: Custom and Myth by Lang Andrew - Religion; Folklore; Mythology; Manners and customs Mythology

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CUSTOM AND MYTH

To E. B. Tylor, author of 'Primitive Culture,' these studies of the oldest stories are dedicated.

INTRODUCTION.

Though some of the essays in this volume have appeared in various serials, the majority of them were written expressly for their present purpose, and they are now arranged in a designed order. During some years of study of Greek, Indian, and savage mythologies, I have become more and more impressed with a sense of the inadequacy of the prevalent method of comparative mythology. That method is based on the belief that myths are the result of a disease of language, as the pearl is the result of a disease of the oyster. It is argued that men at some period, or periods, spoke in a singular style of coloured and concrete language, and that their children retained the phrases of this language after losing hold of the original meaning. The consequence was the growth of myths about supposed persons, whose names had originally been mere 'appellations.' In conformity with this hypothesis the method of comparative mythology examines the proper names which occur in myths. The notion is that these names contain a key to the meaning of the story, and that, in fact, of the story the names are the germs and the oldest surviving part.

The objections to this method are so numerous that it is difficult to state them briefly. The attempt, however, must be made. To desert the path opened by the most eminent scholars is in itself presumptuous; the least that an innovator can do is to give his reasons for advancing in a novel direction. If this were a question of scholarship merely, it would be simply foolhardy to differ from men like Max Muller, Adalbert Kuhn, Breal, and many others. But a revolutionary mythologist is encouraged by finding that these scholars usually differ from each other. Examples will be found chiefly in the essays styled 'The Myth of Cronus,' 'A Far- travelled Tale,' and 'Cupid and Psyche.' Why, then, do distinguished scholars and mythologists reach such different goals? Clearly because their method is so precarious. They all analyse the names in myths; but, where one scholar decides that the name is originally Sanskrit, another holds that it is purely Greek, and a third, perhaps, is all for an Accadian etymology, or a Semitic derivation. Again, even when scholars agree as to the original root from which a name springs, they differ as much as ever as to the meaning of the name in its present place. The inference is, that the analysis of names, on which the whole edifice of philological 'comparative mythology' rests, is a foundation of shifting sand. The method is called 'orthodox,' but, among those who practise it, there is none of the beautiful unanimity of orthodoxy.

These objections are not made by the unscholarly anthropologist alone. Curtius has especially remarked the difficulties which beset the 'etymological operation' in the case of proper names. 'Peculiarly dubious and perilous is mythological etymology. Are we to seek the sources of the divine names in aspects of nature, or in moral conceptions; in special Greek geographical conditions, or in natural circumstances which are everywhere the same: in dawn with her rays, or in clouds with their floods; are we to seek the origin of the names of heroes in things historical and human, or in physical phenomena?' Professor Tiele, of Leyden, says much the same thing: 'The uncertainties are great, and there is a constant risk of taking mere jeux d'esprit for scientific results.' Every name has, if we can discover or conjecture it, a meaning. That meaning--be it 'large' or 'small,' 'loud' or 'bright,' 'wise' or 'dark,' 'swift' or 'slow'--is always capable of being explained as an epithet of the sun, or of the cloud, or of both. Whatever, then, a name may signify, some scholars will find that it originally denoted the cloud, if they belong to one school, or the sun or dawn, if they belong to another faction. Obviously this process is a mere jeu d'esprit. This logic would be admitted in no other science, and, by similar arguments, any name whatever might be shown to be appropriate to a solar hero.

The scholarly method has now been applied for many years, and what are the results? The ideas attained by the method have been so popularised that they are actually made to enter into the education of children, and are published in primers and catechisms of mythology. But what has a discreet scholar to say to the whole business? 'The difficult task of interpreting mythical names has, so far, produced few certain results'--so writes Otto Schrader. Though Schrader still has hopes of better things, it is admitted that the present results are highly disputable. In England, where one set of these results has become an article of faith, readers chiefly accept the opinions of a single etymological school, and thus escape the difficulty of making up their minds when scholars differ. But differ scholars do, so widely and so often, that scarcely any solid advantages have been gained in mythology from the philological method.

For these reasons, and others too many to be adduced here, I have ventured to differ from the current opinion that myths must be interpreted chiefly by philological analysis of names. The system adopted here is explained in the first essay, called 'The Method of Folklore.' The name, Folklore, is not a good one, but 'comparative mythology' is usually claimed exclusively by the philological interpreters.

The second essay, 'The Bull-Roarer,' is intended to show that certain peculiarities in the Greek mysteries occur also in the mysteries of savages, and that on Greek soil they are survivals of savagery.

'The Myth of Cronus' tries to prove that the first part of the legend is a savage nature-myth, surviving in Greek religion, while the sequel is a set of ideas common to savages.

'Cupid and Psyche' traces another Aryan myth among savage races, and attempts to show that the myth may have had its origin in a rule of barbarous etiquette.

'A Far-travelled Tale' examines a part of the Jason myth. This myth appears neither to be an explanation of natural phenomena , nor based on a widespread custom The question is asked whether the story may have been diffused by slow filtration from race to race all over the globe, as there seems no reason why it should have been invented separately in many different places.

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