Read Ebook: Following the Equator: A Journey Around the World. Part 3 by Twain Mark

Font size: 10 px 15 px 20 px 25 px 30 px 35 px

Background color: BlackWhiteGrayLight GrayDark GrayDim Gray

Text color: BlackWhiteGrayLight GrayDark GrayDim Gray

Apply/Save settings

Ebook has 303 lines and 29367 words, and 7 pages

Speaking of pioneer days in the mighty wilderness of Queensland, Mrs. Praed says:

"At first the natives retreated before the whites; and, except that they every now and then speared a beast in one of the herds, gave little cause for uneasiness. But, as the number of squatters increased, each one taking up miles of country and bringing two or three men in his train, so that shepherds' huts and stockmen's camps lay far apart, and defenseless in the midst of hostile tribes, the Blacks' depredations became more frequent and murder was no unusual event.

"The loneliness of the Australian bush can hardly be painted in words. Here extends mile after mile of primeval forest where perhaps foot of white man has never trod--interminable vistas where the eucalyptus trees rear their lofty trunks and spread forth their lanky limbs, from which the red gum oozes and hangs in fantastic pendants like crimson stalactites; ravines along the sides of which the long-bladed grass grows rankly; level untimbered plains alternating with undulating tracts of pasture, here and there broken by a stony ridge, steep gully, or dried-up creek. All wild, vast and desolate; all the same monotonous gray coloring, except where the wattle, when in blossom, shows patches of feathery gold, or a belt of scrub lies green, glossy, and impenetrable as Indian jungle.

"The solitude seems intensified by the strange sounds of reptiles, birds, and insects, and by the absence of larger creatures; of which in the day-time, the only audible signs are the stampede of a herd of kangaroo, or the rustle of a wallabi, or a dingo stirring the grass as it creeps to its lair. But there are the whirring of locusts, the demoniac chuckle of the laughing jack-ass, the screeching of cockatoos and parrots, the hissing of the frilled lizard, and the buzzing of innumerable insects hidden under the dense undergrowth. And then at night, the melancholy wailing of the curlews, the dismal howling of dingoes, the discordant croaking of tree-frogs, might well shake the nerves of the solitary watcher."

That is the theater for the drama. When you comprehend one or two other details, you will perceive how well suited for trouble it was, and how loudly it invited it. The cattlemen's stations were scattered over that profound wilderness miles and miles apart--at each station half a dozen persons. There was a plenty of cattle, the black natives were always ill-nourished and hungry. The land belonged to them. The whites had not bought it, and couldn't buy it; for the tribes had no chiefs, nobody in authority, nobody competent to sell and convey; and the tribes themselves had no comprehension of the idea of transferable ownership of land. The ousted owners were despised by the white interlopers, and this opinion was not hidden under a bushel. More promising materials for a tragedy could not have been collated. Let Mrs. Praed speak:

"At Nie station, one dark night, the unsuspecting hut-keeper, having, as he believed, secured himself against assault, was lying wrapped in his blankets sleeping profoundly. The Blacks crept stealthily down the chimney and battered in his skull while he slept."

One could guess the whole drama from that little text. The curtain was up. It would not fall until the mastership of one party or the other was determined--and permanently:

"There was treachery on both sides. The Blacks killed the Whites when they found them defenseless, and the Whites slew the Blacks in a wholesale and promiscuous fashion which offended against my childish sense of justice.

"They were regarded as little above the level of brutes, and in some cases were destroyed like vermin.

"Here is an instance. A squatter, whose station was surrounded by Blacks, whom he suspected to be hostile and from whom he feared an attack, parleyed with them from his house-door. He told them it was Christmas-time--a time at which all men, black or white, feasted; that there were flour, sugar-plums, good things in plenty in the store, and that he would make for them such a pudding as they had never dreamed of--a great pudding of which all might eat and be filled. The Blacks listened and were lost. The pudding was made and distributed. Next morning there was howling in the camp, for it had been sweetened with sugar and arsenic!"

The white man's spirit was right, but his method was wrong. His spirit was the spirit which the civilized white has always exhibited toward the savage, but the use of poison was a departure from custom. True, it was merely a technical departure, not a real one; still, it was a departure, and therefore a mistake, in my opinion. It was better, kinder, swifter, and much more humane than a number of the methods which have been sanctified by custom, but that does not justify its employment. That is, it does not wholly justify it. Its unusual nature makes it stand out and attract an amount of attention which it is not entitled to. It takes hold upon morbid imaginations and they work it up into a sort of exhibition of cruelty, and this smirches the good name of our civilization, whereas one of the old harsher methods would have had no such effect because usage has made those methods familiar to us and innocent. In many countries we have chained the savage and starved him to death; and this we do not care for, because custom has inured us to it; yet a quick death by poison is loving-kindness to it. In many countries we have burned the savage at the stake; and this we do not care for, because custom has inured us to it; yet a quick death is loving-kindness to it. In more than one country we have hunted the savage and his little children and their mother with dogs and guns through the woods and swamps for an afternoon's sport, and filled the region with happy laughter over their sprawling and stumbling flight, and their wild supplications for mercy; but this method we do not mind, because custom has inured us to it; yet a quick death by poison is loving-kindness to it. In many countries we have taken the savage's land from him, and made him our slave, and lashed him every day, and broken his pride, and made death his only friend, and overworked him till he dropped in his tracks; and this we do not care for, because custom has inured us to it; yet a quick death by poison is loving-kindness to it. In the Matabeleland today--why, there we are confining ourselves to sanctified custom, we Rhodes-Beit millionaires in South Africa and Dukes in London; and nobody cares, because we are used to the old holy customs, and all we ask is that no notice-inviting new ones shall be intruded upon the attention of our comfortable consciences. Mrs. Praed says of the poisoner, "That squatter deserves to have his name handed down to the contempt of posterity."

I am sorry to hear her say that. I myself blame him for one thing, and severely, but I stop there. I blame him for, the indiscretion of introducing a novelty which was calculated to attract attention to our civilization. There was no occasion to do that. It was his duty, and it is every loyal man's duty to protect that heritage in every way he can; and the best way to do that is to attract attention elsewhere. The squatter's judgment was bad--that is plain; but his heart was right. He is almost the only pioneering representative of civilization in history who has risen above the prejudices of his caste and his heredity and tried to introduce the element of mercy into the superior race's dealings with the savage. His name is lost, and it is a pity; for it deserves to be handed down to posterity with homage and reverence.

This paragraph is from a London journal:

"To learn what France is doing to spread the blessings of civilization in her distant dependencies we may turn with advantage to New Caledonia. With a view to attracting free settlers to that penal colony, M. Feillet, the Governor, forcibly expropriated the Kanaka cultivators from the best of their plantations, with a derisory compensation, in spite of the protests of the Council General of the island. Such immigrants as could be induced to cross the seas thus found themselves in possession of thousands of coffee, cocoa, banana, and bread-fruit trees, the raising of which had cost the wretched natives years of toil whilst the latter had a few five-franc pieces to spend in the liquor stores of Noumea."

You observe the combination? It is robbery, humiliation, and slow, slow murder, through poverty and the white man's whisky. The savage's gentle friend, the savage's noble friend, the only magnanimous and unselfish friend the savage has ever had, was not there with the merciful swift release of his poisoned pudding.

There are many humorous things in the world; among them the white man's notion that he is less savage than the other savages.--

Nothing is so ignorant as a man's left hand, except a lady's watch.

--Pudd'nhead Wilson's New Calendar.

You notice that Mrs. Praed knows her art. She can place a thing before you so that you can see it. She is not alone in that. Australia is fertile in writers whose books are faithful mirrors of the life of the country and of its history. The materials were surprisingly rich, both in quality and in mass, and Marcus Clarke, Ralph Boldrewood, Cordon, Kendall, and the others, have built out of them a brilliant and vigorous literature, and one which must endure. Materials--there is no end to them! Why, a literature might be made out of the aboriginal all by himself, his character and ways are so freckled with varieties--varieties not staled by familiarity, but new to us. You do not need to invent any picturesquenesses; whatever you want in that line he can furnish you; and they will not be fancies and doubtful, but realities and authentic. In his history, as preserved by the white man's official records, he is everything--everything that a human creature can be. He covers the entire ground. He is a coward--there are a thousand fact to prove it. He is brave--there are a thousand facts to prove it. He is treacherous --oh, beyond imagination! he is faithful, loyal, true--the white man's records supply you with a harvest of instances of it that are noble, worshipful, and pathetically beautiful. He kills the starving stranger who comes begging for food and shelter there is proof of it. He succors, and feeds, and guides to safety, to-day, the lost stranger who fired on him only yesterday--there is proof of it. He takes his reluctant bride by force, he courts her with a club, then loves her faithfully through a long life--it is of record. He gathers to himself another wife by the same processes, beats and bangs her as a daily diversion, and by and by lays down his life in defending her from some outside harm--it is of record. He will face a hundred hostiles to rescue one of his children, and will kill another of his children because the family is large enough without it. His delicate stomach turns, at certain details of the white man's food; but he likes over-ripe fish, and brazed dog, and cat, and rat, and will eat his own uncle with relish. He is a sociable animal, yet he turns aside and hides behind his shield when his mother-in-law goes by. He is childishly afraid of ghosts and other trivialities that menace his soul, but dread of physical pain is a weakness which he is not acquainted with. He knows all the great and many of the little constellations, and has names for them; he has a symbol-writing by means of which he can convey messages far and wide among the tribes; he has a correct eye for form and expression, and draws a good picture; he can track a fugitive by delicate traces which the white man's eye cannot discern, and by methods which the finest white intelligence cannot master; he makes a missile which science itself cannot duplicate without the model--if with it; a missile whose secret baffled and defeated the searchings and theorizings of the white mathematicians for seventy years; and by an art all his own he performs miracles with it which the white man cannot approach untaught, nor parallel after teaching. Within certain limits this savage's intellect is the alertest and the brightest known to history or tradition; and yet the poor creature was never able to invent a counting system that would reach above five, nor a vessel that he could boil water in. He is the prize-curiosity of all the races. To all intents and purposes he is dead--in the body; but he has features that will live in literature.

Mr. Philip Chauncy, an officer of the Victorian Government, contributed to its archives a report of his personal observations of the aboriginals which has in it some things which I wish to condense slightly and insert here. He speaks of the quickness of their eyes and the accuracy of their judgment of the direction of approaching missiles as being quite extraordinary, and of the answering suppleness and accuracy of limb and muscle in avoiding the missile as being extraordinary also. He has seen an aboriginal stand as a target for cricket-balls thrown with great force ten or fifteen yards, by professional bowlers, and successfully dodge them or parry them with his shield during about half an hour. One of those balls, properly placed, could have killed him; "Yet he depended, with the utmost self-possession, on the quickness of his eye and his agility."

The shield was the customary war-shield of his race, and would not be a protection to you or to me. It is no broader than a stovepipe, and is about as long as a man's arm. The opposing surface is not flat, but slopes away from the centerline like a boat's bow. The difficulty about a cricket-ball that has been thrown with a scientific "twist" is, that it suddenly changes it course when it is close to its target and comes straight for the mark when apparently it was going overhead or to one side. I should not be able to protect myself from such balls for half-an-hour, or less.

Mr. Chauncy once saw "a little native man" throw a cricket-ball 119 yards. This is said to beat the English professional record by thirteen yards.

We have all seen the circus-man bound into the air from a spring-board and make a somersault over eight horses standing side by side. Mr. Chauncy saw an aboriginal do it over eleven; and was assured that he had sometimes done it over fourteen. But what is that to this:

"I saw the same man leap from the ground, and in going over he dipped his head, unaided by his hands, into a hat placed in an inverted position on the top of the head of another man sitting upright on horseback--both man and horse being of the average size. The native landed on the other side of the horse with the hat fairly on his head. The prodigious height of the leap, and the precision with which it was taken so as to enable him to dip his head into the hat, exceeded any feat of the kind I have ever beheld."

I should think so! On board a ship lately I saw a young Oxford athlete run four steps and spring into the air and squirm his hips by a side-twist over a bar that was five and one-half feet high; but he could not have stood still and cleared a bar that was four feet high. I know this, because I tried it myself.

One can see now where the kangaroo learned its art.

Sir George Grey and Mr. Eyre testify that the natives dug wells fourteen or fifteen feet deep and two feet in diameter at the bore--dug them in the sand--wells that were "quite circular, carried straight down, and the work beautifully executed."

Their tools were their hands and feet. How did they throw sand out from such a depth? How could they stoop down and get it, with only two feet of space to stoop in? How did they keep that sand-pipe from caving in on them? I do not know. Still, they did manage those seeming impossibilities. Swallowed the sand, may be.

Mr. Chauncy speaks highly of the patience and skill and alert intelligence of the native huntsman when he is stalking the emu, the kangaroo, and other game:

"As he walks through the bush his step is light, elastic, and noiseless; every track on the earth catches his keen eye; a leaf, or fragment of a stick turned, or a blade of grass recently bent by the tread of one of the lower animals, instantly arrests his attention; in fact, nothing escapes his quick and powerful sight on the ground, in the trees, or in the distance, which may supply him with a meal or warn him of danger. A little examination of the trunk of a tree which may be nearly covered with the scratches of opossums ascending and descending is sufficient to inform him whether one went up the night before without coming down again or not."

Fennimore Cooper lost his chance. He would have known how to value these people. He wouldn't have traded the dullest of them for the brightest Mohawk he ever invented.

All savages draw outline pictures upon bark; but the resemblances are not close, and expression is usually lacking. But the Australian aboriginal's pictures of animals were nicely accurate in form, attitude, carriage; and he put spirit into them, and expression. And his pictures of white people and natives were pretty nearly as good as his pictures of the other animals. He dressed his whites in the fashion of their day, both the ladies and the gentlemen. As an untaught wielder of the pencil it is not likely that he has had his equal among savage people.

His place in art--as to drawing, not color-work--is well up, all things considered. His art is not to be classified with savage art at all, but on a plane two degrees above it and one degree above the lowest plane of civilized art. To be exact, his place in art is between Botticelli and De Maurier. That is to say, he could not draw as well as De Maurier but better than Boticelli. In feeling, he resembles both; also in grouping and in his preferences in the matter of subjects. His "corrobboree" of the Australian wilds reappears in De Maurier's Belgravian ballrooms, with clothes and the smirk of civilization added; Botticelli's "Spring" is the "corrobboree" further idealized, but with fewer clothes and more smirk. And well enough as to intention, but--my word!

The aboriginal can make a fire by friction. I have tried that.

All savages are able to stand a good deal of physical pain. The Australian aboriginal has this quality in a well-developed degree. Do not read the following instances if horrors are not pleasant to you. They were recorded by the Rev. Henry N. Wolloston, of Melbourne, who had been a surgeon before he became a clergyman:

And he proceeded on the journey the next day, "as if nothing had happened"--and walked thirty miles. It was a strange idea, to keep a surgeon and then do his own surgery.

But No. 3 is my favorite. Whenever I read it I seem to enjoy all that the patient enjoyed--whatever it was:

But he was a fastidious native. He soon discarded the wooden leg made for him by the doctor, because "it had no feeling in it." It must have had as much as the one he burnt off, I should think.

So much for the Aboriginals. It is difficult for me to let them alone. They are marvelously interesting creatures. For a quarter of a century, now, the several colonial governments have housed their remnants in comfortable stations, and fed them well and taken good care of them in every way. If I had found this out while I was in Australia I could have seen some of those people--but I didn't. I would walk thirty miles to see a stuffed one.

Australia has a slang of its own. This is a matter of course. The vast cattle and sheep industries, the strange aspects of the country, and the strange native animals, brute and human, are matters which would naturally breed a local slang. I have notes of this slang somewhere, but at the moment I can call to mind only a few of the words and phrases. They are expressive ones. The wide, sterile, unpeopled deserts have created eloquent phrases like "No Man's Land" and the "Never-never Country." Also this felicitous form: "She lives in the Never-never Country"--that is, she is an old maid. And this one is not without merit: "heifer-paddock"--young ladies' seminary. "Bail up" and "stick up" equivalent of our highwayman-term to "hold up" a stage-coach or a train. "New-chum" is the equivalent of our "tenderfoot"--new arrival.

And then there is the immortal "My word!" "We must import it." "M-y word!"

"In cold print it is the equivalent of our "Ger-rreat Caesar!" but spoken with the proper Australian unction and fervency, it is worth six of it for grace and charm and expressiveness. Our form is rude and explosive; it is not suited to the drawing-room or the heifer-paddock; but "M-y word!" is, and is music to the ear, too, when the utterer knows how to say it. I saw it in print several times on the Pacific Ocean, but it struck me coldly, it aroused no sympathy. That was because it was the dead corpse of the thing, the 'soul was not there--the tones were lacking--the informing spirit--the deep feeling--the eloquence. But the first time I heard an Australian say it, it was positively thrilling.

Be careless in your dress if you must, but keep a tidy soul. --Pudd'nhead Wilson's New Calendar.

We left Adelaide in due course, and went to Horsham, in the colony of Victoria; a good deal of a journey, if I remember rightly, but pleasant. Horsham sits in a plain which is as level as a floor--one of those famous dead levels which Australian books describe so often; gray, bare, sombre, melancholy, baked, cracked, in the tedious long drouths, but a horizonless ocean of vivid green grass the day after a rain. A country town, peaceful, reposeful, inviting, full of snug homes, with garden plots, and plenty of shrubbery and flowers.

"Horsham, October 17. At the hotel. The weather divine. Across the way, in front of the London Bank of Australia, is a very handsome cottonwood. It is in opulent leaf, and every leaf perfect. The full power of the on-rushing spring is upon it, and I imagine I can see it grow. Alongside the bank and a little way back in the garden there is a row of soaring fountain-sprays of delicate feathery foliage quivering in the breeze, and mottled with flashes of light that shift and play through the mass like flash-lights through an opal--a most beautiful tree, and a striking contrast to the cottonwood. Every leaf of the cottonwood is distinctly defined--it is a kodak for faithful, hard, unsentimental detail; the other an impressionist picture, delicious to look upon, full of a subtle and exquisite charm, but all details fused in a swoon of vague and soft loveliness."

It turned out, upon inquiry, to be a pepper tree--an importation from China. It has a silky sheen, soft and rich. I saw some that had long red bunches of currant-like berries ambushed among the foliage. At a distance, in certain lights, they give the tree a pinkish tint and a new charm.

There is an agricultural college eight miles from Horsham. We were driven out to it by its chief. The conveyance was an open wagon; the time, noonday; no wind; the sky without a cloud, the sunshine brilliant --and the mercury at 92 deg. in the shade. In some countries an indolent unsheltered drive of an hour and a half under such conditions would have been a sweltering and prostrating experience; but there was nothing of that in this case. It is a climate that is perfect. There was no sense of heat; indeed, there was no heat; the air was fine and pure and exhilarating; if the drive had lasted half a day I think we should not have felt any discomfort, or grown silent or droopy or tired. Of course, the secret of it was the exceeding dryness of the atmosphere. In that plain 112 deg. in the shade is without doubt no harder upon a man than is 88 or 90 deg. in New York.

The road lay through the middle of an empty space which seemed to me to be a hundred yards wide between the fences. I was not given the width in yards, but only in chains and perches--and furlongs, I think. I would have given a good deal to know what the width was, but I did not pursue the matter. I think it is best to put up with information the way you get it; and seem satisfied with it, and surprised at it, and grateful for it, and say, "My word!" and never let on. It was a wide space; I could tell you how wide, in chains and perches and furlongs and things, but that would not help you any. Those things sound well, but they are shadowy and indefinite, like troy weight and avoirdupois; nobody knows what they mean. When you buy a pound of a drug and the man asks you which you want, troy or avoirdupois, it is best to say "Yes," and shift the subject.

They said that the wide space dates from the earliest sheep and cattle-raising days. People had to drive their stock long distances --immense journeys--from worn-out places to new ones where were water and fresh pasturage; and this wide space had to be left in grass and unfenced, or the stock would have starved to death in the transit.

On the way we saw the usual birds--the beautiful little green parrots, the magpie, and some others; and also the slender native bird of modest plumage and the eternally-forgettable name--the bird that is the smartest among birds, and can give a parrot 30 to 1 in the game and then talk him to death. I cannot recall that bird's name. I think it begins with M. I wish it began with G. or something that a person can remember.

The magpie was out in great force, in the fields and on the fences. He is a handsome large creature, with snowy white decorations, and is a singer; he has a murmurous rich note that is lovely. He was once modest, even diffident; but he lost all that when he found out that he was Australia's sole musical bird. He has talent, and cuteness, and impudence; and in his tame state he is a most satisfactory pet--never coming when he is called, always coming when he isn't, and studying disobedience as an accomplishment. He is not confined, but loafs all over the house and grounds, like the laughing jackass. I think he learns to talk, I know he learns to sing tunes, and his friends say that he knows how to steal without learning. I was acquainted with a tame magpie in Melbourne. He had lived in a lady's house several years, and believed he owned it. The lady had tamed him, and in return he had tamed the lady. He was always on deck when not wanted, always having his own way, always tyrannizing over the dog, and always making the cat's life a slow sorrow and a martyrdom. He knew a number of tunes and could sing them in perfect time and tune; and would do it, too, at any time that silence was wanted; and then encore himself and do it again; but if he was asked to sing he would go out and take a walk.

Share on: WhatsApp @Hash Facebook Tweet