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FRONTISPIECE. Gateway with eclipse. A reduction of plate 70; from "JERUSALEM."

TITLE-PAGE. A design of borders, selected from those in "JERUSALEM" , with minor details from "MARRIAGE OF HEAVEN AND HELL," and "BOOK OF THEL."

P. 200. Title from "THE BOOK OF THEL."

P. 204. Title from "MARRIAGE OF HEAVEN AND HELL."

P. 208. Plate 8, from the SAME .

P. 224. The Leviathan. From "MARRIAGE OF HEAVEN AND HELL."

P. 258. From "MILTON." Male figures; one in flames.

P. 276. Female figures. A reduction of Plate 81 from "JERUSALEM."

P. 282. Design with bat-like figure. A reduction of Plate 33 from "JERUSALEM."

WILLIAM BLAKE.

Tous les grands po?tes deviennent naturellement, fatalement, critiques. Je plains les po?tes que guide le seul instinct; je les crois incomplets. Dans la vie spirituelle des premiers, une crise se fait infailliblement, o? ils veulent raisonner leur art, d?couvrir les lois obscures en vertu desquelles ils ont produit, et tirer de cette ?tude une s?rie de pr?ceptes dont le but divin est l'inf?illibilit? dans la production po?tique. Il serait prodigieux qu'un critique dev?nt po?te, et il est impossible qu'un po?te ne contienne pas un critique.--CHARLES BAUDELAIRE.

In the year 1827, there died, after a long dim life of labour, a man as worthy of remark and regret as any then famous. In his time he had little enough of recognition or regard from the world; and now that here and there one man and another begin to observe that after all this one was perhaps better worth notice and honour than most, the justice comes as usual somewhat late.


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