: Hiwaga ng Pagibig by Nanong Balbino B - Fiction

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FACING PAGE Making use of a "Real" Incident 18 The Scene the Audiences Saw 19 Roping an Auto Bandit 28 Taking "Close-Ups" on a Moving Auto 29 A Movie "Miniature" 36 A Snow Scene Made of Salt 37 "Shooting" a Tramp on a Moving Train 40 A Closer View of the Preceding "Take" 41 Getting Thrills with a Balloon 48 An Old Whaling Ship Refitted to Make a New Movie 49 Capsized by a Real Whale 60 Aiding Nature by a Skilful Fake 60 Real Danger on the High Seas 61 The Second Step to Safety 61 A Douglas Fairbanks "Set" used in "The Three Musketeers" 64 How a Movie "Set" is Made 65 Applying the Mysteries of "Make-Up" 68 A Typical Movie "Interior" 69 Staging a Movie Prize-Fight 69 How a Motion Picture Interior is Made 72 Engine Trouble on a Dakota Prairie 73 When the Hero is the Captain of a Steam Shovel 73 Douglas Fairbanks as D'Artagnan in "The Three Musketeers" 78 Another Scene from "The Three Musketeers" 79 Filming an Old Engineer on a Fast-Moving Locomotive 86 Another Railroad Scene 87 Getting a Comedy Close-Up for a Laugh 92 A "Location" where Reflectors are Essential 93 Where Scenic Beauty is Required 104 A Proposal on a Mountain Top 105 Wrecking a Racing-Car for Sport 110 Getting a Risky Bit of Action 111 Actress, or a Victim of an Accident? 120 Getting a real "Thriller" 121 Drama on an A?roplane 128 A Gruesome A?roplane Wreck 129 Good Training in Cheerfulness 134 Two Cameras Against One Pig 135 Carrying an Elephant to a "Location" 138 An Auto Load of Horses 139 A T?te-?-T?te with a Lion 144 Acting with a "Tame" Lion 145 An Elephant on a Rampage 148 Human Brains Against Brute Strength 149 One of the Big Scenes in "Robin Hood" 154 Spending Money on a "Spectacle" 155 A "Western" Actor and His Favorite Horse 172 "Westerns" are always Popular 173 Archway from "The Three Musketeers" 184 A Mexican Gateway from "Winners of the West" 185

WITH THE MOVIE MAKERS

HOW DO YOU WATCH MOVIES?

Grover Cleveland was a great fisherman. Once, after he was famous and President, some one asked him what he did, all those hours he spent, waiting so patiently for the fish to bite.

"Oh," he is reported to have answered, "sometimes I sit and think, and other times I just sit."

That's the way most of us watch motion pictures--with the accent on the sit.

We don't use our brains enough, where the movies are concerned, either in the selection of pictures to go to see, or in analyzing--and appreciating or criticizing--what we see.

How often do you watch motion pictures?

Do you know anything about how they're made? And who makes the best ones? And how they do it? And why they are better? And how you can tell them? And what it means in your life to see good ones--or bad ones?

More than twenty years ago, at a Yale-Harvard football game in New Haven, Harvard got the ball somewhere near midfield, in the second half, and hammered away towards the Yale goal. It was a cold, rainy day, with gray skies overhead and mud underfoot. Harvard weighed more, and was better trained, and had better men. From the very first they had the better of it; early in the game they plowed through to two touchdowns, while lumps came into the throats of the draggled Yale thousands, looking helplessly down from the great packed bleachers.

Then came that march down the field in the second half, with the rain falling again, and the players caked with mud until you couldn't tell Red from Blue, and the last hopes of the Yale rooters sinking lower and lower.

But as Harvard pounded and plowed and splashed past midfield--half a yard, three yards, two yards, half a yard again-- the cheering for that beaten, broken, plucky, fighting eleven swelled into a solid roar of encouragement and sympathy. It rose past the cheer leaders--ignored them; old grads and undergrads, and boys who wouldn't reach Yale for years to come. Yale--Yale--Yale--over and over again, and then the famous Brek-ek-ek-ek! Co-ex! Co-ex!--rolling back again into the Nine Long Yales. All the way from midfield they kept it up, without a break or waver--there in the rain and the face of defeat--all the way down to the goal--and across it. Loyalty!

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