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AN OUTLINE NARRATIVE

TRACING BRIEFLY THE CAUSES, CONNECTIONS, AND CONSEQUENCES OF

THE GREAT EVENTS

CHARLES F. HORNE

The Renaissance marks the separation of the mediaeval from the modern world. The wide difference between the two epochs of Teutonic history arises, we are apt somewhat glibly to say, from the fact that our ancestors worshipped and were ruled by brute force, whereas we follow the broad light of intellect. Perhaps both statements require modification; yet in a general way they do suggest the change which by a thousand different agencies has, in the course of the last four centuries, been forced upon the world. Mediaeval Europe was a land not of equals, but of lords and slaves. The powerful nobles regarded themselves as of wholly different clay from the hapless peasants whom they trampled under foot, serfs so ignorant, so brutalized by want, that they were often little better than the beasts with which they herded. Gradually the tradesmen, the middle classes, forced their way to practical equality with the nobles. Then came the turn of the masses to do the same. The beginnings of the merchants' movement we have already traced in the preceding volumes; the end of the peasants' effort is perhaps even to-day scarce yet accomplished.

All of these epochs fall within the limits of the Renaissance, and all, except that of Petrarch, within the later Renaissance which we are now considering. The period is therefore worth careful study.

INTELLECTUAL SUPREMACY OF ITALY

It is worth noting that to sell his books Faust left Germany for Paris, and that while printing-presses multiplied but slowly in the land of their origin, the new art was instantly seized upon in Italy, was there made widest use of and pushed to its perfection. In fact, through all the Middle Ages the Romance or semi-Teutonic peoples of Italy, France, and Spain were intellectually in advance of the more wholly Teutonic races of the North. Many of their descendants believe half contemptuously that the difference has not even yet been overcome.

Italy at this time held clearly the intellectual supremacy of the western world, and Florence under the Medici, Cosmo and then Lorenzo, held the supremacy of Italy. Not only in thought, but in art, was there an outburst brilliant beyond all earlier times. A friend and pupil of Cosmo de' Medici was made pope at Rome, and under the name of Nicholas V originated vast schemes for the rebuilding and beautifying of his city of ruins. Modern Rome with all its beautiful churches and wonders of art rose from the hands of Nicholas and his immediate successors. It was their idea that the city should no longer be remembered by its heathen greatness, but by its Christian splendor; that the sight of it should impress upon pilgrims not the decay of the world, but the glory and majesty of the Church. Nicholas also continued the work of Petrarch, gathering vast stores of ancient manuscripts, refounding and practically beginning the enormous Vatican Library. He established that alliance of the Church with the new culture of the age which for a century continued to be an honor and distinguishment to both.

In his pontificate occurred the fall of Constantinople, bringing with it the definite establishment of the Turks in Europe and the final extinction of that Roman Empire of the East which had originated with Constantine. For this reason the date of its fall is also employed as marking the beginning of modern Europe. It was at least the closing of the older volume, the final not undramatic exit of the last remnant of the ancient world, with its long decaying arts and arrogance, its wealth, its literature, and its law.

Greek scholars fleeing from the sack of their city brought many marvellous old manuscripts to Western Europe and were eagerly welcomed by Pope Nicholas and all of Italy. Nicholas even preached a crusade against the terrible Turks, and tried once more to rouse Europe to ancient enthusiasms. But he failed, and died, they say, heartbroken at his helplessness.

THE CLASH OF RACES IN THE EAST


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