Trap for Cinderella (novel)Trap for Cinderella is a psychological mystery novel by Sébastien Japrisot, originally published in French as Piège pour Cendrillon in 1962. It received the 1963 Grand Prix de Littérature policière.
It's notable for the subversion of the rules of the mystery genre: the heroine—who suffers from amnesia and tries to reconstruct her past—simultaneously takes on the roles of victim, witness, detective and murderer.
Plot
A young woman wakes up in a hospital, badly burned and suffering from amnesia. She receives a new face through plastic surgery but still doesn't remember who she is. Doctor Doulin who treats her, tells her that her name is Michele Isola, also called Mickey or Mi, and she is twenty years old. She was caught in a fire accident in a seaside villa with her friend Domenica Loi, also known as Do. The latter died in the fire. When Mickey is discharged from the hospital, she comes to stay with her family friend and childhood governess Jeanne Murneau. Mickey will turn twenty-one soon, and she is expected to inherit a vast fortune from Raffermi, a rich old Italian businesswoman who once married Mi's widowed father. It turns out, that Jeanne and Mickey had a love-hate relationship in the past, and Mi's behavior in the months leading to the accident was increasingly erratic, and she refused to visit the dying Raffermi.
Jeanne is reluctant to let Mickey see any of her old acquaintances. Mi suspects that Jeanne may be hiding something. Mickey becomes increasingly convinced that she is not really Michele but Domenica. When confronted with this supposition, Jeanne admits that she and Do were planning to get rid of Mi by staging a fire accident, and then pass Domenica for Michele to receive the inheritance.
Then the heroine meets Serge Reppo, a young postal worker, who claims that he warned Mi of Jeanne and Do's plot several days before the accident. The survivor is then Michele who was able to turn the tables on Domenica. The heroine realizes that she doesn't know anything apart from what others told her, and is tormented by the uncertainty. Is she Michele or Domenica, the victim or the murderess?
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