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HAUNTED PLACES IN ENGLAND

THE CHAIR

THE CASE OF A HAUNTED HOUSE IN RED LION SQUARE

I am not a psychometrist--at least not to any great extent. I cannot pick up a small object--say an old ring or coin--and straightway tell you its history, describing all the people and incidents with which it has been associated. Yet, occasionally, odd things are revealed to me through some strange ornament or piece of furniture.

The other day I went to see a friend, who was staying in a flat near Sloane Square, and I was much impressed by a chair that stood on the hearthrug near the fire. Now I am not a connoisseur of chairs; I cannot always ascribe dates to them. I can, of course, tell whether they are oak or mahogany, Chippendale or Sheraton, but that is about all. It was not, however, the make or the shape of this chair that attracted me, it was the impression I had that something very uncanny was seated on it. My friend, noticing that I looked at it very intently, said: "I will tell you something very interesting about that chair. It came from a haunted house in Red Lion Square. I bought it at a sale there, and several people who have sat in it since have had very curious experiences. I won't tell you them till after you've tried it. Sit in it."

"That wouldn't be any good," I answered; "you know I can't psychometrise, especially to order. May I take it home with me for a few nights?"

My friend smilingly assented.

The chair was put in a taxi, and in less than half an hour was safely lodged in my chambers. I was living alone just then, for my wife had been suddenly called away to the country, to the bedside of an aged and ailing relative. I say alone, but I had company--a lady tabby that, apparently abandoned by her lover, persisted in showering her attentions upon me. For hours at a time she would perch on the writing-table in my bedroom, whilst I was at work, and fix me amorously with her big green eyes.

The moment, however, this most eccentric of feline beauties perceived the chair, she sprang off her pedestal and dived under the bed; and from that hour to this I have never seen her. The chair did not frighten me, but it brought a new, and I cannot say altogether pleasant, atmosphere into the place. When I was in bed and the gas was out, I could swear the chair moved, that it shifted nearer and nearer the window--always the window, as if it was most anxious to make its escape and hie back to its old home. And again there were times when, barred from this avenue of escape, it rocked. Yes, I could distinctly hear it rock backwards and forwards on the parquet floor with ever increasing rapidity and violence, as though blind with fury at being balked. And then, again, it groaned, groaned in the deepest and most hopeless misery--misery that the eternally damned alone can know and suffer. Certain now that there was something there that badly needed human consolation, I addressed the chair, and, failing to get any verbal answer from it, I tried a code of raps. That failing, I sat in it for several hours two successive nights, and experimented in automatic writing. The result was nil. Resolving to give it another trial, but this time without a planchette, I chose a Friday night when the moon was in the crescent, and placing the chair on one side the hearth, facing the window, I threw myself back in it and closed my eyes. For some minutes I was still vividly conscious of the old surroundings: the flickering fire flames--seen through my closed lids; the old grandfather clock on the landing outside solemnly ticking; the eternal whistling and hooting of the taxis as they whizzed along in the street beneath.

Then by degrees, quite imperceptibly, I lost cognisance of all these things; and, intuitively, I began to feel the presence of something strange and wholly novel in the room. I felt it steal forth from a piece of dark and ancient tapestry my wife had hung on the wall. It was merely a shadow, an undefined shadow, a shadow such as the moon, when very low in the heavens, might possibly fashion from the figure of a man; but yet it was not a man, nor a woman, nor anything with which I was in any way familiar. For a moment it stood still, watching me from its vague, formless, indefinite eyes. Then it made a forward movement, stood still again, and yet once again advanced.

Coming up behind my chair, it bent low over me, and placing its long, cool spirit hands over my eyelids, imparted to me a steadily increasing sense of numbness. All thought was gradually annihilated; it was succeeded by a blank, just such a blank as suddenly comes to one when in the hands of the anaesthetist. Now, up to this evening, I had presumed, as nearly everybody does presume, that, in the case of mental blanks, every particle of consciousness is lost, totally arrested, and held, for the time being, in complete subjection. But on this occasion--at the very moment memory reasserted itself--I had recollections of some great metempsychosis, some stupendous change in my entire constitution, a change that affected all that we term mind, and spirit, and soul.

I struggled earnestly and desperately to recall the exact nature and process of that change, which I now believe underlies all so-called blanks, and I achieved this much: I recalled travel--a mad, rushing plunge or descent into something--something quite different from anything I had known before--a descent into some plane, or sphere, or condition, wholly and completely apart from the physical, and what is generally understood and classified as the mental plane, sphere, or condition. In my efforts to recollect, I have arrived at that same pitch since; but whenever I have been on the verge of getting beyond it, of forcing back a minute recollection of how that metempsychosis was enacted, of all the stages in it, there has been a lapse--my memory has dimmed. Yet brief and slight as these remembrances have been, they have assured me of one great truth, namely--that the state of blank never actually exists. Some part of us--the part that alone retains consciousness--is extracted and borne far away from the actual material body; but on its return, on its reunion with the physical--with our gross and carnal, earthly self--all memory of this delicate and finely poised consciousness is at once swallowed up and obliterated. If such were not the case, if everything were indeed a blank, and the spiritual as well as the material part of us were suspended during what we term unconsciousness, we should be forced to the conclusion that the soul has no separate existence, that it cannot survive the body, and that the immortality of man, the infinite perpetuation of our identity, in which we have so fondly believed, is but a chimera. I am, however, certain--I could, if need be, swear to it--that even in the deepest slumber, in the wildest delirium, in the most seemingly omnipotent and annihilating blank, all is not lost, something remains, and that something is the psychic and spiritual consciousness, the very thing that constitutes what we term soul. In the first stage, then, of my cognisance of thought, again I struggled with memory, and the struggle overcoming me, I gradually lapsed into the mere consciousness of existence without thought. How long this condition lasted I cannot say, but with startling abruptness thought returned, and I became madly anxious to ascertain my present state--how it differed from my former--and my whereabouts. I was conscious of sound and light and motion, but conscious of them merely from the point of observation, as things quite outside myself--things that in no way sensibly affected me. What particularly impressed me was the silence--the passivity--of what, I believed, constituted my body. I could detect no heart movement, no pulsation whatever. I seemed to be there--to have a very familiar form--but to be nothing more than form--to have no tangibility. So far my eyes had seen; but, purposely, I had not allowed myself to discriminate objects. I was intuitively certain my power of vision had become supernormal; and I dreaded to employ it for fear I should see too much--too acutely. I had a stupendous sense of impending horror. At length, however, I was impelled by an irresistible fascination to look. I did so, and in an instant became the spectator of a drama. Before me, seated at a grimy wooden table, were two men, clad in the fascinating garb of the latter part of the eighteenth century--long coat, befrilled vest, knee breeches, and peruke. Two mugs of ale were placed in front of them, and the one man kept on sipping, while the other, seldom touching the ale, took long and vigorous puffs at a pipe. The room had a very low ceiling, blackened with smoke, and traversed by enormous oaken beams; a chimney corner, in which sat an old man, munching something out of a very dirty-looking bag, and, at the same time, taking occasional pinches of snuff; and a couch, stowed away in one corner, and piled several feet high with a variety of books, papers, cushions, and wearing apparel.


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