bell notificationshomepageloginedit profileclubsdmBox

Read Ebook: The Adventure of Living : a Subjective Autobiography by Strachey John St Loe

More about this book

Font size:

Background color:

Text color:

Add to tbrJar First Page Next Page

Ebook has 1210 lines and 159869 words, and 25 pages

INDEX

ST. LOE STRACHEY From a drawing by W. Rothenstein.

VIEW OF NORTH FRONT OF SUTTON COURT, IN THE COUNTY OF SOMERSET, THE FAMILY HOUSE OF THE STRACHEYS

SIR EDWARD STRACHEY IN THE HALL AT SUTTON COURT, WITH HIS FAVOURITE CAT From a picture by his son Henry Strachey.

JOHN STRACHEY, THE FRIEND OF LOCKE

THE CLOSE, SUTTON COURT, SOMERSET

SUTTON COURT, SOMERSET

SUTTON COURT, SOMERSET

MRS. SALOME LEAKER,--"THE FAMILY NURSE"

J. ST. LOE STRACHEY,--AETAT 16 From a photograph done at Cannes, about 1876.

J. ST. LOE STRACHEY AS AN OXFORD FRESHMAN, AETAT 18 MEREDITH TOWNSEND, EDITOR OF THE "FRIEND OF INDIA," AND HIS MOONSHEE, THE PUNDIT OOMACANTO MUKAJI, DOCTOR OF LOGIC IN THE MUDDEH UNIVERSITY Taken at Serampore, Bengal, in 1849.

J. ST. LOE STRACHEY, AETAT. 32

J. ST. LOE STRACHEY AT NEWLANDS CORNER, AETAT. 45

THE ADVENTURE OF LIVING

HOW I CAME TO "THE SPECTATOR"

Sir Thomas Browne gave his son an admirable piece of literary advice. The young son had been travelling in Hungary and proposed to write an account of what he had seen. His father approved the project, but urged him strongly not to trouble himself about the methods of extracting iron and copper from the ores, or with a multitude of facts and statistics. These were matters in which there was no need to be particular. But, he added, his son must on no account forget to give a full description of the "Roman alabaster tomb in the barber's shop at Pesth."

But how is one to know what will interest one's readers? That is a difficult question. Clearly it is no use to put up a man of straw, call him the Public, and then try to play down to him or up to him and his alleged and purely hypothetical opinions and tastes. Those who attempt to fawn upon the puppet of their own creation are as likely as not to end by interesting nobody. At any rate, try and please yourself, then at least one person's liking is engaged. That is the autobiographer's simple secret.

All the same there is a better reason than that. Pleasure is contagious. He who writes with zest will infect his readers. The man who argues, "This seems stupid and tedious to me, but I expect it is what the public likes," is certain to make shipwreck of his endeavour.

However, I was not likely to be depressed for long at so small a matter as this; I was much too full of enjoyment in my new London life. The wide world affords nothing to equal one's first year in London--at least, that was my feeling. My first year at Oxford had been delightful, as were also the three following, but there was to me something in the throb of the great pulse of London which, as a stimulant, nay, an excitant, of the mind, even Oxford could not rival.

For once I had plenty of leisure to enjoy the thrilling drama of life--a drama too often dimmed by the cares, the business, or even the pleasures of the onlooker. A Bar student is not overworked, and if he is not rich, or socially sought after, he can find, as I did, plenty of time in which to look around him and enjoy the scene. That exhilaration, that luxury of leisurely circumspection may never return, or only, as happily in my own case, with the grand climacteric. Once more I see and enjoy the gorgeous drama by the Thames.

To walk every morning to the Temple or to Lincoln's Inn, where I was reading in Chambers, was a feast. Then there were theatres, balls, dances, dinners, and a thousand splendid sights to be enjoyed, for I was then, as I have always been and am now, an indefatigable sightseer. I would, I confess, to this day go miles to see the least promising of curiosities or antiquities. "Who knows? it may be one of the wonders of the world" has always been my order of the day.

With my books under my arm I walked off to Wellington Street, on a Tuesday morning, and went up to Mr. Hutton's room, where on that day the two editors used to spend the greater part of the morning discussing the coming issue of the paper. I had prepared a nice little impromptu speech, which was to convey in unmistakable terms that I had not come to ask for more books; "I fully realise and fully acquiesce in your inability to use my work." When I went in I was most cordially received, and almost immediately Mr. Hutton asked me to look over a pile of new books and see if there was anything there I would like. This appeared to be my cue, and I accordingly proceeded to explain that I had not come to ask for more books but only to bring back the two books I had already reviewed and to thank the editors. I quite understood that there was no more work for me.

Of course I was pleased at heart, but I tried to unload some of my liabilities to Nemesis by the thought that my new patrons would probably get tired of my manner of writing before very long. What had captured them for the moment was merely a certain novelty of style. They would very soon see through it, as I had done in my poignant self-criticism. But this prudent view was before long, in a couple of days, to be exact, knocked on the head by a delightful letter which Mr. Townsend wrote to my father. In it he expressed himself even more strongly in regard to the review than he had done in speaking to me.

I honestly think that what I liked best in the whole business was the element of adventure. There was something thrilling and, so, intensely delightful to me in the thought, that I had walked down to Wellington Street, like a character in a novel, prepared for a setback, only to find that Fate was there, "hid in an auger-hole," ready to rush and seize me. Somehow or other I felt, though I would not admit it even to myself, that the incident had been written in the Book of Destiny, and that it was one which was going to affect my whole life. Of course, being, like other young men, a creature governed wholly by reason and good sense, I scouted the notion of a destined day as sentimental and ridiculous. Still, the facts were "as stated," and could not be altogether denied.

Looking back at the lucky accident which brought the right book, the right reviewer, and the properly-tuned editors together, I am bound to say that I think that the editors were right and that I had produced good copy. At any rate, their view being what it was, I have no sort of doubt that they were quite right to express it as plainly and as generously as they did to me. To have followed the conventional rule of not puffing up a young man with praise and to have guarded their true opinion as a kind of guilty secret would have been distinctly unfair to me, nay, prejudicial. There are, I suppose, a certain number of young people to whom it would be unsafe to give a full measure of eulogy. But these are a small minority. The ordinary young man or young woman is much more likely to be encouraged or sometimes even alarmed by unstinted praise. Generous encouragement is the necessary mental nourishment of youth, and those who withhold it from them are not only foolish but cruel. They are keeping food from the hungry.

If my editors had told me that they thought the review rather a poor piece of work, I should, by "the law of reversed effort," have been almost certain to have taken up a combative line and have convinced myself that it was epoch-making. When a man thinks himself overpraised, if he has anything in him at all, he begins to get anxious about his next step. He is put very much on his mettle not to lose what he has gained.

"Never anyone living thought like you," said to Swift the woman who loved him with a passion that had caught some of his own fierceness and despair. The love which great natures inspire had endowed Vanessa with a rare inspiration. Half-consciously she has touched the notes that help us to resolve the discord in Swift's life. Truly, the mind of living man never worked as Swift's worked. That this is so is visible in every line, in every word he ever wrote. No phrase of his is like any other man's; no conception of his is ever cast in the common mould. It is this that lends something so dreadful and mysterious to all Swift's writings.

I left the office, I remember, greatly pleased with the two subjects upon which I was to write. The first article was to be an exhortation to the Conservative side of the Unionist Party not to be led into thinking that they were necessarily a minority in the country and that they could not expect any but a minute fraction of working-men to be on their side. With all the daring of twenty-six I set out to teach the Conservative party their business. This is how I began my article which appeared on the 24th of July, 1886.

In their hearts the Conservatives cannot really believe that anyone with less than ?100 a year willingly votes on their side. A victory in a popular constituency always astonishes them. They cannot restrain a feeling that by all the rules of reason and logic they ought to have lost. What inducement, they wonder, can the working-men have to vote for them? Lord Beaconsfield, of course, never shared such notions as these.... Yet his party never sincerely believed what he told them, and only followed him because they saw no other escape from their difficulties. The last extension of the franchise has again shown that he was right, and that in no conditions of life do Englishmen vote as a herd.

Here is how I ended it:

Conciliation or Coercion was the cry everywhere. And yet the majority of the new voters, to their eternal honour, proved their political infancy so full of sense and patriotism that they let go by unheeded the appeals to their class-prejudices and to their emotions, and chose, instead, the harder and seemingly less generous policy, based on reason rather than on sentiment, on conviction rather than on despair. As the trial was severe, so is the honour due to the new voters lasting and conspicuous.

The length of the quotation is justified by its effect on--my life. For me it has another interest. In re-reading it, I note that, right or wrong, it takes exactly the view of the English democracy which I have always taken and which I hold today as strongly as I did forty years ago.

HOW I CAME TO "THE SPECTATOR"

Now it happened that Mr. Gladstone's Ministry, though beaten at the elections, had not yet gone out of office. It also happened that Lord Granville, then Colonial Secretary, was to receive the Agents-General of the self-governing Colonies, as they were then called, on the Saturday; and finally, that Lord Granville had a fit of the gout. The result of the last fact was that he had to put off preparing his speech till the last possible moment. When he had been wheeled in a chair into the reception-room--his foot was too painful to allow him to walk--he began his address to the Deputation in these terms:

He then went on to use the article as the foundation for his speech. I had talked about the Judicial Committee of the Privy Council being a body which "binds without friction and links without strain," and Lord Granville did the same.

No doubt the perfectly cautious man would have said, "This is an accident, a mere coincidence, it means nothing and will never happen again." Fortunately people do not argue in that rational and statistical spirit. All my chiefs knew or cared was that I had written good stuff and on a very technical subject, and that I had caught the ear of the man who, considering the subject, most mattered--the Secretary of State for the Colonies.

It is strange to look back and see how at this moment that mystery which we barbarously call "the force of circumstances" seemed to have determined not merely to drive in my nail but to hammer it up to the head. It happened that both Mr. Hutton and Mr. Townsend had great belief in the literary judgment of Canon Ainger, a man, it is to be feared, now almost forgotten, but whose opinion was looked upon in the 'eighties and 'nineties with something approaching reverence.

I recognised at once that the poem was fraught with a pathos as magnificent as anything in the whole range of classic literature--and also that this pathos had that touch of stableness in sorrow which we associate, and rightly associate, with the classics. Miserably bad scholar as I was, and am, I knew enough to see that the Dorsetshire schoolmaster and village parson had dared to challenge the deified Virgil himself. The depth of feeling in the lines--

An' took her wi' air-reachen arm To my zide at Woak Hill

is not exceeded even by those which tell how AEneas filled his arms with the empty air when he stretched them to enfold the dead Creusa.

Upon the last two stanzas in "Woak Hill" I may as truly be said to have lived for a month as Charles Lamb lived upon "Rose Aylmer."

An' that's why folk thought, for a season, My mind were a-wandren Wi' sorrow, when I wer so sorely A-tried at Woak Hill.

But no; that my Mary mid never Behold herzelf slighted, I wanted to think that I guided My guide from Woak Hill.

Equally potent was the spell cast by what is hardly less great a poem than "Woak Hill," the enchanting "Evenen, an' Maids out at Door." There the Theocritus of the West dares to use not merely the words of common speech and primitive origin, but words drawn from Low Latin and of administrative connotation. Barnes achieves this triumph in words with perfect ease. He can use a word like "parish" not, as Crabbe did, for purposes of pure narration but in a passage of heightened rhetoric:

But when you be a-lost vrom the parish, zome more Will come on in your pleazen to bloom an' to die; An' the zummer will always have maidens avore Their doors, vor to chatty an' zee volk goo by.

For daughters ha' mornen when mothers ha' night, An' there's beauty alive when the fairest is dead; As when one sparklen wave do zink down from the light, Another do come up an' catch it instead.

Rightly did the Edinburgh reviewer of the 'thirties, in noticing Barnes's poems--the very edition from which I was reading, perfect, by the way, in its ribbed paper and clear print--declare "there has been no such art since Horace." And here I may interpolate that the reviewer in question was Mr. George Venables, who was within a year to become a friend of mine. He and his family were close friends of my wife's people, and when after my marriage I met him, a common love of Barnes brought together the ardent worshipper of the new schools of poetry, for such I was, and the old and distinguished lawyer who was Thackeray's contemporary at the Charterhouse. Barnes was for us both a sign of literary freemasonry which at once made us recognise each other as fellow-craftsmen.

In any case, the incident served, as I have said, to drive the nail up to the head and to make Mr. Hutton and Mr. Townsend feel that they had not been rash in their choice, and had got a man who could do literature as well as politics.

He went on to declare that the cat very seldom honoured "upstairs" with his presence, but kept himself, as a rule, strictly to himself, in the basement. Apparently, however, the sagacious beast had realised that there was a new element in the office, and had come to inspect it and see whether he could give it his approval or not. When it was given, it was conceded by all concerned that the appointment had received its consecration. Like "the Senior Fellow" in Sir Frederick Pollock's poem on the College Cat, I was passed by the highest authority in the office.

One said, "The Senior Fellow's vote!" The Senior Fellow, black of coat, Save where his front was white, Arose and sniffed the stranger's shoes With critic nose, as ancients use To judge mankind aright.

I--for 'twas I who tell the tale-- Conscious of fortune's trembling scale, Awaited the decree; But Tom had judged: "He loves our race," And, as to his ancestral place, He leapt upon my knee.

Add to tbrJar First Page Next Page

 

Back to top