: Out of Mulberry Street: Stories of Tenement life in New York City by Riis Jacob A Jacob August - New York (N.Y.) Fiction; Tenement houses Fiction; Poor New York (State) New York Fiction

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f some day the crate should bring up a fish, a real fish, from the river? When he thought of it, he wished that he might be sitting forever on that string-piece, fishing with the rag-cage, particularly when he was tired of stitching and turning over, a whole long day.

Besides, there were the real holidays, when there was a marriage, a christening, or a funeral in the tenement, particularly when a baby died whose father belonged to one of the many benefit societies. A brass band was the proper thing then, and the whole block took a vacation to follow the music and the white hearse out of their ward into the next. But the chief of all the holidays came once a year, when the feast of St. Rocco--the patron saint of the village where Paolo's parents had lived--was celebrated. Then a really beautiful altar was erected at one end of the yard, with lights and pictures on it. The rear fire-escapes in the whole row were decked with sheets, and made into handsome balconies,--reserved seats, as it were,--on which the tenants sat and enjoyed it. A band in gorgeous uniforms played three whole days in the yard, and the men in their holiday clothes stepped up, bowed, and crossed themselves, and laid their gifts on the plate which St. Rocco's namesake, the saloon-keeper in the block, who had got up the celebration, had put there for them. In the evening they set off great strings of fire-crackers in the street, in the saint's honor, until the police interfered once and forbade that. Those were great days for Paolo always.

But the fun Paolo loved best of all was when he could get in a corner by himself, with no one to disturb him, and build castles and things out of some abandoned clay or mortar, or wet sand if there was nothing better. The plastic material took strange shapes of beauty under his hands. It was as if life had been somehow breathed into it by his touch, and it ordered itself as none of the other boys could make it. His fingers were tipped with genius, but he did not know it, for his work was only for the hour. He destroyed it as soon as it was made, to try for something better. What he had made never satisfied him--one of the surest proofs that he was capable of great things, had he only known it. But, as I said, he did not.

The teacher from the Industrial School came upon him one day, sitting in the corner by himself, and breathing life into the mud. She stood and watched him awhile, unseen, getting interested, almost excited, as he worked on. As for Paolo, he was solving the problem that had eluded him so long, and had eyes or thought for nothing else. As his fingers ran over the soft clay, the needle, the hard bench, the pants, even the sweater himself, vanished out of his sight, out of his life, and he thought only of the beautiful things he was fashioning to express the longing in his soul, which nothing mortal could shape. Then, suddenly, seeing and despairing, he dashed it to pieces, and came back to earth and to the tenement.

But not to the pants and the sweater. What the teacher had seen that day had set her to thinking, and her visit resulted in a great change for Paolo. She called at night and had a long talk with his mother and uncle through the medium of the priest, who interpreted when they got to a hard place. Uncle Pasquale took but little part in the conversation. He sat by and nodded most of the time, assured by the presence of the priest that it was all right. The widow cried a good deal, and went more than once to take a look at the boy, lying snugly tucked in his bed in the inner room, quite unconscious of the weighty matters that were being decided concerning him. She came back the last time drying her eyes, and laid both her hands in the hand of the teacher. She nodded twice and smiled through her tears, and the bargain was made. Paolo's slavery was at an end.

His friend came the next day and took him away, dressed up in his best clothes, to a large school where there were many children, not of his own people, and where he was received kindly. There dawned that day a new life for Paolo, for in the afternoon trays of modeling-clay were brought in, and the children were told to mold in it objects that were set before them. Paolo's teacher stood by, and nodded approvingly as his little fingers played so deftly with the clay, his face all lighted up with joy at this strange kind of a school-lesson.

After that he had a new and faithful friend, and, as he worked away, putting his whole young soul into the tasks that filled it with radiant hope, other friends, rich and powerful, found him out in his slum. They brought better-paying work for his mother than sewing pants for the sweater, and Uncle Pasquale abandoned the scows to become a porter in a big shipping-house on the West Side. The little family moved out of the old home into a better tenement, though not far away. Paolo's loyal heart clung to the neighborhood where he had played and dreamed as a child, and he wanted it to share in his good fortune, now that it had come. As the days passed, the neighbors who had known him as little Paolo came to speak of him as one who some day would be a great artist and make them all proud. He laughed at that, and said that the first bust he would hew in marble should be that of his patient, faithful mother; and with that he gave her a little hug, and danced out of the room, leaving her to look after him with glistening eyes, brimming over with happiness.

Home to his mother! It was the one thought in his mind as he walked toward the big bridge to cross to the city of his home--to tell her of his joy, of his success. Soon she would no longer be poor. The day of hardship was over. He could work now and earn money, much money, and the world would know and honor Paolo's mother as it had honored him. As he walked through the foggy winter day toward the river, where delayed throngs jostled one another at the bridge entrance, he thought with grateful heart of the friends who had smoothed the way for him. Ah, not for long the fog and slush! The medal carried with it a traveling stipend, and soon the sunlight of his native land for him and her. He should hear the surf wash on the shingly beach and in the deep grottoes of which she had sung to him when a child. Had he not promised her this? And had they not many a time laughed for very joy at the prospect, the two together?

He picked his way up the crowded stairs, carefully guarding the precious roll. The crush was even greater than usual. There had been delay--something wrong with the cable; but a train was just waiting, and he hurried on board with the rest, little heeding what became of him so long as the diploma was safe. The train rolled out on the bridge, with Paolo wedged in the crowd on the platform of the last car, holding the paper high over his head, where it was sheltered safe from the fog and the rain and the crush.

Another train backed up, received its load of cross humanity, and vanished in the mist. The damp gray curtain had barely closed behind it, and the impatient throng was fretting at a further delay, when consternation spread in the bridge-house. Word had come up from the track that something had happened. Trains were stalled all along the route. While the dread and uncertainty grew, a messenger ran up, out of breath. There had been a collision. The last train had run into the one preceding it, in the fog. One was killed, others were injured. Doctors and ambulances were wanted.

They came with the police, and by and by the partly wrecked train was hauled up to the platform. When the wounded had been taken to the hospital, they bore from the train the body of a youth, clutching yet in his hand a torn, blood-stained paper, tied about with a purple ribbon. It was Paolo. The awakening had come. Brighter skies than those of sunny Italy had dawned upon him in the gloom and terror of the great crash. Paolo was at home, waiting for his mother.

THE LITTLE DOLLAR'S CHRISTMAS JOURNEY

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