Read Ebook: Out of Mulberry Street: Stories of Tenement life in New York City by Riis Jacob A Jacob August

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Ebook has 217 lines and 22255 words, and 5 pages

"But I haven't got another," said the girl, looking apprehensively at the shawl. "The--Mr. Feeney said it was all right. Take it to the desk, please, and ask."

The salesgirl took the bill and the shawl, and went to the desk. She came back, almost immediately, with the storekeeper, who looked sharply at the customer and noted the number of the coupon.

"It is all right," he said, satisfied apparently by the inspection; "a little unusual, only. We don't see many of them. Can I help you, miss?" And he attended her to the door.

In the street there was even more of a Christmas show going on than in the stores. Peddlers of toys, of mottos, of candles, and of knickknacks of every description stood in rows along the curb, and were driving a lively trade. Their push-carts were decorated with fir-branches--even whole Christmas trees. One held a whole cargo of Santa Clauses in a bower of green, each one with a cedar-bush in his folded arms, as a soldier carries his gun. The lights were blazing out in the stores, and the hucksters' torches were flaring at the corners. There was Christmas in the very air and Christmas in the storekeeper's till. It had been a very busy day. He thought of it with a satisfied nod as he stood a moment breathing the brisk air of the winter day, absently fingering the coupon the girl had paid for the shawl. A thin voice at his elbow said: "Merry Christmas, Mr. Stein! Here's yer paper."

It was the newsboy who left the evening papers at the door every night. The storekeeper knew him, and something about the struggle they had at home to keep the roof over their heads. Mike was a kind of prot?g? of his. He had helped to get him his route.

"Wait a bit, Mike," he said. "You'll be wanting your Christmas from me. Here's a dollar. It's just like yourself: it is small, but it is all right. You take it home and have a good time."

Was it the message with which it had been sent forth from far away in the country, or what was it? Whatever it was, it was just impossible for the little dollar to lie still in the pocket while there was want to be relieved, mouths to be filled, or Christmas lights to be lit. It just couldn't, and it didn't.

Mike stopped around the corner of Allen street, and gave three whoops expressive of his approval of Mr. Stein; having done which, he sidled up to the first lighted window out of range to examine his gift. His enthusiasm changed to open-mouthed astonishment as he saw the little dollar. His jaw fell. Mike was not much of a scholar, and could not make out the inscription on the coupon; but he had heard of shin-plasters as something they "had in the war," and he took this to be some sort of a ten-cent piece. The policeman on the block might tell. Just now he and Mike were hunk. They had made up a little difference they'd had, and if any one would know, the cop surely would. And off he went in search of him.

Mr. McCarthy pulled off his gloves, put his club under his arm, and studied the little dollar with contracted brow. He shook his head as he handed it back, and rendered the opinion that it was "some dom swindle that's ag'in' the law." He advised Mike to take it back to Mr. Stein, and added, as he prodded him in an entirely friendly manner in the ribs with his locust, that if it had been the week before he might have "run him in" for having the thing in his possession. As it happened, Mr. Stein was busy and not to be seen, and Mike went home between hope and fear, with his doubtful prize.

There was a crowd at the door of the tenement, and Mike saw, before he had reached it, running, that it clustered about an ambulance that was backed up to the sidewalk. Just as he pushed his way through the throng it drove off, its clanging gong scattering the people right and left. A little girl sat weeping on the top step of the stoop. To her Mike turned for information.

"Susie, what's up?" he asked, confronting her with his armful of papers. "Who's got hurted?"

"It's papa," sobbed the girl. "He ain't hurted. He's sick, and he was took that bad he had to go, an' to-morrer is Christmas, an'--oh, Mike!"

It is not the fashion of Essex street to slop over. Mike didn't. He just set his mouth to a whistle and took a turn down the hall to think. Susie was his chum. There were seven in her flat; in his only four, including two that made wages. He came back from his trip with his mind made up.

"Suse," he said, "come on in. You take this, Suse, see! an' let the kids have their Christmas. Mr. Stein give it to me. It's a little one, but if it ain't all right I'll take it back, and get one that is good. Go on, now, Suse, you hear?" And he was gone.

There was a Christmas tree that night in Susie's flat, with candles and apples and shining gold on, but the little dollar did not pay for it. That rested securely in the purse of the charity visitor who had come that afternoon, just at the right time, as it proved. She had heard the story of Mike and his sacrifice, and had herself given the children a one-dollar bill for the coupon. They had their Christmas, and a joyful one, too, for the lady went up to the hospital and brought back word that Susie's father would be all right with rest and care, which he was now getting. Mike came in and helped them "sack" the tree when the lady was gone. He gave three more whoops for Mr. Stein, three for the lady, and three for the hospital doctor to even things up. Essex street was all right that night.

"Do you know, professor," said that learned man's wife, when, after supper, he had settled down in his easy-chair to admire the Noah's ark and the duckses' babies and the rest, all of which had arrived safely by express ahead of him and were waiting to be detailed to their appropriate stockings while the children slept--"do you know, I heard such a story of a little newsboy to-day. It was at the meeting of our district charity committee this evening. Miss Linder, our visitor, came right from the house." And she told the story of Mike and Susie.

"And I just got the little dollar bill to keep. Here it is." She took the coupon out of her purse and passed it to her husband.

"Eh! what?" said the professor, adjusting his spectacles and reading the number. "If here isn't my little dollar come back to me! Why, where have you been, little one? I left you in Bedford street this morning, and here you come by way of Essex. Well, I declare!" And he told his wife how he had received it in a letter in the morning.

"John," she said, with a sudden impulse,--she didn't know, and neither did he, that it was the charm of the little dollar that was working again,--"John, I guess it is a sin to stop it. Jones's children won't have any Christmas tree, because they can't afford it. He told me so this morning when he fixed the furnace. And the baby is sick. Let us give them the little dollar. He is here in the kitchen now."

And they did; and the Joneses, and I don't know how many others, had a Merry Christmas because of the blessed little dollar that carried Christmas cheer and good luck wherever it went. For all I know, it may be going yet. Certainly it is a sin to stop it, and if any one has locked it up without knowing that he locked up the Christmas dollar, let him start it right out again. He can tell it easily enough. If he just looks at the number, that's the one.

A PROPOSAL ON THE ELEVATED

The sleeper on the 3:35 A. M. elevated train from the Harlem bridge was awake for once. The sleeper is the last car in the train, and has its own set that snores nightly in the same seats, grunts with the fixed inhospitality of the commuter at the intrusion of a stranger, and is on terms with Conrad, the German conductor, who knows each one of his passengers and wakes him up at his station. The sleeper is unique. It is run for the benefit of those who ride in it, not for the company's. It not only puts them off properly; it waits for them, if they are not there. The conductor knows that they will come. They are men, mostly, with small homes beyond the bridge, whose work takes them down-town to the markets, the Post-office, and the busy marts of the city long before cock-crow. The day begins in New York at all hours.

Usually the sleeper is all that its name implies, but this morning it was as far from it as could be. A party of young people, fresh from a neighborhood hop, had come on board and filled the rear end of the car. Their feet tripped yet to the dance, and snatches of the latest waltz floated through the train between peals of laughter and little girlish shrieks. The regulars glared, discontented, in strange seats, unable to go to sleep. Only the railroad yardmen dropped off promptly as they came in. Theirs was the shortest ride, and they could least afford to lose time. Two old Irishmen, flanked by their dinner-pails, gravely discussed the Henry George campaign.

Across the passage sat a group of three apart--a young man, a girl, and a little elderly woman with lines of care and hard work in her patient face. She guarded carefully three umbrellas, a very old and faded one, and two that were new and of silk, which she held in her lap, though it had not rained for a month. He was a likely young fellow, tall and straight, with the thoughtful eye of a student. His dark hair fell nearly to his shoulders, and his coat had a foreign cut. The girl was a typical child of the city, slight and graceful of form, dressed in good taste, and with a bright, winning face. The two chatted confidentially together, forgetful of all else, while mama, between them, nodded sleepily in her seat.

A sudden burst of white light flooded the car.

"Hey! Ninety-ninth street!" called the conductor, and rattled the door. The railroad men tumbled out pell-mell, all but one. Conrad shook him, and he went out, mechanically blinking his eyes.

"Eighty-ninth next!" from the doorway.

The laughter at the rear end of the car had died out. The young people, in a quieter mood, were humming a popular love-song. Presently above the rest rose a clear tenor:

Oh, promise me that some day you and I Will take our love together to some sky Where we can be alone and faith renew--

The clatter of the train as it flew over a switch drowned the rest. When the last wheel had banged upon the frog, I heard the young student's voice, in the soft accents of southern Europe:

"Wenn ich in Wien war--" He was telling her of his home and his people in the language of his childhood. I glanced across. She sat listening with kindling eyes. Mama slumbered sweetly; her worn old hands clutched unconsciously the umbrellas in her lap. The two Irishmen, having settled the campaign, had dropped to sleep, too. In the crowded car the two were alone. His hand sought hers and met it half-way.

"Forty-seventh!" There was a clatter of tin cans below. The contingent of milkmen scrambled out of their seats and off for the depot. In the lull that followed their going, the tenor rose from the last seat:

Those first sweet violets of early spring, Which come in whispers, thrill us both, and sing Of love unspeakable that is to be, Oh, promise me! Oh, promise me!

The two young people faced each other. He had thrown his hat upon the seat beside him and held her hand fast, gesticulating with his free hand as he spoke rapidly, eloquently, eagerly of his prospects and his hopes. Her own toyed nervously with his coat-lapel, twisting and twirling a button as he went on. What he said might have been heard to the other end of the car, had there been anybody to listen. He was to live here always; his uncle would open a business in New York, of which he was to have charge, when he had learned to know the country and its people. It would not be long now, and then--and then--

"Twenty-third street!"

There was a long stop after the levy for the ferries had left. The conductor went out on the platform and consulted with the ticket-chopper. He was scrutinizing his watch for the second time, when the faint jingle of an east-bound car was heard.

"Here she comes!" said the ticket-chopper. A shout, and a man bounded up the steps, three at a time. It was an engineer who, to make connection with his locomotive at Chatham Square, must catch that train.

"Hullo, Conrad! Nearly missed you," he said as he jumped on the car, breathless.

"All right, Jack." And the conductor jerked the bell-rope. "You made it, though." The train sped on.

Two lives, heretofore running apart, were hastening to a union. The lovers had seen nothing, heard nothing but each other. His eyes burned as hers met his and fell before them. His head bent lower until his face almost touched hers. His dark hair lay against her blond curls. The ostrich feather on her hat swept his shoulder.

"M?gtest Du mich haben?" he entreated.

Above the grinding of the wheels as the train slowed up for the station a block ahead, pleaded the tenor:

Oh, promise me that you will take my hand, The most unworthy in this lonely land--

Did she speak? Her face was hidden, but the blond curls moved with a nod so slight that only a lover's eye could see it. He seized her disengaged hand. The conductor stuck his head into the car.

"Fourteenth street!"

A squad of stout, florid men with butchers' aprons started for the door. The girl arose hastily.

"Mama!" she called, "steh' auf! Es ist Fourteenth street."

The little woman woke up, gathered the umbrellas in her arms, and bustled after the marketmen, her daughter leading the way. He sat as one dreaming.

"Ach!" he sighed, and ran his hand through his dark hair, "so rasch!"

And he went out after them.

DEATH COMES TO CAT ALLEY

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