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AGNES REPPLIER A Plea for Humor

MARIETTA HOLLEY An Unmarried Female

FITZHUGH LUDLOW Selections from a Brace of Boys

ROBERT JONES BURDETTE Rheumatism Movement Cure

OLIVER WENDELL HOLMES An Aphorism and a Lecture

JOSHUA S. MORRIS The Harp of a Thousand Strings

SEBA SMITH My First Visit to Portland

WILLIAM CULLEN BRYANT The Mosquito

JOHN CARVER Country Burial-places

DANFORTH MARBLE The Hoosier and the Salt-pile

ANNE BACHE The Quilting

FITZ-GREENE HALLECK A Fragment

Domestic Happiness

CHARLES F. BROWNE One of Mr. Ward's Business Letters

On "Forts"

JAMES RUSSELL LOWELL Without and Within

LOUISA MAY ALCOTT Street Scenes in Washington

ALBERT BIGELOW PAINE Mis' Smith

JAMES JEFFREY ROOHE A Boston Lullaby

CHARLES GRAHAM HALPINE Irish Astronomy

SAMUEL MINTURN PEOK Bessie Brown, M. D.

ROBERT C. SANDS A Monody

CAROLYN WELLS The Poster Girl

JAMES GARDNER SANDERSON The Conundrum of the Golf Links

HARRIET BEECHER STOWE The Minister's Wooing

WILLIAM DEAN HOWELLS Mrs. Johnson

ANONYMOUS The Trout, the Cat and the Fox The British Matron

Agnes Repplier

A PLEA FOR HUMOR

More than half a dozen years have passed since Mr. Andrew Lang, startled for once out of his customary light-heartedness, asked himself, and his readers, and the ghost of Charles Dickens--all three powerless to answer--whether the dismal seriousness of the present day was going to last forever; or whether, when the great wave of earnestness had rippled over our heads, we would pluck up heart to be merry and, if needs be, foolish once again. Not that mirth and folly are in any degree synonymous, as of old; for the merry fool, too scarce, alas! even in the times when Jacke of Dover hunted for him in the highways, has since then grown to be rarer than a phenix. He has carried his cap and bells and jests and laughter elsewhere, and has left us to the mercies of the serious fool, who is by no means so seductive a companion. If the Cocquecigrues are in possession of the land, and if they are tenants exceedingly hard to evict, it is because of the encouragement they receive from those to whom we innocently turn for help: from the poets, novelists and men of letters whose duty it is to brighten and make glad our days.

Another gloomy indication of the departure of humor from our midst is the tendency of philosophical writers to prove by analysis that, if they are not familiar with the thing itself, they at least know of what it should consist. Mr. Shorthouse's depressing views about "Don Quixote" are merely introduced as illustrating a very scholarly and comfortless paper on the subtle qualities of mirth. No one could deal more gracefully and less humorously with his topic than does Mr. Shorthouse, and we are compelled to pause every now and then and reassure ourselves as to the subject matter of his eloquence. Professor Everett has more recently and more cheerfully defined for us the Philosophy of the Comic, in a way which, if it does not add to our gaiety, cannot be accused of plunging us deliberately into gloom. He thinks, indeed--and small wonder--that there is "a genuine difficulty in distinguishing between the comic and the tragic," and that what we need is some formula which shall accurately interpret the precise qualities of each, and he is disposed to illustrate his theory by dwelling on the tragic side of Falstaff, which is, of all injuries, the grimmest and hardest to forgive. Falstaff is now the forlorn hope of those who love to laugh, and when he is taken away from us, as soon, alas! he will be, and sleeps with Don Quixote in the "dull cold marble" of an orthodox sobriety, how shall we make merry our souls? Mr. George Radford, who enriched the first volume of "Obiter dicta" with such a loving study of the fat-witted old knight, tells us reassuringly that by laughter man is distinguished from the beasts, though the cares and sorrows of life have all but deprived him of this elevating grace and degraded him into a brutal solemnity. Then comes along a rare genius like Falstaff, who restores the power of laughter, and transforms the stolid brute once more into a man, and who accordingly has the highest claim to our grateful and affectionate regard. That there are those who persist in looking upon him as a selfish and worthless fellow is, from Mr. Radford's point of view, a sorrowful instance of human thanklessness and perversity. But this I take to be the enamored and exaggerated language of a too faithful partizan. Morally speaking, Falstaff has not a leg to stand upon, and there is a tragic element lurking always amid the fun. But, seen in the broad sunlight of his transcendent humor, this shadow is as the halfpennyworth of bread to his own noble ocean of sack, and why should we be forever trying to force it into prominence? When Charlotte Bronte advised her friend Ellen Nussey to read none of Shakespeare's comedies, she was not beguiled for a moment into regarding them as serious and melancholy lessons of life; but with uncompromising directness put them down as mere improper plays, the amusing qualities of which were insufficient to excuse their coarseness, and which were manifestly unfit for the "gentle Ellen's" eyes.

On the other hand, we are told that Miss Austen owed her lively sense of humor to her habit of dissociating the follies of mankind from any rigid standard of right and wrong; which means, I suppose, that she never dreamed she had a mission. Nowadays, indeed, no writer is without one. We cannot even read a paper upon gypsies and not become aware that its author is deeply imbued with a sense of his personal responsibility for these agreeable rascals whom he insists upon our taking seriously as if we wanted to have anything to do with them on such terms! "Since the time of Carlyle," says Mr. Bagehot, "earnestness has been a favorite virtue in literature"; but Oarlyle, though sharing largely in that profound melancholy which he declared to be the basis of every English soul, and though he was unfortunate enough to think Pickwick sad trash, had nevertheless a grim and eloquent humor of his own. With him, at least, earnestness never degenerated into dulness; and while dulness may be, as he unhesitatingly affirmed, the first requisite for a great and free people, yet a too heavy percentage of this valuable quality is fatal to the sprightly grace of literature. "In our times," said an old Scotchwoman, "there's fully mony modern principles," and the first of these seems to be the substitution of a serious and critical discernment for the light-hearted sympathy of former days. Our grandfathers cried a little and laughed a good deal over their books, without the smallest sense of anxiety or responsibility in the matter; but we are called on repeatedly to face problems which we would rather let alone, to dive dismally into motives, to trace subtle connections, to analyze uncomfortable sensations, and to exercise in all cases a discreet and conscientious severity, when what we really want and need is half an hour's amusement. There is no stronger proof of the great change that has swept over mankind than the sight of a nation which used to chuckle over "Tom Jones" absorbing a few years ago countless editions of "Robert Elsmer e." What is droller still is that the people who read "Robert Elsmere" would think it wrong to enjoy "Tom Jones," and that the people who enjoyed "Tom Jones" would have thought it wrong to read "Robert Elsmere"; and that the people who, wishing to be on the safe side of virtue, think it wrong to read either, are scorned greatly as lacking true moral discrimination.

Now he would be a brave man who would undertake to defend the utterly indefensible literature of the past. Where it was most humorous it was also most coarse, wanton and cruel; but, in banishing these objectionable qualities, we have effectually contrived to rid ourselves of the humor as well, and with it we have lost one of the safest instincts of our souls. Any book which serves to lower the sum of human gaiety is a moral delinquent; and instead of coddling it into universal notice and growing owlish in its gloom, we should put it briskly aside in favor of brighter and pleasanter things. When Father Faber said that there was no greater help to a religious life than a keen sense of the ridiculous, he startled a number of pious people, yet what a luminous and cordial message it was to help us on our way! Mr. Birrell has recorded the extraordinary delight with which he came across some after-dinner sally of the Reverend Henry Martyn's; for the very thought of that ardent and fiery spirit relaxing into pleasantries over the nuts and wine made him appear like an actual fellow-being of our own. It is with the same feeling intensified, as I have already noted, that we read some of the letters of the early fathers--those grave and hallowed figures seen through a mist of centuries--and find them jesting at one another in the gayest and least sacerdotal manner imaginable. "Who could tell a story with more wit, who could joke so pleasantly?" sighs St. Gregory of Nazienzen of his friend St. Basil, remembering doubtless with a heavy heart the shafts of good-humored raillery that had brightened their lifelong intercourse. With what kindly and loving zest does Gregory, himself the most austere of men, mock at Basil's asceticism--at those "sad and hungry banquets" of which he was invited to partake, those "ungarden-like gardens, void of pot-herbs," in which he was expected to dig! With what delightful alacrity does Basil vindicate his reputation for humor by making a most excellent joke in court, for the benefit of a brutal magistrate who fiercely threatened to tear out his liver! "Your intention is a benevolent one," said the saint, who had been for years a confirmed invalid. "Where it is now located, it has given me nothing but trouble." Surely, as we read such an anecdote as this, we share in the curious sensation experienced by little Tom Tulliver, when, by dint of Maggie's repeated questions, he began slowly to understand that the Romance had once been real men, who were happy enough to speak their own language without any previous introduction to the Eton grammar. In like manner, when we come to realize that the fathers of the primitive church enjoyed their quips and cranks and jests as much as do Mr. Trollope's jolly deans or vicars, we feel we have at last grasped the secret of their identity, and we appreciate the force of Father Faber's appeal to the frank spirit of a wholesome mirth.

Perhaps one reason for the scanty tolerance that humor receives at the hands of the disaffected is because of the rather selfish way in which the initiated enjoy their fun; for there is always a secret irritation about a laugh in which we cannot join. Mr. George Saintsbury is plainly of this way of thinking, and, being blessed beyond his fellows with a love for all that is jovial, he speaks from out of the richness of his experience. "Those who have a sense of humor," he says, "instead of being quietly and humbly thankful, are perhaps a little too apt to celebrate their joy in the face of the afflicted ones who have it not; and the afflicted ones only follow a general law in protesting that it is a very worthless thing, if not a complete humbug." This spirit of exclusiveness on the one side and of irascibility on the other may be greatly deplored, but who is there among us, I wonder, wholly innocent of blame? Mr. Saintsbury himself confesses to a silent chuckle of delight when he thinks of the dimly veiled censoriousness with which Peacock's inimitable humor has been received by one-half of the reading world. In other words, his enjoyment of the Reverend Doctors Folliott and Opimian is sensibly increased by the reflection that a great many worthy people, even among his own acquaintances, are, by some mysterious law of their being, debarred from any share in his pleasure. Yet surely we need not be so niggardly in this matter. There is wit enough in those two reverend gentlemen to go all around the living earth and leave plenty for generations now unborn. Each might say with Juliet:

"The more I give to thee, The more I have;"

for wit is as infinite as love, and a deal more lasting in its qualities. When Peacock describes a country gentleman's range of ideas as "nearly commensurate with that of the great king Nebuchadnezzar when he was turned out to grass," he affords us a happy illustration of the eternal fitness of humor, for there can hardly come a time when such an apt comparison will fail to point its meaning.

Are destined never to go out! In its vitality lies the supreme excellence of humor. Whatever has "wit enough to keep it sweet" defies corruption and outlasts all time; but the wit must be of that outward and visible order which needs no introduction or demonstration at our hands. It is an old trick with dull novelists to describe their characters as being exceptionally brilliant people, and to trust that we will take their word for it and ask no further proof. Every one remembers how Lord Beaconsfield would tell us that a cardinal could "sparkle with anecdote and blaze with repartee"; and how utterly destitute of sparkle or blaze were the specimens of His Eminence's conversation with which we were subsequently favored. Those "lively dinners" in "Endymion" and "Lothair" at which we were assured the brightest minds in England loved to gather became mere Barmecide feasts when reported to us without a single amusing remark, such waifs and strays of conversation as reached our ears being of the dreariest and most fatuous description. It is not so with the real masters of their craft. Mr. Peacock does not stop to explain to us that Doctor Folliott is witty. The reverend gentleman opens his mouth and acquaints us with the fact himself. There is no need for George Eliot to expatiate on Mrs. Poyser's humor. Five minutes of that lady's society is amply sufficient for the revelation. We do not even hear Mr. Poyser and the rest of the family enlarging delightedly on the subject, as do all of Lawyer Putney's friends, in Mr. Howells's story, "Annie Kilburn"; and yet even the united testimony of Hatboro' fails to clear up our lingering doubts concerning Mr. Putney's wit. The dull people of that soporific town are really and truly and realistically dull. There is no mistaking them. The stamp of veracity is upon every brow. They pay morning calls, and we listen to their conversation with a dreamy impression that we have heard it all many times before, and that the ghosts of our own morning calls are revisiting us, not in the glimpses of the moon, but in Mr. Howells's decorous and quiet pages. That curious conviction that we have formerly passed through a precisely similar experience is strong upon us as we read, and it is the most emphatic testimony to the novelist's peculiar skill. But there is none of this instantaneous acquiescence in Mr. Putney's wit; for although he does make one very nice little joke, it is hardly enough to flavor all his conversation, which is for the most part rather unwholesome than humorous. The only way to elucidate him is to suppose that Mr. Howells, in sardonic mood, wishes to show us that if a man be discreet enough to take to hard drinking in his youth, before his general emptiness is ascertained, his friends invariably credit him with a host of shining qualities which, we are given to understand he balked and frustrated by his one unfortunate weakness. How many of us know these exceptionally brilliant lawyers, doctors, politicians and journalists who bear a charmed reputation based exclusively upon their inebriety, and who take good care not to imperil it by too long a relapse into the mortifying self-revelations of soberness! And what wrong has been done to the honored name of humor by these pretentious rascals! We do not love Falstaff because he is drunk; we do not admire Becky Sharp because she is wicked. Drunkenness and wickedness are things easy of imitation; yet all the sack in Christendom could not beget us another Falstaff--though Seithenyn ap Seithyn comes very near to the incomparable model--and all the wickedness in the world could not fashion us a second Becky Sharp. There are too many dull topers and stupid sinners among mankind to admit of any uncertainty on these points.

Bishop Burnet, in describing Lord Halifax, tells us, with thinly veiled disapprobation, that he was "a man of fine and ready wit, full of life, and very pleasant, but much turned to satire. His imagination was too hard for his judgment, and a severe jest took more with him than all arguments whatever." Yet this was the first statesman of his age, and one whose clear and tranquil vision penetrated so far beyond the turbulent, troubled times he lived in that men looked askance upon a power they but dimly understood. The sturdy "Trimmer," who would be bullied neither by king nor commons, who would "speak his mind and not be hanged as long as there was law in England," must have turned with infinite relief from the horrible medley of plots and counterplots, from the ugly images of Oates and Dangerfield, from the scaffolds of Stafford and Russell and Sidney, from the Bloody Circuit and the massacre of Glencoe, from the false smiles of princes and the howling arrogance of the mob, to any jest, however "severe," which would restore to him his cold and fastidious serenity and keep his judgment and his good temper unimpaired. "Ridicule is the test of truth," said Hazlitt, and it is a test which Halifax remorselessly applied, and which would not be without its uses to the Trimmer of to-day, in whom this adjusting sense is lamentably lacking. For humor distorts nothing, and only false gods are laughed off their earthly pedestals. What monstrous absurdities and paradoxes have resisted whole batteries of serious arguments, and then crumbled swiftly into dust before the ringing death-knell of a laugh! What healthy exultation, what genial mirth, what loyal brotherhood of mirth attends the friendly sound! Yet in labeling our life and literature, as the Danes labeled their Royal Theatre in Copenhagen, "Not for amusement merely," we have pushed one step further, and the legend too often stands, "Not for amusement at all." Life is no laughing matter, we are told, which is true; and, what is still more dismal to contemplate, books are no laughing matters, either. Only now and then some gay, defiant rebel, like Mr. Saintsbury, flaunts the old flag, hums a bar of "Blue Bonnets over the Border," and ruffles the quiet waters of our souls by hinting that this age of Apollinaris and of lectures is at fault, and that it has produced nothing which can vie as literature with the products of the ages of wine and song.

Marietta Holley

AN UNMARRIED FEMALE

I suppose we are about as happy as the most of folks, but as I was sayin' a few days ago to Betsey Bobbet, a neighborin' female of ours--"Every station-house in life has its various skeletons. But we ort to try to be contented with that spear of life we are called on to handle." Betsey hain't married, and she don't seem to be contented. She is awful opposed to wimmin's rights--she thinks it is wimmin's only spear to marry, but as yet she can't find any man willin' to lay holt of that spear with her. But you can read in her daily life, and on her eager, willin' countenance, that she fully realizes the sweet words of the poet, "While there is life there is hope."

Betsey hain't handsome. Her cheek-bones are high, and she bein' not much more than skin and bone they show plainer than they would if she was in good order. Her complexion hain't good, and her eyes are little and sot way back in her head. Time has seen fit to deprive her of her hair and teeth, but her large nose he has kindly suffered her to keep, but she has got the best white ivory teeth money will buy, and two long curls fastened behind each ear, besides frizzles on the top of her head; and if she wasn't naturally bald, and if the curls was the color of her hair, they would look well. She is awful sentimental; I have seen a good many that had it bad, but of all the sentimental creeters I ever did see, Betsey Bobbet is the sentimentalest; you couldn't squeeze a laugh out of her with a cheeze-press.

As I said, she is awful opposed to wimmin's havin' any right, only the right to get married. She holds on to that right as tight as any single woman I ever see, which makes it hard and wearyin' on the single men round here.

For take the men that are the most opposed to wimmin's havin' a right, and talk the most about its bein' her duty to cling to man like a vine to a tree, they don't want Betsey to cling to them; they won't let her cling to 'em. For when they would be a-goin' on about how wicked it was for wimmin to vote--and it was her only spear to marry, says I to 'em, "Which had you ruther do, let Betsey Bobbet cling to you or let her vote?" and they would every one of 'em quail before that question. They would drop their heads before my keen gray eyes--and move off the subject.

But Betsey don't get discouraged. Every time I see her she says in a hopeful, wishful tone, "That the deepest men of minds in the country agree with her in thinkin' that it is wimmin's duty to marry and not to vote." And then she talks a sight about the retirin' modesty and dignity of the fair sect, and how shameful and revoltin' it would be to see wimmin throwin' 'em away and boldly and unblushin'ly talkin' about law and justice.

Why, to hear Betsey Bobbet talk about wimmin's throwin' their modesty away, you would think if they ever went to the political pole they would have to take their dignity and modesty and throw 'em against the pole and go without any all the rest of their lives.

Now I don't believe in no such stuff as that. I think a woman can be bold and unwomanly in other things besides goin' with a thick veil over her face, and a brass-mounted parasol, once a year, and gently and quietly dropping a vote for a Christian President, or a religious and noble-minded pathmaster.

"OWED TO JOSIAH

"Josiah, I the tale have hurn, With rigid ear, and streaming eye, I saw from me that you did turn, I never knew the reason why. Oh, Josiah, It seemed as if I must expiah.

"Why did you--oh, why did you blow Upon my life of snowy sleet, The fiah of love to fiercest glow, Then turn a damphar on the heat? Oh, Josiah, It seemed as if I must expiah.

"I saw thee washing sheep last night, On the bridge I stood with marble brow. The waters raged, thou clasped it tight, I sighed, 'should both be drownded now'- I thought, Josiah, Oh, happy sheep to thus expiah."

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