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It would hardly be possible to conceive anything more truly touching than the shift of William Thom, when he practised the pardonable deception upon his hungry children of turning day into night, though for downright deprivation the experience of John Ledyard, the traveller, may be said to excel it. This celebrated discoverer, who came into Europe from the United States in 1776, when making a tour of the world with Captain Cook, as corporal of a troop of Marines, arrived in England in 1780. He then formed the design of penetrating from the North West to the East Coast of America, for which purpose Sir Joseph Banks furnished him with some money. He bought sea stores with the intention of sailing to Nootka Sound, but altered his mind, and determined to travel overland to Kamschkatka, from whence the passage is short to the opposite shore of the American continent. Towards the close of the year 1786, he started with ten guineas in his pocket, went to and from Stockholm, because the Gulf of Bothnia was frozen; proceeding north he walked to the Arctic Circle, passed round the head of the Gulf of Bothnia, and descended on its east side to St. Petersburg, where he arrived in March 1787, without shoes or stockings. He proceeded to the house of the Portuguese Ambassador, who gave him a good dinner, and obtained for him twenty guineas on a bill drawn in the name of Sir Joseph Banks, with which sum he proceeded to Yakutz, accompanying a convoy of provisions, and there met Captain Cook. He says in his Journal, "I have known both hunger and nakedness to the utmost extremity of human endurance. I have known what it is to have food given me as charity to a madman, and I have at times been obliged to shelter myself under the miseries of that character to avoid a heavier calamity. My distresses have been greater than I have ever owned, or will own to any man. Such evils are terrible to bear, but they never yet had power to turn me from my purpose."
To have to submit to be thought a lunatic to escape starvation must certainly have been rather trying, though from the fact of part of the journey being performed without shoes or stockings it would certainly look as if John Ledyard were anything but particular; and it is well for us that he and other glorious pioneers were not, otherwise we should not be living in such an age of marvellous enlightenment as is our present privilege. Round the world in eighty days, facilitated by Cook's tourist coupons would hardly have been practicable, had not men like Ledyard been martyrs in the cause of exploration.
"An old fox broad sword, and a good black gown, And thus old Henry came to London Town."
Being thus intimately associated, it is only natural that the doctor in his 'Life of Savage' should thoroughly believe that individual's version of his own birth and parentage, which was that he was the illegitimate son of the Countess of Macclesfield, and that his father was Lord Rivers; the birth of Richard Savage giving his mother an excuse for obtaining a divorce from her husband, whom she hated. It is stated that "he was born in 1696, in Fox Court, a low alley leading out of Holborn, whither his mother had repaired under the name of Mrs. Smith--her features concealed in a mask, which she wore throughout her confinement. Discovery was embarrassed by a complication of witnesses; the child was handed from one woman to another until, like a story bandied from mouth to mouth, it seemed to lose its paternity." Lord Rivers, it is alleged, looked on the boy as his own, but his mother seems always to have disliked him; and the fact that Lady Mason, the mother of the countess, looked after the child's education, and had him put to a Grammar School at St. Albans, certainly favours the view of his aristocratic parentage. He was subsequently apprenticed to a shoemaker, but discovering the secret, or the supposed secret, of his birth, for not a few discredit his story, he cut leather for literature, and appealed to his mother for assistance. His habit was to walk of an evening before her door in the hope of seeing her, and making an appeal; but his efforts were in vain, he could neither open her heart nor her purse. He was befriended by many, notably by Steele, Wilks the actor, and Mrs. Oldfield, a "beautiful" actress, who allowed him an annuity of ?50 during her life; but in spite of all the assistance he received, his state was one of chronic impecuniosity. No sooner was he helped out of one difficulty than he managed to get into another, and though he is described by some biographers as a literary genius, his genius seemed principally a knack of getting into debt. Rambling about like a vagabond, with scarcely a shirt to his back, he was in such a plight when he composed his tragedy that he used to write it on scraps of paper picked up by accident, or begged in the shops which he occasionally stepped into, as thoughts occurred to him, craving the favour of pen and ink as if it were just to make a memorandum.
The able author of 'The Road to Ruin' was likewise one who had travelled some distance on that thorny path, for at one time he found himself in the streets of London without money, without a home, or a friend to whom his shame or pride would permit his making known his necessity. Wandering along he knew not whither, plunged in the deepest despondency, his eye caught sight of a printed placard, "To Young Men," inviting all spirited young fellows to make their fortunes as common soldiers in the East India Company's Service. After reading it over a second time he determined without hesitation to hasten off and enroll himself in that honourable corps, when he met with a person he had known at a sporting club he had been in the habit of frequenting. His companion seeing his bundle and rueful face, asked him where he was going, to which Holcroft replied that had he enquired five minutes before he could not have told him, but that now he was "for the wars." At this his friend appeared greatly surprised, and told him he thought he could put him up to something better than that. Macklin, the famous London actor, was going over to play in Dublin, and had asked him if he happened to be acquainted with a young fellow who had a turn for the stage, and, said his friend, "I should be happy to introduce you." The offer was gladly accepted, and when the introduction had been managed Holcroft was asked by Macklin "what had put it into his head to turn actor?" to which he replied, "He had taken it into his head to suppose it was genius, but that it was very possible he might be mistaken."
Holcroft was engaged for the tour, became an actor, and though he does not appear to have shone particularly strong on the stage, acquired considerable celebrity as a dramatic author, his play before mentioned being one of the few works of the old dramatists that has not become out of date with the playgoing public.
More than one literary man of note, has been compelled by poverty to accept the Queen's shilling. Coleridge, according to one of his biographers, left Cambridge partly through the loss of his friend Middleton, and partly on account of college debts. Vexed and fretted by the latter, he was overtaken by that inward grief which in after life he described in his 'Ode to Dejection.'
"A grief without a pang, void, dark, and drear, A stifled, drowsy, unimpassioned grief, Which finds no natural outlet, no relief, In word, or sigh, or tear."
In this state of mind he came to London, strolled about the streets till night, and then rested on the steps of a house in Chancery Lane. Beggars importuned him for alms and to them he gave the little money he had left. Next morning he noticed a bill to the effect that a few smart lads were wanted for the 15th Elliot's Light Dragoons. Thinking to himself "I have all my life had a violent antipathy to soldiers and horses, and the sooner I can cure myself of such absurd prejudices the better," he went to the enlisting-station, where the sergeant finding that Coleridge had not been in bed all night, made him have some breakfast and rest himself. Afterwards, he told him to cheer up, to well consider the step he was about to take, and suggested that he had better have half-a-guinea, go to the play, shake off his melancholy and not return. Coleridge went to the theatre, but afterwards resought the sergeant, who was extremely sorry to see him, and saying with evident emotion, "Then it must be so," enrolled him. In the morning he was marched to Reading with his new comrades, and there inspected by the general of the district. Looking at Coleridge, that officer said,--
"What's your name?"
"Comberback!"
"What do you come here for, sir?"
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