: The Gladiators. A Tale of Rome and Judæa by Whyte Melville G J George John - Historical fiction; Sieges Fiction; Jerusalem History Siege 70 A.D. Fiction; Rome History Flavians 69-96 Fiction

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THE GLADIATORS

THE GLADIATORS

THE IVORY GATE

Dark and stern, in their weird beauty, lower the sad brows of the Queen of Hell. Dear to her are the pomp and power, the shadowy vastness, and the terrible splendour of the nether world. Dear to her the pride of her unbending consort; and doubly dear the wide imperial sway, that rules the immortal destinies of souls. But dearer far than these--dearer than flashing crown and fiery sceptre, and throne of blazing gold--are the memories that glimmer bright as sunbeams athwart those vistas of gloomy grandeur, and seem to fan her weary spirit like a fresh breeze from the realms of upper earth. She has not forgotten, she never can forget, the dewy flowers, the blooming fragrance of lavish Sicily, nor the sparkling sea, and the summer haze, and the golden harvests that wave and whisper in the garden and granary of the world. Then a sad smile steals over the haughty face; the stern beauty softens in the gleam, and, for a while, the daughter of Ceres is a laughing girl once more.

So the Ivory Gate swings back, and gentle doves come forth on snowy wings, flying upwards through the gloom, to bear balm and consolation to the weary and the wounded and the lost. Now this was the dream the birds of Peace brought with them, to soothe the broken spirit of a sleeping slave.

The old boar has turned to bay at last. Long and severe has been the chase; through many an echoing woodland, down many a sunny glade, by copse and dingle, rock and cave, through splashing stream, and deep, dank, quivering morass, the large rough hounds have tracked him, unerring and pitiless, till they have set him up here, against the trunk of the old oak-tree, and he has turned--a true British denizen of the waste--to sell his life dearly, and fight unconquered to the last. His small eye glows like a burning coal; the stiff bristles are up along his huge black body, flecked with white froth that he churns and throws about him, as he offers those curved and ripping tusks, now to one, now to another of his crowding, baying, leaping foes.

"Have at him! Good dogs!" shouts the hunter, running in with a short, broad-bladed boar-spear in his hand. Breathless is he, and wearied with the long miles of tangled forests he has traversed; but his heart is glad within him, and his blood tingles with a strange wild thrill of triumph known only to the votaries of the chase.

Gelert is down, torn and mangled from flank to dewlap; Luath has the wild swine by the throat; and a foot of gleaming steel, driven home by a young, powerful arm, has entered behind the neck and pierces downwards to the very brisket. The shaft of the spear snaps short across, as the thick unwieldy body turns slowly over, and the boar shivers out his life on the smooth sward, soft and green as velvet, that exists nowhere but in Britain.

The dream changes. The boar has disappeared, and the woodland gives place to a fair and smiling plain. Vast herds of shaggy red cattle are browsing contentedly, with their wide-horned heads to the breeze; flocks of sheep dot the green undulating pastures, that stretch away towards the sea. A gull turns its white wing against the clear blue sky; there is a hum of insects in the air, mingled with the barking of dogs, the lowing of kine, the laughter of women, and other sounds of peace, abundance, and content. A child is playing round its mother's knee--a child with frank bold brow and golden curls, and large blue fearless eyes, sturdy of limb, quick of gesture, fond, imperious, and wilful. The mother, a tall woman, with a beautiful but mournful face, is gazing steadfastly at the sea, and seems unconscious of her boy's caresses, who is fondling and kissing the white hand he holds in both his own. Her large shapely figure is draped in snowy robes that trail upon the ground, and massive ornaments of gold encircle arms and ankles. At intervals she looks fondly down upon the child; but ever her face resumes its wistful expression, as she fixes her eyes again upon the sea. There is nothing of actual sorrow in that steadfast gaze--still less of impatience, or anger, or discontent. Memory is the prevailing sentiment portrayed--memory, tender, absorbing, irresistible, without a ray of hope, but without a shadow of self-reproach. There is a statue of Mnemosyne at one of the entrances to the Forum that carries on its marble brow the same crushing weight of thought; that wears on its delicate features, graven into the saddest of beauty by the Athenian's chisel, just such a weary and despondent look. Where can the British child have seen those tasteful spoils of Greece that deck her imperial mistress? And yet he thinks of that statue as he looks up in his mother's face. But the fair tall woman shivers and draws her robe closer about her, and taking the child in her arms, nestles his head against her bosom and covers him over with her draperies, for the wind blows moist and chill, the summer air is white with driving mist, huge shapeless forms loom through the haze, and the busy sounds of life and laughter have subsided into the stillness of a vast and dreary plain.

The child and its mother have disappeared, but a tall, strong youth, just entering upon manhood, with the same blue eyes and fearless brow, is present in their stead. He is armed for the first time with the weapons of a warrior. He has seen blows struck in anger now, and fronted the legions as they advanced, and waged his fearless unskilful valour against the courage, and the tactics, and the discipline of Rome. So he is invested with sword, and helm, and target, and takes his place, not without boyish pride, amongst the young warriors who encircle the hallowed spot where the Druids celebrate their solemn and mysterious rites.

The mist comes thicker still, driving over the plain in waves of vapour, that impart a ghostly air of motion to the stones that tower erect around the mystic circle. Grey, moss-grown, and unhewn, hand of man seems never to have desecrated those mighty blocks of granite, standing there, changeless and awful, like types of eternity. Dim and indistinct are they as the worship they guard. Hard and stern as the pitiless faith of sacrifice, vengeance, and oblation, inculcated at their base. A wild low chant comes wailing on the breeze, and through the gathering mist a long line of white-robed priests winds slowly into the circle. Stern and gloomy are they of aspect, lofty of stature, and large of limb, with long grey beards and tresses waving in the wind. Each wears a crown of oak-leaves round his head; each grasps a wand covered with ivy in his hand. The youth cannot resist an exclamation of surprise. There is desecration in his thought, there is profanity in his words. Louder and louder swells the chant. Closer and closer still contracts the circle. The white-robed priests are hemming him in to the very centre of the mystic ring, and see! the sacrificial knife is already bared and whetted, and flourished in the air by a long brawny arm. The young warrior strives to fly. Horror! his feet refuse to stir, his hands cleave powerless to his sides. He seems turning to stone. A vague fear paralyses him that he too will become one of those granite masses to stand there motionless during eternity. His heart stops beating within him, and the transformation seems about to be completed, when lo! a warlike peal of trumpets breaks the spell, and he shakes his spear aloft and leaps gladly from the earth, exulting in the sense of life and motion once more.

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