kind, have always been very popular."

"Yes, I always feel so sorry for a young girl who isn't popular," purred Mrs. Spoyd.

"I wouldn't worry about that boy, dear, now," advised Miss Aurelia, with all the mature effects of voice and manner of the person who is not truly grown up. "We do all we can to make the prisoners what they should be, and I have heard that many tramps--er--like to go to prison." She stood up, sighing. "There--this room at last looks respectable;" her narrow, rather smoky-dull eyes roved over Sard. "Why don't you put on your turquoise sweater and tam, the pretty one with the blue pompom? I will look after everything. No, dear, I don't think you'd better use the car without asking Brother."

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