Practice and improve writing style.
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“It took two years to make,” retorted the Time Traveller. Then, when we had all imitated the action of the Medical Man, he said: “Now I want you clearly to understand that this lever, being pressed over, sends the machine gliding into the future, and this other reverses the motion. This saddle represents the seat of a time traveller. Presently I am going to press the lever, and off the machine will go. It will vanish, pass into future Time, and disappear. Have a good look at the thing. Look at the table too, and satisfy yourselves there is no trickery. I don’t want to waste this model, and then be told I’m a quack.”
“That,” said a very young man, making spasmodic efforts to relight his cigar over the lamp; “that . . . very clear indeed.”
“I searched again for traces of Weena, but there were none. It was plain that they had left her poor little body in the forest. I cannot describe how it relieved me to think that it had escaped the awful fate to which it seemed destined. As I thought of that, I was almost moved to begin a massacre of the helpless abominations about me, but I contained myself. The hillock, as I have said, was a kind of island in the forest. From its summit I could now make out through a haze of smoke the Palace of Green Porcelain, and from that I could get my bearings for the White Sphinx. And so, leaving the remnant of these damned souls still going hither and thither and moaning, as the day grew clearer, I tied some grass about my feet and limped on across smoking ashes and among black stems that still pulsated internally with fire, towards the hiding-place of the Time Machine. I walked slowly, for I was almost exhausted, as well as lame, and I felt the intensest wretchedness for the horrible death of little Weena. It seemed an overwhelming calamity. Now, in this old familiar room, it is more like the sorrow of a dream than an actual loss. But that morning it left me absolutely lonely again—terribly alone. I began to think of this house of mine, of this fireside, of some of you, and with such thoughts came a longing that was pain.
“Because I presume that it has not moved in space, and if it travelled into the future it would still be here all this time, since it must have travelled through this time.”
“I must confess that my satisfaction with my first theories of an automatic civilisation and a decadent humanity did not long endure. Yet I could think of no other. Let me put my difficulties. The several big palaces I had explored were mere living places, great dining-halls and sleeping apartments. I could find no machinery, no appliances of any kind. Yet these people were clothed in pleasant fabrics that must at times need renewal, and their sandals, though undecorated, were fairly complex specimens of metalwork. Somehow such things must be made. And the little people displayed no vestige of a creative tendency. There were no shops, no workshops, no sign of importations among them. They spent all their time in playing gently, in bathing in the river, in making love in a half-playful fashion, in eating fruit and sleeping. I could not see how things were kept going.
“Proposed a trap—like a fool,” said Kemp, “and sent my proposal out by a maid servant. To him.”
Mr. Marvel pulled his mouth askew and scratched his cheek and felt his ears glowing. “What will they be writing next?” he asked faintly. “Ostria, or America?”
He held a white cloth—it was a serviette he had brought with him—over the lower part of his face, so that his mouth and jaws were completely hidden, and that was the reason of his muffled voice. But it was not that which startled Mrs. Hall. It was the fact that all his forehead above his blue glasses was covered by a white bandage, and that another covered his ears, leaving not a scrap of his face exposed excepting only his pink, peaked nose. It was bright, pink, and shiny just as it had been at first. He wore a dark-brown velvet jacket with a high, black, linen-lined collar turned up about his neck. The thick black hair, escaping as it could below and between the cross bandages, projected in curious tails and horns, giving him the strangest appearance conceivable. This muffled and bandaged head was so unlike what she had anticipated, that for a moment she was rigid.
“Hullo!” said Dr. Kemp, putting his pen into his mouth again and listening. “Who’s letting off revolvers in Burdock? What are the asses at now?”
“I say!” said Jaffers, brought up short by a dim realization of the incongruity of the whole business, “Darn it! Can’t use ’em as I can see.”
“Who is that?” I said in a hoarse whisper, the revolver still pointed.
My thoughts went back to my means of escape. I got up, brought the lamp, and went into a shed to look at some kegs I had seen there. Then I became interested in the contents of some biscuit-tins, and opened one. I saw something out of the tail of my eye,—a red figure,—and turned sharply.
“They go. I turn them out when I begin to feel the beast in them, and presently they wander there. They all dread this house and me. There is a kind of travesty of humanity over there. Montgomery knows about it, for he interferes in their affairs. He has trained one or two of them to our service. He’s ashamed of it, but I believe he half likes some of those beasts. It’s his business, not mine. They only sicken me with a sense of failure. I take no interest in them. I fancy they follow in the lines the Kanaka missionary marked out, and have a kind of mockery of a rational life, poor beasts! There’s something they call the Law. Sing hymns about ‘all thine.’ They build themselves their dens, gather fruit, and pull herbs—marry even. But I can see through it all, see into their very souls, and see there nothing but the souls of beasts, beasts that perish, anger and the lusts to live and gratify themselves.—Yet they’re odd; complex, like everything else alive. There is a kind of upward striving in them, part vanity, part waste sexual emotion, part waste curiosity. It only mocks me. I have some hope of this puma. I have worked hard at her head and brain—
He suddenly left the cabin, and I heard him in violent controversy with some one, who seemed to me to talk gibberish in response to him. The matter sounded as though it ended in blows, but in that I thought my ears were mistaken. Then he shouted at the dogs, and returned to the cabin.
“I’m thinking of turning in, then,” said he, “if you’ve had enough of this.”
