Read Ebook: Bertha Garlan by Schnitzler Arthur
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Ebook has 1251 lines and 61242 words, and 26 pages
He repeated the word "everything" and, at the same time, looked at Bertha in a manner which caused her to blush.
"What a pity I so seldom have the opportunity of hearing you play!" he went on. "If I don't happen to be passing your open window when you are at the piano--"
Bertha noticed that he kept on edging nearer to her, and that his arm was touching hers. Involuntarily she moved away. Suddenly she felt herself seized from behind, her head pulled back over the bench and a hand clasped over her eyes.
For a moment she thought that it was Klingemann's hand, which she felt upon her lids.
"Why, you must be mad, sir," she cried.
"How funny it is to hear you call me 'Sir,' Aunt Bertha!" replied the laughing voice of a boy at her back.
"Well, do let me at least open my eyes, Richard," said Bertha, trying to remove the boy's hands from her face. "Have you come from home!" she added, turning round towards him.
"Yes, Aunt, and here's the newspaper which I have brought you."
Bertha took the paper which he handed to her and began to read it.
Klingemann, meanwhile, rose to his feet and turned to Richard.
"Have you done your exercises already?" he asked.
"We have no exercises at all now, Herr Klingemann, because our final examination is to take place in July."
"So you will actually be a student by this time next year?"
"This time next year! It'll be in the autumn!"
As he said this Richard drummed his fingers along the newspaper.
"What do you want, then, you ill-mannered fellow?" asked Bertha.
"I say, Aunt, will you come and visit me when I am in Vienna?"
"Yes, I should like to catch myself! I shall be glad to be rid of you!"
"Here comes Herr Rupius!" said Richard.
Bertha lowered the paper and looked in the direction indicated by her nephew's glance. Along the avenue leading from the town a maidservant came, pushing an invalid's chair, in which a man was sitting. His head was uncovered and his soft felt hat was lying upon his knees, from which a plaid rug reached down to his feet. His forehead was lofty; his hair smooth and fair and slightly grizzled at the temples; his feet were peculiarly large. As he passed the bench on which Bertha was seated he only inclined his head slightly, without smiling. Bertha knew that, had she been alone, he would certainly have stopped; moreover, he looked only at her as he passed by, and his greeting seemed to apply to her alone. It seemed to Bertha that she had never before seen such a grave look in his eyes as on this occasion, and she was exceedingly sorry, for she felt a profound compassion for the paralysed man.
When Herr Rupius had passed by, Klingemann said:
"Poor devil! And wifie is away as usual on one of her visits to Vienna, eh?"
"No," answered Bertha, almost angrily. "I was speaking to her only an hour ago."
Klingemann was silent, for he felt that further remarks on the subject of the mysterious visits of Frau Rupius to Vienna might not have been in keeping with his own reputation as a freethinker.
"Won't he really ever be able to walk again?" asked Richard.
"No," said Bertha.
She knew this for a fact because Herr Rupius had told her so himself on one occasion when she had called on him and his wife was in Vienna.
At that moment Herr Rupius seemed to her to be a particularly pitiful figure, for, as he was being wheeled past her in his invalid's chair, she had, in reading the paper, lighted upon the name of one whom she regarded as a happy man.
Mechanically she read the paragraph again.
"Our celebrated compatriot Emil Lindbach returned to Vienna a few days ago after his professional tour through France and Spain, in the course of which he met with many a triumphant reception. In Madrid this distinguished artist had the honour of playing before the Queen of Spain. On the 24th of this month Herr Lindbach will take part in the charity concert which has been organized for the relief of the inhabitants of Vorarlberg, who have suffered such severe losses as a result of the recent floods. A keen interest in the concert is being shown by the public in spite of the fact that the season is so far advanced."
Emil Lindbach! It required a certain effort on Bertha's part to realize that this was the same man whom she had loved--how many?--twelve years ago. Twelve years! She could feel the hot blood mount up into her brow. It seemed to her as though she ought to be ashamed of having gradually grown older.
The sun had set. Bertha took Fritz by the hand, bade the others good evening, and walked slowly homewards.
She lived on the first floor of a house in a new street. From her windows she had a view of the hill, and opposite were only vacant sites.
Bertha handed Fritz over to the care of the maid, sat down by the window, took up the paper and began to read again. She had kept the custom of glancing through the art news first of all. This habit had been formed in the days of her early childhood, when she and her brother, who was now an actor, used to go to the top gallery of the Burg-Theater together. Her interest in art naturally grew when she attended the conservatoire of music; in those days she had been acquainted with the names of even the minor actors, singers and pianists. Later on, when her frequent visits to the theatres, the studies at the conservatoire and her own artistic aspirations came to an end, there still lingered within her a kind of sympathy, which was not free from the touch of homesickness, towards that joyous world of art. But during the latter portion of her life in Vienna all these things had retained scarcely any of their former significance for her; just as little, indeed, as they had possessed since she had come to reside in the little town, where occasional amateur concerts were the best that was offered in the way of artistic enjoyment. One evening during the first year of her married life, she had taken part in one of these concerts at the "Red Apple" Hotel. She had played two marches by Schubert as a duet with another young lady in the town. On that occasion her agitation had been so great that she had vowed to herself never again to appear in public, and was more than glad that she had given up her hopes of an artistic career.
For such a career a very different temperament from hers was necessary--for example, one like Emil Lindbach's. Yes, he was born to it! She had recognized that by his demeanour the very moment when she had first seen him step on to the da?s at a school concert. He had smoothed back his hair in an unaffected manner, gazed at the people below with sardonic superiority, and had acknowledged the first applause which he had ever received in the calm, indifferent manner of one long accustomed to such things.
It was strange, but whenever she thought of Emil Lindbach she still saw him in her mind's eye as youthful, even boyish, just as he had been in the days when they had known and loved each other. Yet not so long before, when she had spent the evening with her brother-in-law and his wife in a restaurant, she had seen a photograph of him in an illustrated paper, and he appeared to have changed greatly. He no longer wore his hair long; his black moustache was curled downwards; his collar was conspicuously tall, and his cravat twisted in accordance with the fashion of the day. Her sister-in-law had given her opinion that he looked like a Polish count.
Bertha took up the newspaper again and was about to read on, but by that time it was too dark. She rose to her feet and called the maid. The lamp was brought in and the table laid for supper. Bertha ate her meal with Fritz, the window remaining open. That evening she felt an even greater tenderness for her child than usual; she recalled once more to memory the times when her husband was still alive, and all manner of reminiscences passed rapidly through her mind. While she was putting Fritz to bed, her glance lingered for quite a long time on her husband's portrait, which hung over the bed in an oval frame of dark brown wood. It was a full-length portrait; he was wearing a morning coat and a white cravat, and was holding his tall hat in his hand. It was all in memory of their wedding day.
Bertha knew for a certainty, at that moment, that Herr Klingemann would have smiled sarcastically had he seen that portrait.
Later in the evening she sat down at the piano, as was a not infrequent custom of hers before going to bed, not so much because of her enthusiasm for music, but because she did not want to retire to rest too early. On such occasions she played, for the most part, the few pieces which she still knew by heart--mazurkas by Chopin, some passages from one of Beethoven's sonatas, or the Kreisleriana. Sometimes she improvised as well, but never pursued the theme beyond a succession of chords, which, indeed, were always the same.
On that evening she began at once by striking those chords, somewhat more softly than usual; then she essayed various modulations and, as she made the last triad resound for a long time by means of the pedal--her hands were now lying in her lap--she felt a gentle joy in the melodies which were hovering, as it were, about her. Then Klingemann's observation recurred to her.
"With you music must take the place of everything!"
Indeed he had not been far from the truth. Music certainly had to take the place of much.
But everything--? Oh, no!
What was that? Footsteps over the way....
Well, there was nothing remarkable in that. But they were slow, regular footsteps, as though somebody was passing up and down. She stood up and went to the window. It was quite dark, and at first she could not recognize the man who was walking outside. But she knew that it was Klingemann. How absurd! Was he going to haunt the vicinity like a love-sick swain?
"Good evening, Frau Bertha," he said from across the road, and she could see in the darkness that he raised his hat.
"Good evening," she answered, almost confusedly.
"You were playing most beautifully."
Her only answer was to murmur "really?" and that perhaps did not reach his ears.
He remained standing for a moment, then said:
"Good night, sleep soundly, Frau Bertha."
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