Read Ebook: Passages from the French and Italian Notebooks Volume 1. by Hawthorne Nathaniel

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Our first day's journey was wholly without interest, through a country entirely flat, and looking wretchedly brown and barren. There were rows of trees, very slender, very prim and formal; there was ice wherever there happened to be any water to form it; there were occasional villages, compact little streets, or masses of stone or plastered cottages, very dirty and with gable ends and earthen roofs; and a succession of this same landscape was all that we saw, whenever we rubbed away the congelation of our breath from the carriage windows. Thus we rode on, all day long, from eleven o'clock, with hardly a five minutes' stop, till long after dark, when we came to Dijon, where there was a halt of twenty-five minutes for dinner. Then we set forth again, and rumbled forward, through cold and darkness without, until we reached Lyons at about ten o'clock. We left our luggage at the railway station, and took an omnibus for the Hotel de Provence, which we chose at a venture, among a score of other hotels.

As this hotel was a little off the direct route of the omnibus, the driver set us down at the corner of a street, and pointed to some lights, which he said designated the Hotel do Provence; and thither we proceeded, all seven of us, taking along a few carpet-bags and shawls, our equipage for the night. The porter of the hotel met us near its doorway, and ushered us through an arch, into the inner quadrangle, and then up some old and worn steps,--very broad, and appearing to be the principal staircase. At the first landing-place, an old woman and a waiter or two received us; and we went up two or three more flights of the same broad and worn stone staircases. What we could see of the house looked very old, and had the musty odor with which I first became acquainted at Chester.

After ascending to the proper level, we were conducted along a corridor, paved with octagonal earthen tiles; on one side were windows, looking into the courtyard, on the other doors opening into the sleeping-chambers. The corridor was of immense length, and seemed still to lengthen itself before us, as the glimmer of our conductor's candle went farther and farther into the obscurity. Our own chamber was at a vast distance along this passage; those of the rest of the party were on the hither side; but all this immense suite of rooms appeared to communicate by doors from one to another, like the chambers through which the reader wanders at midnight, in Mrs. Radcliffe's romances. And they were really splendid rooms, though of an old fashion, lofty, spacious, with floors of oak or other wood, inlaid in squares and crosses, and waxed till they were slippery, but without carpets. Our own sleeping-room had a deep fireplace, in which we ordered a fire, and asked if there were not some saloon already warmed, where we could get a cup of tea.

Hereupon the waiter led us back along the endless corridor, and down the old stone staircases, and out into the quadrangle, and journeyed with us along an exterior arcade, and finally threw open the door of the salle a manger, which proved to be a room of lofty height, with a vaulted roof, a stone floor, and interior spaciousness sufficient for a baronial hall, the whole bearing the same aspect of times gone by, that characterized the rest of the house. There were two or three tables covered with white cloth, and we sat down at one of them and had our tea. Finally we wended back to our sleeping-rooms,--a considerable journey, so endless seemed the ancient hotel. I should like to know its history.

The fire made our great chamber look comfortable, and the fireplace threw out the heat better than the little square hole over which we cowered in our saloon at the Hotel de Louvre. . . .

The square was surrounded by stately buildings, but had what seemed to be barracks for soldiers,--at any rate, mean little huts, deforming its ample space; and a soldier was on guard before the statue of Louis le Grand. It was a cold, misty morning, and a fog lay throughout the area, so that I could scarcely see from one side of it to the other.

Returning towards our hotel, I saw that it had an immense front, along which ran, in gigantic letters, its title,--

HOTEL DE PROVENCE ET DES AMBASSADEURS.

The excellence of the hotel lay rather in the faded pomp of its sleeping-rooms, and the vastness of its salle a manger, than in anything very good to eat or drink.

Still going southward, the vineyards began to border our track, together with what I at first took to be orchards, but soon found were plantations of olive-trees, which grow to a much larger size than I supposed, and look almost exactly like very crabbed and eccentric apple-trees. Neither they nor the vineyards add anything to the picturesqueness of the landscape.

On the whole, I should have been delighted with all this scenery if it had not looked so bleak, barren, brown, and bare; so like the wintry New England before the snow has fallen. It was very cold, too; ice along the borders of streams, even among the vineyards and olives. The houses are of rather a different shape here than, farther northward, their roofs being not nearly so sloping. They are almost invariably covered with white plaster; the farm-houses have their outbuildings in connection with the dwelling,--the whole surrounding three sides of a quadrangle.

We travelled far into the night, swallowed a cold and hasty dinner at Avignon, and reached Marseilles sorely wearied, at about eleven o'clock. We took a cab to the Hotel d'Angleterre , and find it a very poor place.

Returning to the hotel, we found the rest of the party ready to go out; so we all issued forth in a body, and inquired our way to the telegraph-office, in order to send my message about the carpet-bag. In a street through which we had to pass , there was a crowd even denser, yes, much denser, than that which we saw in the square of the archbishop's statue; and each man was talking to his neighbor in a vivid, animated way, as if business were very brisk to-day.

At the telegraph-office, we discovered the cause that had brought out these many people. There had been attempts on the Emperor's life,-- unsuccessful, as they seem fated to be, though some mischief was done to those near him. I rather think the good people of Marseilles were glad of the attempt, as an item of news and gossip, and did not very greatly care whether it were successful or no. It seemed to have roused their vivacity rather than their interest. The only account I have seen of it was in the brief public despatch from the Syndic of Paris to the chief authority of Marseilles, which was printed and posted in various conspicuous places. The only chance of knowing the truth with any fulness of detail would be to come across an English paper. We have had a banner hoisted half-mast in front of our hotel to-day as a token, the head-waiter tells me, of sympathy and sorrow for the General and other persons who were slain by this treasonable attempt.

THE MEDITERRANEAN SEA.

Steamer Calabrese, January 17th.--If I had remained at Marseilles, I might have found many peculiarities and characteristics of that Southern city to notice; but I fear that these will not be recorded if I leave them till I touch the soil of Italy. Indeed, I doubt whether there be anything really worth recording in the little distinctions between one nation and another; at any rate, after the first novelty is over, new things seem equally commonplace with the old. There is but one little interval when the mind is in such a state that it can catch the fleeting aroma of a new scene. And it is always so much pleasanter to enjoy this delicious newness than to attempt arresting it, that it requires great force of will to insist with one's self upon sitting down to write. I can do nothing with Marseilles, especially here on the Mediterranean, long after nightfall, and when the steamer is pitching in a pretty lively way.

There are a great number of public places in Marseilles, several of which are adorned with statues or fountains, or triumphal arches or columns, and set out with trees, and otherwise furnished as a kind of drawing-rooms, where the populace may meet together and gossip. I never before heard from human lips anything like this bustle and babble, this thousand-fold talk which you hear all round about you in the crowd of a public square; so entirely different is it from the dulness of a crowd in England, where, as a rule, everybody is silent, and hardly half a dozen monosyllables will come from the lips of a thousand people. In Marseilles, on the contrary, a stream of unbroken talk seems to bubble from the lips of every individual. A great many interesting scenes take place in these squares. From the window of our hotel I saw a juggler displaying his art to a crowd, who stood in a regular square about him, none pretending to press nearer than the prescribed limit. While the juggler wrought his miracles his wife supplied him with his magic materials out of a box; and when the exhibition was over she packed up the white cloth with which his table was covered, together with cups, cards, balls, and whatever else, and they took their departure.

ROME.

I went to bed immediately after my last record, and was rocked to sleep pleasantly enough by the billows of the Mediterranean; and, coming on deck about sunrise next morning, found the steamer approaching Genoa. We saw the city, lying at the foot of a range of hills, and stretching a little way up their slopes, the hills sweeping round it in the segment of a circle, and looking like an island rising abruptly out of the sea; for no connection with the mainland was visible on either side. There was snow scattered on their summits and streaking their sides a good way down. They looked bold, and barren, and brown, except where the snow whitened them. The city did not impress me with much expectation of size or splendor. Shortly after coming into the port our whole party landed, and we found ourselves at once in the midst of a crowd of cab-drivers, hotel-runnets, and coin missionaires, who assaulted us with a volley of French, Italian, and broken English, which beat pitilessly about our ears; for really it seemed as if all the dictionaries in the world had been torn to pieces, and blown around us by a hurricane. Such a pother! We took a commissionaire, a respectable-looking man, in a cloak, who said his name was Salvator Rosa; and he engaged to show us whatever was interesting in Genoa.

In the first place, he took us through narrow streets to an old church, the name of which I have forgotten, and, indeed, its peculiar features; but I know that I found it pre-eminently magnificent,--its whole interior being incased in polished marble, of various kinds and colors, its ceiling painted, and its chapels adorned with pictures. However, this church was dazzled out of sight by the Cathedral of San Lorenzo, to which we were afterwards conducted, whose exterior front is covered with alternate slabs of black and white marble, which were brought, either in whole or in part, from Jerusalem. Within, there was a prodigious richness of precious marbles, and a pillar, if I mistake not, from Solomon's Temple; and a picture of the Virgin by St. Luke; and others , by old masters, set in superb marble frames, within the arches of the chapels. I used to try to imagine how the English cathedrals must have looked in their primeval glory, before the Reformation, and before the whitewash of Cromwell's time had overlaid their marble pillars; but I never imagined anything at all approaching what my eyes now beheld: this sheen of polished and variegated marble covering every inch of its walls; this glow of brilliant frescos all over the roof, and up within the domes; these beautiful pictures by great masters, painted for the places which they now occupied, and making an actual portion of the edifice; this wealth of silver, gold, and gems, that adorned the shrines of the saints, before which wax candles burned, and were kept burning, I suppose, from year's end to year's end; in short, there is no imagining nor remembering a hundredth part of the rich details. And even the cathedral was nothing at all in comparison with a church to which the commissionaire afterwards led us; a church that had been built four or five hundred years ago, by a pirate, in expiation of his sins, and out of the profit of his rapine. This last edifice, in its interior, absolutely shone with burnished gold, and glowed with pictures; its walls were a quarry of precious stones, so valuable were the marbles out of which they were wrought; its columns and pillars were of inconceivable costliness; its pavement was a mosaic of wonderful beauty, and there were four twisted pillars made out of stalactites. Perhaps the best way to form some dim conception of it is to fancy a little casket, inlaid inside with precious stones, so that there shall not a hair's-breadth be left unprecious-stoned, and then to conceive this little bit of a casket iucreased to the magnitude of a great church, without losing anything of the excessive glory that was compressed into its original small compass, but all its pretty lustre made sublime by the consequent immensity. At any rate, nobody who has not seen a church like this can imagine what a gorgeous religion it was that reared it.

In the cathedral, and in all the churches, we saw priests and many persons kneeling at their devotions; and our Salvator Rosa, whenever we passed a chapel or shrine, failed not to touch the pavement with one knee, crossing himself the while; and once, when a priest was going through some form of devotion, he stopped a few moments to share in it.

He conducted us, too, to the Balbi Palace, the stateliest and most sumptuous residence, but not more so than another which he afterwards showed us, nor perhaps than many others which exist in Genoa, THE SUPERB. The painted ceilings in these palaces are a glorious adornment; the walls of the saloons, incrusted with various-colored marbles, give an idea of splendor which I never gained from anything else. The floors, laid in mosaic, seem too precious to tread upon. In the royal palace, many of the floors were of various woods, inlaid by an English artist, and they looked like a magnification of some exquisite piece of Tunbridge ware; but, in all respects, this palace was inferior to others which we saw. I say nothing of the immense pictorial treasures which hung upon the walls of all the rooms through which we passed; for I soon grew so weary of admirable things, that I could neither enjoy nor understand them. My receptive faculty is very limited, and when the utmost of its small capacity is full, I become perfectly miserable, and the more so the better worth seeing are the things I am forced to reject. I do not know a greater misery; to see sights, after such repletion, is to the mind what it would be to the body to have dainties forced down the throat long after the appetite was satiated.

All this while, whenever we emerged into the vaultlike streets, we were wretchedly cold. The commissionaire took us to a sort of pleasure-garden, occupying the ascent of a hill, and presenting seven different views of the city, from as many stations. One of the objects pointed out to us was a large yellow house, on a hillside, in the outskirts of Genoa, which was formerly inhabited for six months by Charles Dickens. Looking down from the elevated part of the pleasure-gardens, we saw orange-trees beneath us, with the golden fruit hanging upon them, though their trunks were muffled in straw; and, still lower down, there was ice and snow.

Gladly we dismissed the commissionaire, after he had brought us to the hotel of the Cross of Malta, where we dined; needlessly, as it proved, for another dinner awaited us, after our return on board the boat.

We set sail for Leghorn before dark, and I retired early, feeling still more ill from my cold than the night before. The next morning we were in the crowded port of Leghorn. We all went ashore, with some idea of taking the rail for Pisa, which is within an hour's distance, and might have been seen in time for our departure with the steamer. But a necessary visit to a banker's, and afterwards some unnecessary formalities about our passports, kept us wandering through the streets nearly all day; and we saw nothing in the slightest degree interesting, except the tomb of Smollett, in the burial-place attached to the English Chapel. It is surrounded by an iron railing, and marked by a slender obelisk of white marble, the pattern of which is many times repeated over surrounding graves.

We went into a Jewish synagogue,--the interior cased in marbles, and surrounded with galleries, resting upon arches above arches. There were lights burning at the altar, and it looked very like a Christian church; but it was dirty, and had an odor not of sanctity.

In Leghorn, as everywhere else, we were chilled to the heart, except when the sunshine fell directly upon us; and we returned to the steamer with a feeling as if we were getting back to our home; for this life of wandering makes a three days' residence in one place seem like home.

We found several new passengers on board, and among others a monk, in a long brown frock of woollen cloth, with an immense cape, and a little black covering over his tonsure. He was a tall figure, with a gray beard, and might have walked, just as he stood, out of a picture by one of the old masters. This holy person addressed me very affably in Italian; but we found it impossible to hold much conversation.

Elba was presently in view, and we might have seen many other interesting points, had it not been for our steamer's practice of resting by day, and only pursuing its voyage by night. The next morning we found ourselves in the harbor of Civita Vecchia, and, going ashore with our luggage, went through a blind turmoil with custom-house officers, inspectors of passports, soldiers, and vetturino people. My wife and I strayed a little through Civita Vecchia, and found its streets narrow, like clefts in a rock , and smelling nastily. I had made a bargain with a vetturino to send us to Rome in a carriage, with four horses, in eight hours; and as soon as the custom-house and passport people would let us, we started, lumbering slowly along with our mountain of luggage. We had heard rumors of robberies lately committed on this route; especially of a Nova Scotia bishop, who was detained on the road an hour and a half, and utterly pillaged; and certainly there was not a single mile of the dreary and desolate country over which we passed, where we might not have been robbed and murdered with impunity. Now and then, at long distances, we came to a structure that was either a prison, a tavern, or a barn, but did not look very much like either, being strongly built of stone, with iron-grated windows, and of ancient and rusty aspect. We kept along by the seashore a great part of the way, and stopped to feed our horses at a village, the wretched street of which stands close along the shore of the Mediterranean, its loose, dark sand being made nasty by the vicinity. The vetturino cheated us, one of the horses giving out, as he must have known it would do, half-way on our journey; and we staggered on through cold and darkness, and peril, too, if the banditti were not a myth,-- reaching Rome not much before midnight. I perpetrated unheard-of briberies on the custom-house officers at the gates, and was permitted to pass through and establish myself at Spillman's Hotel, the only one where we could gain admittance, and where we have been half frozen ever since.

And this is sunny Italy, and genial Rome!

Palazzo Larazani, Via Porta Pinciana, February 3d.--We have been in Rome a fortnight to-day, or rather at eleven o'clock to-night; and I have seldom or never spent so wretched a time anywhere. Our impressions were very unfortunate, arriving at midnight, half frozen in the wintry rain, and being received into a cold and cheerless hotel, where we shivered during two or three days; meanwhile seeking lodgings among the sunless, dreary alleys which are called streets in Rome. One cold, bright day after another has pierced me to the heart, and cut me in twain as with a sword, keen and sharp, and poisoned at point and edge. I did not think that cold weather could have made me so very miserable. Having caught a feverish influenza, I was really glad of being muffled up comfortably in the fever heat. The atmosphere certainly has a peculiar quality of malignity. After a day or two we settled ourselves in a suite of ten rooms, comprehending one flat, or what is called the second piano of this house. The rooms, thus far, have been very uncomfortable, it being impossible to warm them by means of the deep, old-fashioned, inartificial fireplaces, unless we had the great logs of a New England forest to burn in them; so I have sat in my corner by the fireside with more clothes on than I ever wore before, and my thickest great-coat over all. In the middle of the day I generally venture out for an hour or two, but have only once been warm enough even in the sunshine, and out of the sun never at any time. I understand now the force of that story of Diogenes when he asked the Conqueror, as the only favor he could do him, to stand out of his sunshine, there being such a difference in these Southern climes of Europe between sun and shade. If my wits had not been too much congealed, and my fingers too numb, I should like to have kept a minute journal of my feelings and impressions during the past fortnight. It would have shown modern Rome in an aspect in which it has never yet been depicted. But I have now grown somewhat acclimated, and the first freshness of my discomfort has worn off, so that I shall never be able to express how I dislike the place, and how wretched I have been in it; and soon, I suppose, warmer weather will come, and perhaps reconcile me to Rome against my will. Cold, narrow lanes, between tall, ugly, mean-looking whitewashed houses, sour bread, pavements most uncomfortable to the feet, enormous prices for poor living; beggars, pickpockets, ancient temples and broken monuments, and clothes hanging to dry about them; French soldiers, monks, and priests of every degree; a shabby population, smoking bad cigars,--these would have been some of the points of my description. Of course there are better and truer things to be said. . . .

It would be idle for me to attempt any sketches of these famous sites and edifices,--St. Peter's, for example,--which have been described by a thousand people, though none of them have ever given me an idea of what sort of place Rome is. . . .

The Coliseum was very much what I had preconceived it, though I was not prepared to find it turned into a sort of Christian church, with a pulpit on the verge of the open space. . . . The French soldiers, who keep guard within it, as in other public places in Rome, have an excellent opportunity to secure the welfare of their souls.

February 7th.--I cannot get fairly into the current of my journal since we arrived, and already I perceive that the nice peculiarities of Roman life are passing from my notice before I have recorded them. It is a very great pity. During the past week I have plodded daily, for an hour or two, through the narrow, stony streets, that look worse than the worst backside lanes of any other city; indescribably ugly and disagreeable they are, . . . . without sidewalks, but provided with a line of larger square stones, set crosswise to each other, along which there is somewhat less uneasy walking. . . . Ever and anon, even in the meanest streets, --though, generally speaking, one can hardly be called meaner than another,--we pass a palace, extending far along the narrow way on a line with the other houses, but distinguished by its architectural windows, iron-barred on the basement story, and by its portal arch, through which we have glimpses, sometimes of a dirty court-yard, or perhaps of a clean, ornamented one, with trees, a colonnade, a fountain, and a statue in the vista; though, more likely, it resembles the entrance to a stable, and may, perhaps, really be one. The lower regions of palaces come to strange uses in Rome. . . . In the basement story of the Barberini Palace a regiment of French soldiers seems to be quartered, while no doubt princes have magnificent domiciles above. Be it palace or whatever other dwelling, the inmates climb through rubbish often to the comforts, such as they may be, that await them above. I vainly try to get down upon paper the dreariness, the ugliness, shabbiness, un-home-likeness of a Roman street. It is also to be said that you cannot go far in any direction without coming to a piazza, which is sometimes little more than a widening and enlarging of the dingy street, with the lofty facade of a church or basilica on one side, and a fountain in the centre, where the water squirts out of some fantastic piece of sculpture into a great stone basin. These fountains are often of immense size and most elaborate design. . . .

There are a great many of these fountain-shapes, constructed under the orders of one pope or another, in all parts of the city; and only the very simplest, such as a jet springing from a broad marble or porphyry vase, and falling back into it again, are really ornamental. If an antiquary were to accompany me through the streets, no doubt he would point out ten thousand interesting objects that I now pass over unnoticed, so general is the surface of plaster and whitewash; but often I can see fragments of antiquity built into the walls, or perhaps a church that was a Roman temple, or a basement of ponderous stones that were laid above twenty centuries ago. It is strange how our ideas of what antiquity is become altered here in Rome; the sixteenth century, in which many of the churches and fountains seem to have been built or re-edified, seems close at hand, even like our own days; a thousand years, or the days of the latter empire, is but a modern date, and scarcely interests us; and nothing is really venerable of a more recent epoch than the reign of Constantine. And the Egyptian obelisks that stand in several of the piazzas put even the Augustan or Republican antiquities to shame. I remember reading in a New York newspaper an account of one of the public buildings of that city,--a relic of "the olden time," the writer called it; for it was erected in 1825! I am glad I saw the castles and Gothic churches and cathedrals of England before visiting Rome, or I never could have felt that delightful reverence for their gray and ivy-hung antiquity after seeing these so much older remains. But, indeed, old things are not so beautiful in this dry climate and clear atmosphere as in moist England. . . .

Whatever beauty there may be in a Roman ruin is the remnant of what was beautiful originally; whereas an English ruin is more beautiful often in its decay than even it was in its primal strength. If we ever build such noble structures as these Roman ones, we can have just as good ruins, after two thousand years, in the United States; but we never can have a Furness Abbey or a Kenilworth. The Corso, and perhaps some other streets, does not deserve all the vituperation which I have bestowed on the generality of Roman vias, though the Corso is narrow, not averaging more than nine paces, if so much, from sidewalk to sidewalk. But palace after palace stands along almost its whole extent,--not, however, that they make such architectural show on the street as palaces should. The enclosed courts were perhaps the only parts of these edifices which the founders cared to enrich architecturally. I think Linlithgow Palace, of which I saw the ruins during my last tour in Scotland, was built, by an architect who had studied these Roman palaces. There was never any idea of domestic comfort, or of what we include in the name of home, at all implicated in such structures, they being generally built by wifeless and childless churchmen for the display of pictures and statuary in galleries and long suites of rooms.

I have not yet fairly begun the sight-seeing of Rome. I have been four or five times to St. Peter's, and always with pleasure, because there is such a delightful, summerlike warmth the moment we pass beneath the heavy, padded leather curtains that protect the entrances. It is almost impossible not to believe that this genial temperature is the result of furnace-heat, but, really, it is the warmth of last summer, which will be included within those massive walls, and in that vast immensity of space, till, six months hence, this winter's chill will just have made its way thither. It would be an excellent plan for a valetudinarian to lodge during the winter in St. Peter's, perhaps establishing his household in one of the papal tombs. I become, I think, more sensible of the size of St. Peter's, but am as yet far from being overwhelmed by it. It is not, as one expects, so big as all out of doors, nor is its dome so immense as that of the firmament. It looked queer, however, the other day, to see a little ragged boy, the very least of human things, going round and kneeling at shrine after shrine, and a group of children standing on tiptoe to reach the vase of holy water. . . .

On coming out of St. Peter's at my last visit, I saw a great sheet of ice around the fountain on the right hand, and some little Romans awkwardly sliding on it. I, too, took a slide, just for the sake of doing what I never thought to do in Rome. This inclement weather, I should suppose, must make the whole city very miserable; for the native Romans, I am told, never keep any fire, except for culinary purposes, even in the severest winter. They flee from their cheerless houses into the open air, and bring their firesides along with them in the shape of small earthen vases, or pipkins, with a handle by which they carry them up and down the streets, and so warm at least their hands with the lighted charcoal. I have had glimpses through open doorways into interiors, and saw them as dismal as tombs. Wherever I pass my summers, let me spend my winters in a cold country.

We went yesterday to the Pantheon. . . .

When I first came to Rome, I felt embarrassed and unwilling to pass, with my heresy, between a devotee and his saint; for they often shoot their prayers at a shrine almost quite across the church. But there seems to be no violation of etiquette in so doing. A woman begged of us in the Pantheon, and accused my wife of impiety for not giving her an alms. . . . People of very decent appearance are often unexpectedly converted into beggars as you approach them; but in general they take a "No" at once.

February 9th.--For three or four days it has been cloudy and rainy, which is the greater pity, as this should be the gayest and merriest part of the Carnival. I go out but little,--yesterday only as far as Pakenham's and Hooker's bank in the Piazza de' Spagna, where I read Galignani and the American papers. At last, after seeing in England more of my fellow-compatriots than ever before, I really am disjoined from my country.

To-day I walked out along the Pincian Hill. . . . As the clouds still threatened rain, I deemed it my safest course to go to St. Peter's for refuge. Heavy and dull as the day was, the effect of this great world of a church was still brilliant in the interior, as if it had a sunshine of its own, as well as its own temperature; and, by and by, the sunshine of the outward world came through the windows, hundreds of feet aloft, and fell upon the beautiful inlaid pavement. . . . Against a pillar, on one side of the nave, is a mosaic copy of Raphael's Transfiguration, fitly framed within a great arch of gorgeous marble; and, no doubt, the indestructible mosaic has preserved it far more completely than the fading and darkening tints in which the artist painted it. At any rate, it seemed to me the one glorious picture that I have ever seen. The pillar nearest the great entrance, on the left of the nave, supports the monument to the Stuart family, where two winged figures, with inverted torches, stand on either side of a marble door, which is closed forever. It is an impressive monument, for you feel as if the last of the race had passed through that door.

Emerging from the church, I saw a French sergeant drilling his men in the piazza. These French soldiers are prominent objects everywhere about the city, and make up more of its sight and sound than anything else that lives. They stroll about individually; they pace as sentinels in all the public places; and they march up and down in squads, companies, and battalions, always with a very great din of drum, fife, and trumpet; ten times the proportion of music that the same number of men would require elsewhere; and it reverberates with ten times the noise, between the high edifices of these lanes, that it could make in broader streets. Nevertheless, I have no quarrel with the French soldiers; they are fresh, healthy, smart, honest-looking young fellows enough, in blue coats and red trousers; . . . . and, at all events, they serve as an efficient police, making Rome as safe as London; whereas, without them, it would very likely be a den of banditti.

On my way home I saw a few tokens of the Carnival, which is now in full progress; though, as it was only about one o'clock, its frolics had not commenced for the day. . . . I question whether the Romans themselves take any great interest in the Carnival. The balconies along the Corso were almost entirely taken by English and Americans, or other foreigners.

As I approached the bridge of St. Angelo, I saw several persons engaged, as I thought, in fishing in the Tiber, with very strong lines; but on drawing nearer I found that they were trying to hook up the branches, and twigs, and other drift-wood, which the recent rains might have swept into the river. There was a little heap of what looked chiefly like willow twigs, the poor result of their labor. The hook was a knot of wood, with the lopped-off branches projecting in three or four prongs. The Tiber has always the hue of a mud-puddle; but now, after a heavy rain which has washed the clay into it, it looks like pease-soup. It is a broad and rapid stream, eddying along as if it were in haste to disgorge its impurities into the sea. On the left side, where the city mostly is situated, the buildings hang directly over the stream; on the other, where stand the Castle of St. Angelo and the Church of St. Peter, the town does not press so imminent upon the shore. The banks are clayey, and look as if the river had been digging them away for ages; but I believe its bed is higher than of yore.

February 10th.--I went out to-day, and, going along the Via Felice and the Via delle Quattro Fontane, came unawares to the Basilica of Santa Maria Maggiore, on the summit of the Esquiline Hill. I entered it, without in the least knowing what church it was, and found myself in a broad and noble nave, both very simple and very grand. There was a long row of Ionic columns of marble, twenty or thereabouts on each side, supporting a flat roof. There were vaulted side aisles, and, at the farther end, a bronze canopy over the high altar; and all along the length of the side aisles were shrines with pictures, sculpture, and burning lamps; the whole church, too, was lined with marble: the roof was gilded; and yet the general effect of severe and noble simplicity triumphed over all the ornament. I should have taken it for a Roman temple, retaining nearly its pristine aspect; but Murray tells us that it was founded A. D. 342 by Pope Liberius, on the spot precisely marked out by a miraculous fall of snow, in the month of August, and it has undergone many alterations since his time. But it is very fine, and gives the beholder the idea of vastness, which seems harder to attain than anything else. On the right hand, approaching the high altar, there is a chapel, separated from the rest of the church by an iron paling; and, being admitted into it with another party, I found it most elaborately magnificent. But one magnificence outshone another, and made itself the brightest conceivable for the moment. However, this chapel was as rich as the most precious marble could make it, in pillars and pilasters, and broad, polished slabs, covering the whole walls . Its architecture was a dome, resting on four great arches; and in size it would alone have been a church. In the centre of the mosaic pavement there was a flight of steps, down which we went, and saw a group in marble, representing the nativity of Christ, which, judging by the unction with which our guide talked about it, must have been of peculiar sanctity. I hate to leave this chapel and church, without being able to say any one thing that may reflect a portion of their beauty, or of the feeling which they excite. Kneeling against many of the pillars there were persons in prayer, and I stepped softly, fearing lest my tread on the marble pavement should disturb them,--a needless precaution, however, for nobody seems to expect it, nor to be disturbed by the lack of it.

The situation of the church, I should suppose, is the loftiest in Rome: it has a fountain at one end, and a column at the other; but I did not pay particular attention to either, nor to the exterior of the church itself.

I came home by way of the Corso, which seemed a little enlivened by Carnival time; though, as it was not yet two o'clock, the fun had not begun for the day. The rain throws a dreary damper on the festivities.

February 14th.--Friday, 12th, was a sunny day, the first that we had had for some time; and my wife and I went forth to see sights as well as to make some calls that had long been due. We went first to the church of Santa Maria Maggiore, which I have already mentioned, and, on our return, we went to the Piazza di Monte Cavallo, and saw those admirable ancient statues of Castor and Pollux, which seem to me sons of the morning, and full of life and strength. The atmosphere, in such a length of time, has covered the marble surface of these statues with a gray rust, that envelops both the men and horses as with a garment; besides which, there are strange discolorations, such as patches of white moss on the elbows, and reddish streaks down the sides; but the glory of form overcomes all these defects of color. It is pleasant to observe how familiar some little birds are with these colossal statues,--hopping about on their heads and over their huge fists, and very likely they have nests in their ears or among their hair.

On the staircase ascending to their piano we saw the ancient Greek bas-relief of a lion, whence Canova is supposed to have taken the idea of his lions on the monument in St. Peter's. Afterwards we made two or three calls in the neighborhood of the Piazza de' Spagna, finding only Mr. Hamilton Fish and family, at the Hotel d'Europe, at home, and next visited the studio of Mr. C. G. Thompson, whom I knew in Boston. He has very greatly improved since those days, and, being always a man of delicate mind, and earnestly desiring excellence for its own sake, he has won himself the power of doing beautiful and elevated works. He is now meditating a series of pictures from Shakespeare's "Tempest," the sketches of one or two of which he showed us, likewise a copy of a small Madonna, by Raphael, wrought with a minute faithfulness which it makes one a better man to observe. . . . Mr. Thompson is a true artist, and whatever his pictures have of beauty comes from very far beneath the surface; and this, I suppose, is one weighty reason why he has but moderate success. I should like his pictures for the mere color, even if they represented nothing. His studio is in the Via Sistina; and at a little distance on the other side of the same street is William Story's, where we likewise went, and found him at work on a sitting statue of Cleopatra.

The statue of his father, his first work, is very noble, as noble and fine a portrait-statue as I ever saw. In the outer room of his studio a stone-cutter, or whatever this kind of artisan is called, was at work, transferring the statue of Hero from the plaster-cast into marble; and already, though still in some respects a block of stone, there was a wonderful degree of expression in the face. It is not quite pleasant to think that the sculptor does not really do the whole labor on his statues, but that they are all but finished to his hand by merely mechanical people. It is generally only the finishing touches that are given by his own chisel.

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