: Selected Polish Tales by Kaden Bandrowski Juliusz Conductor Na Kowska Zofia Contributor Prus Boles Aw Contributor Reymont W Adys Aw Stanis Aw Contributor Szyma Ski Adam Contributor Eromski Stefan Contributor Benecke Else C M Else Cecilia Mendelssohn Transl

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England is fortunate in counting Joseph Conrad among her own novelists; although a Pole by birth he is one of the greatest masters of English style. The Polish authors who have written in their own language have perhaps been most successful in the short story. Often it is so slight that it can hardly be called a story, but each of these sketches conveys a distinct atmosphere of the country and the people, and shows the individuality of each writer. The unhappy state of Poland for more than 150 years has placed political and social problems in the foreground of Polish literature. Writers are therefore judged and appraised by their fellow-countrymen as much by their patriotism as by their literary and artistic merits.

My share in the work has been to put Miss Benecke's literal translation into a form suitable for publication, and to get into touch with the authors or their representatives, to whom I would now tender my grateful thanks for their courteous permission to issue this volume, viz. to Mme Glowacka, widow of 'Prus', to the sons of the late Mr. Szym?nski, to MM. Zeromski, Reymont, Kaden-Bandrowski, and to Mme Rygier-Nalkowska, all of Warsaw.

MARIE BUSCH.

THE OUTPOST

BOLESLAW PRUS

The river Bialka springs from under a hill no bigger than a cottage; the water murmurs in its little hollow like a swarm of bees getting ready for their flight.

For the distance of fifteen miles the Bialka flows on level ground. Woods, villages, trees in the fields, crucifixes by the roadside show up clearly and become smaller and smaller as they recede into the distance. It is a bit of country like a round table on which human beings live like a butterfly covered by a blue flower. What man finds and what another leaves him he may eat, but he must not go too far or fly too high.

Fifteen to twenty miles farther to the south the country begins to change. The shallow banks of the Bialka rise and retreat from each other, the flat fields become undulating, the path leads ever more frequently and steeply up and down hill.

The plain has disappeared and given place to a ravine; you are surrounded by hills of the height of a many-storied house; all are covered with bushes; sometimes the ascent is steep, sometimes gradual. The first ravine leads into a second, wilder and narrower, thence into a succession of nine or ten. Cold and dampness cling to you when you walk through them; you climb one of the hills and find yourself surrounded by a network of forking and winding ravines.

A short distance from the river-banks the landscape is again quite different. The hills grow smaller and stand separate like great ant-hills. You have emerged from the country of ravines into the broad valley of the Bialka, and the bright sun shines full into your eyes.

If the earth is a table on which Providence has spread a banquet for creation, then the valley of the Bialka is a gigantic, long-shaped dish with upturned rim. In the winter this dish is white, but at other seasons it is like majolica, with forms severe and irregular, but beautiful. The Divine Potter has placed a field at the bottom of the dish and cut it through from north to south with the ribbon of the Bialka sparkling with waves of sapphire blue in the morning, crimson in the evening, golden at midday, and silver in moonlit nights.

When He had formed the bottom, the Great Potter shaped the rim, taking care that each side should possess an individual physiognomy.

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