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A MODERN INSTANCE

INTRODUCTION.

At Venice he remained from 1861 to 1865, and these years may fairly be taken as standing for his university training. He carried with him to Europe some conversance with French, German, Spanish, and Italian, and an insatiable thirst for literature in these, languages. Naturally now he concentrated his attention on the Italian language and literature, but after all he was not made for a microscopic or encyclopaedic scholar, least of all for a pedant. What he was looking for in literature, though he scarcely so stated it to himself at the time, was human life, and it was this first-hand acquaintance he was acquiring with life in another circumstance that constituted his real training in literature. To pass from Ohio straight to Italy, with the merest alighting by the way in New York and Boston, was to be transported from one world to another; but he carried with him a mind which had already become naturalized in the large world of history and men through the literature in which he had steeped his mind. No one can read the record of the books he had revelled in, and observe the agility with which he was absorbed, successively, in books of greatly varying character, without perceiving how wide open were the windows of his mind; and as the light streamed in from all these heavens, so the inmate looked out with unaffected interest on the views spread before him.

But it must not be inferred that his novels and other literary work have been by any means exclusively concerned with the reconstruction of the social order. He has indeed experimented with this theme, but he has always had a sane interest in life as he sees it, and with the increasing scope of his observation he has drawn his figures from a larger world, which includes indeed the world in which he first began to find his characters and their action.

This in fine is the most summary statement of his career in literature,--that he has been a keen and sympathetic observer of life, and has caught its character, not like a reporter going about with a kodak and snapping it aimlessly at any conspicuous object, but like an alert artist who goes back to his studio after a walk and sets down his comments on what he has seen in quick, accurate sketches, now and then resolving numberless undrawn sketches into some one comprehensive and beautiful picture.

THE SEQUENCE OF MR. HOWELLS'S BOOKS.

Mr. Howells is the author of nearly seventy books, from which the following are selected as best representing his work in various fields and at various periods.

Venetian Life. Travel and description. 1867.

Their Wedding Journey. Novel. 1871.

Italian Journeys. Travel and description. 1872.

Suburban Sketches. 1872.

Poems. 1873 and 1895.


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