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Read Ebook: The Works of Lucian of Samosata — Volume 01 by Lucian Of Samosata Fowler F G Francis George Translator Fowler H W Henry Watson Translator

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of VOL. I

INTRODUCTION

Lucian lived from about 125 to about 200 A.D., under the Roman Emperors Antoninus Pius, M. Aurelius and Lucius Verus, Commodus, and perhaps Pertinax. He was a Syrian, born at Samosata on the Euphrates, of parents to whom it was of importance that he should earn his living without spending much time or money on education. His maternal uncle being a statuary, he was apprenticed to him, having shown an aptitude for modelling in the wax that he surreptitiously scraped from his school writing-tablets. The apprenticeship lasted one day. It is clear that he was impulsive all through life; and when his uncle corrected him with a stick for breaking a piece of marble, he ran off home, disposed already to think he had had enough of statuary. His mother took his part, and he made up his mind by the aid of a vision that came to him the same night.

This change in his manner of life corresponds nearly with the change in habit of mind and use of his powers that earned him his immortality. His fortieth year is the date given by himself for his abandonment of Rhetoric and, as he calls it, taking up with Dialogue, or, as we might say, becoming a man of letters. Between Rhetoric and Dialogue there was a feud, which had begun when Socrates five centuries before had fought his battles with the sophists. Rhetoric appeals to the emotions and obscures the issues ; the way to elicit truth is by short question and answer. The Socratic method, illustrated by Plato, had become, if not the only, the accredited instrument of philosophers, who, so far as they are genuine, are truth-seekers; Rhetoric had been left to the legal persons whose object is not truth but victory. Lucian's abandonment of Rhetoric was accordingly in some sort his change from a lawyer to a philosopher. As it turned out, however, philosophy was itself only a transitional stage with him.

About 145 to 160 A.D. Lucian a rhetorician in Ionia, Greece, Italy, and Gaul.

The Tyrannicide, a rhetorical exercise.

The Disinherited.

Patriotism, an essay.

The Fly, an essay.

Swans and Amber, an introductory lecture.

Dipsas, an introductory lecture.

The Hall, an introductory lecture.

Nigrinus, a dialogue on philosophy, 150 A.D.

About 160 to 164 A.D. After Lucian's return to Asia.

The Portrait-study, a panegyric in dialogue, 162 A.D.

Defence of The Portrait-study, in dialogue.

Hesiod, a short dialogue.

The Vision, an autobiographical address.

About 165 A.D. At Athens.

Pantomime, art criticism in dialogue.

Anacharsis, a dialogue on physical training.

Toxaris, stories of friendship in dialogue.

Slander, a moral essay.

The Way to write History, an essay in literary criticism.

About 165 A.D.

Hermotimus, a philosophic dialogue.

The Parasite, a parody of a philosophic dialogue.

Influence of the New Comedy writers.

The Liar, a dialogue satirizing superstition.

A Feast of Lapithae, a dialogue satirizing the manners of philosophers.

Dialogues of the Hetaerae, a series of short dialogues.

Influence of the Menippean satire.

Dialogues of the Dead, a series of short dialogues.

Dialogues of the Gods, a series of short dialogues.

Dialogues of the Sea-Gods, a series of short dialogues.

Menippus, a dialogue satirizing philosophy.

Icaromenippus, a dialogue satirizing philosophy and religion.

Zeus cross-examined, a dialogue satirizing religion.

Saturnalia, dialogue and letters on the relation of rich and poor.

The True History, a parody of the old Greek historians,

Influence of the Old Comedy writers: vanity of human wishes.

A Voyage to the Lower World, a dialogue on the vanity of power.

Charon, a dialogue on the vanity of all things.

Timon, a dialogue on the vanity of riches.

The Cock, a dialogue on the vanity of riches and power,

Influence of the Old Comedy writers: dialogues satirizing religion.

Prometheus on Caucasus.

Zeus Tragoedus.

The Gods in Council.

Influence of the Old Comedy writers: satire on philosophers.

The Ship, a dialogue on foolish aspirations.

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