: The Mirror of Literature Amusement and Instruction. Volume 10 No. 271 September 1 1827 by Various - Popular literature Great Britain Periodicals The Mirror of Literature Amusement and Instruction

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THE MIRROR OF LITERATURE, AMUSEMENT, AND INSTRUCTION.

The old gaol in the city of Norwich, in the year 1823, being found no longer secure, nor according to the new act of parliament, admitting of sufficient room for the classification of the prisoners, the magistrates came to a resolution of erecting a new one outside the city, near St. Giles's gates; the same was accordingly advertised in the Norwich papers, in which architects were requested to send plans, elevations, and sections, accompanied with an estimate of the total expense of the new building. A great number of designs were in consequence submitted, when the plan sent by Mr. Brown, of Wells-street, Oxford-street, London, was adjudged to be the best: his plan was therefore adopted and carried into execution, of which the annexed engraving is a faithful representation, taken from the tower of St. Giles's Church, in the city of Norwich. The foundation stone was laid in 1824, and the building finished this year, 1827. It is designed to hold 120 prisoners, besides the necessary turnkeys and servants, and has cost the city ?23,000; the boundary wall is quadrangular, but is cut off at the junction of the four angles by bastions, thereby giving to the wall a greater stability; the whole circumference is 1,220 feet, and encloses an area of one acre, two roods, and thirty-four poles, being nearly one acre and three quarters of ground.

The bastion at the entrance contains on the ground floor a porter's room, press room, hot and cold baths, and a room with an oven for the purpose of purifying foul linen. The upper story contains over the entrance gate the drop room: on each side are receiving cells, two for males and two for females, a searching room for the surgeon, and the prison wardrobe; directly over the drop room on the lead flat is the place where the more heinous malefactors expiate their crimes. The bastion on the right hand contains a building, on the ground floor and in the centre of which is the wash-house and laundry, and in front the drying ground; at each end of this building are the airing grounds for the sick prisoners, and on the second floor are the male and female infirmaries, separated by a strong partition wall. The left hand bastion contains the millhouse, stable, and a room for the van which takes the prisoners to the town hall in the assize time; over these three rooms are the mill chamber and hay-loft. The horizontal wind vane on the roof of this building is to assist the prisoners when there is not a sufficiency of them sentenced to the tread-wheels; by shutting the louvre boards of the arms it then produces employment for the prisoners when there is no corn in the mill to grind. In the remote bastion are seen the tread-wheels on which the prisoners are employed in keeping up a constant retrograde motion, which works the machinery in the millhouse by means of an iron shaft with universal joints concealed below the surface of the ground.

Here are four prison wings in the building, the right hand one contains in one ward common debtors, and in the other unconvicted men felons, not capital. The second wing on the right contains on one side unconvicted men felons, and unconvicted women felons for capital offences on the other. In the first left hand wing there is on the first side the master debtors, and on the other the court of conscience debtors; the second wing on the left contains on one side men misdemeanors, and on the other convicted men felons. There are two day-rooms in each of the four wings, and four condemned cells and four solitary ones in the back towers; there is also fourteen airing yards between the four wings, six of which are sunk three feet below the others, to enable the governor from the inspection gallery of his house to overlook the tread-wheels, millhouse, and infirmary; those yards are descended by stone steps, in each there is a day room, and they are appropriated to the following prisoners, namely, women debtors, unconvicted women felons, not capital; convicted women felons, women fines, men fines, and boys for misdemeanors. There is also a level passage between each two of the sunk yards, one leading to the infirmary, one to the millhouse, and the other to the tread-wheels.

In the governor's house there is in the basement story a kitchen, scullery, and bakehouse, store room, beer-cellar, and coal cellar; on the ground floor is the governor's office, living room, committee room, and matron's room; on the second floor are two bedrooms and the lower part of the chapel; and on the third floor are two bedrooms and the gallery of the chapel. There are likewise four bridge staircases, one from each prison wing leading to passages in the governor's house, which communicates with the chapel; the prisoners are not here able to see each others' class, as they are separated by fourteen partitions, being as many as there are yards in the prison, yet the governor and minister have from their seats a complete view of every person and every part. Around the governor's house is an enclosed area, and above an inspection gallery, from which the governor is enabled to see into every part of the prison. On the towers of the four prison wings there are reservoirs for containing water, which is thrown up by a pump worked by the prisoners at the tread-wheel, whenever water is required, and by means of lead pipes, it is then conveyed to every part of the prison. The whole gaol is fire-proof, the floors being of stone, and the doors and windows of iron.

ARCHITECTUS.

No. 1.

BERNARD BARTON.

"Sheltered, but not to social duties lost; Secluded, but not buried; and with song Cheering his days."

The productions of Mr. Barton are doubtless familiar to most of our readers, and from them they have learnt much of the amiable turn of the poet's character. Mr. Barton's compositions afford indications of genuine feeling, of deep affection, of benevolence, sympathy, taste, and integrity; he seems to have an ear ever on the listen for the accents of charity, patriotism, and religion; where human anguish causes the tear to start, there he would fain be to soothe and alleviate. Such is the character of the poet, and in the following sketch such will be proved to be the character of the man.

"I knew thee not! then wherefore gaze Upon thy silent shadow there, Which so imperfectly portrays The form thy features used to wear? Yet have I often looked at thee, As if those lips could speak to me.

I knew thee not! and thou couldst know, At best, but little more of one Whose pilgrimage on earth below Commenced, just ere thy own was done; For few and fleeting days were thine, To hope or fear for lot of mine.

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