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Chapter

"Looking up from the task he was engaged in"

"Persisting in his endeavour to remove her mask"

"The haunting memories of Stephania"

It was the hour of high noon on a sultry October day in Rome, in the year of our Lord nine hundred and ninety-nine. In the porphyry cabinet of the imperial palace on Mount Aventine, before a table covered with parchments and scrolls, there sat an individual, who even in the most brilliant assembly would have attracted general and immediate attention.

Judging from his appearance he had scarcely passed his thirtieth year. His bearing combined a marked grace and intellectuality. The finely shaped head poised on splendid shoulders denoted power and intellect. The pale, olive tints of the face seemed to intensify the brilliancy of the black eyes whose penetrating gaze revealed a singular compound of mockery and cynicism. The mouth, small but firm, was not devoid of disdain, and even cruelty, and the smile of the thin, compressed lips held something more subtle than any passion that can be named. His ears, hands and feet were of that delicacy and smallness, which is held to denote aristocracy of birth. And there was in his manner that indescribable combination of unobtrusive dignity and affected elegance which, in all ages and countries, through all changes of manners and customs has rendered the demeanour of its few chosen possessors the instantaneous interpreter of their social rank. He was dressed in a crimson tunic, fastened with a clasp of mother-of-pearl. Tight fitting hose of black and crimson terminating in saffron-coloured shoes covered his legs, and a red cap, pointed at the top and rolled up behind brought the head into harmony with the rest of the costume.

Now and then, Benilo, the Grand Chamberlain, cast quick glances at the sand-clock on the table before him; at last with a gesture of mingled impatience and annoyance, he pushed back the scrolls he had been examining, glanced again at the clock, arose and strode to a window looking out upon the western slopes of Mount Aventine.

The sun was slowly setting, and the light green silken curtains hung motionless, in the almost level rays. The stone houses of the city and her colossal ruins glowed with a brightness almost overpowering. Not a ripple stirred the surface of the Tiber, whose golden coils circled the base of Aventine; not a breath of wind filled the sails of the deserted fishing boats, which swung lazily at their moorings. Over the distant Campagna hung a hot, quivering mist and in the vineyards climbing the Janiculan Mount not a leaf stirred upon its slender stem. The ramparts of Castel San Angelo dreamed deserted in the glow of the westering sun, and beyond the horizon of ancient Portus, torpid, waveless and suffused in a flood of dazzling brightness, the Tyrrhene Sea stretched toward the cloudless horizon which closed the sun-bright view.

How long the Grand Chamberlain had thus abstractedly gazed out upon the seven-hilled city gradually sinking into the repose of evening, he was scarcely conscious, when a slight knock, which seemed to come from the wall, caused him to start. After a brief interval it was repeated. Benilo drew the curtains closer, gave another glance at the sand-clock, nodded to himself, then, approaching the opposite wall, decorated with scenes from the Metamorphoses of Ovid, touched a hidden spring. Noiselessly a panel receded and, from the chasm thus revealed, something like a shadow passed swiftly into the cabinet, the panel closing noiselessly behind it.

Benilo had reseated himself at the table, and beckoned his strange visitor to a chair, which he declined. He was tall and lean and wore the gray habit of the Penitent friars, the cowl drawn over his face, concealing his features.

For some minutes neither the Grand Chamberlain nor his visitor spoke. At last Benilo broke the silence.

"You are the bearer of a message?"


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